Browse: I

WORKS 381 – 400 of 1106 IMAGES ONLY
Artist: KING, Grahame | Title: Improvisation I | Date: 1975 | Technique: lithograph, printed in colour, from stones [or plates]

Grahame King (1915–2008)

Improvisation I

(1975)

lithograph

Artist: KING, Grahame | Title: Improvisation II | Date: 1975 | Technique: lithograph, printed in colour, from four stones [or plates]

Grahame King (1915–2008)

Improvisation II

(1975)

lithograph

Artist: ROSE, Jacqueline | Title: Improvisations | Date: 2002 | Technique: etching, printed in black and green ink, from two copper plates

Jacqueline Rose (1967–)

Improvisations

(2002)

etching

Gladys Owen (1889–1960)

In 'Ginagulla' Garden.

William Bustard (1894–1973)

In a Convent Garden.

Artist: Counihan, Noel. | Title: In a foundry. | Date: 1948 | Technique: lithograph, printed in black ink, from one stone

Noel Counihan (1913–1986)

In a foundry.

(1948)

lithograph

Title: In a garden | Date: 1961 | Technique: screenprint, printed in black and green ink, from two stencils

In a garden

(1961)

screenprint

Robert Emerson Curtis (1898–1996)

'In a Mine Stope' pencil drawing.

Artist: Heyes, Ken. | Title: In a photograph taken in the summer of 1938, on the last of several visits he is standing in front of the house, an old man at forty six, in white shirt, tie, trousers with watch chain, looking truculently at the camera. | Date: 1984 | Technique: photocopy

Ken Heyes (1952–)

In a photograph taken in the summer of 1938, on the last of several visits he is standing in front of the house, an old man at forty six, in white shirt, tie, trousers with watch chain, looking truculently at the camera.

(1984)

photocopy

Artist: Heyes, Ken. | Title: In a picture from the late thirties, the curly hair has hardly receded, but there is no trace of youth or handsomeness; the face has widened and the upper torso seems not just high but blocky, huge. | Date: 1984 | Technique: photocopy

Ken Heyes (1952–)

In a picture from the late thirties, the curly hair has hardly receded, but there is no trace of youth or handsomeness; the face has widened and the upper torso seems not just high but blocky, huge.

(1984)

photocopy

Artist: Davies, L. Roy. | Title: (In a yacht). | Date: 1930 | Technique: wood-engraving, printed in black ink, from one block | Copyright: © The Estate of L. Roy Davies

L. Roy Davies (1897–1979)

(In a yacht).

(1930)

wood-engraving

Title: In Africa | Date: c.2008 | Technique: linocut, printed in black ink, from one block

In Africa

(c.2008)

linocut

Artist: Kenyon, Therese. | Title: In an advisory capacity | Date: 1990 | Technique: linocut and collage, printed in black ink, from one block

Therese Kenyon (1948–)

In an advisory capacity

(1990)

linocut and collage

B. Richards

In An Old Garden, Ryde.

Artist: EARTHWORKS POSTER COLLECTIVE | Title: In and out of work...Sydney Filmmakers Cinema. | Date: 1979 | Technique: screenprint, printed in colour, from four stencils | Copyright: © Raymond John Young

EARTHWORKS POSTER COLLECTIVE (1972–1979)

In and out of work...Sydney Filmmakers Cinema.

(1979)

screenprint

Artist: AMOR, Rick | Title: In Barri Gotic. | Date: 1991 | Technique: etching and foul bite, printed in black ink, from one plate

Rick Amor (1948–)

In Barri Gotic.

(1991)

etching and foul bite

Artist: AMOR, Rick | Title: In Barri Gottic | Date: 1991-92, November - January | Technique: lithograph, printed in black ink, from one plate | Copyright: Image reproduced courtesy the artist and Niagara Galleries, Melbourne

Rick Amor (1948–)

In Barri Gottic

(1991-92, November - January)

lithograph

Wlodzimierz Andrzej Kenda (1944–)

In Bonds.

Ellen Turkington (1940s)

In Botanical Gardens.

Alfred Edward Warner (1879–1968)

In Camp.

etching