Browse: I

WORKS 601 – 620 of 698 IMAGES ONLY
Artist: Behrens, Monika. | Title: Iraq for oil. | Date: 2006 | Technique: etching, printed in black ink, from one plate

Monika Behrens (1975–)

Iraq for oil.

(2006)

etching

Artist: L'Estrange, Sally. | Title: Iraqi civil troops heading for Iran | Date: 1981 | Technique: etching and aquatint, printed in black ink, from one plate; hand-written text in pink fibre tipped pen

Sally L'Estrange (1953–)

Iraqi civil troops heading for Iran

(1981)

etching and aquatint

Artist: L'Estrange, Sally. | Title: Iraqi tank passes an Iranian Government building in deserted Qasr-I-Shirin | Date: 1981 | Technique: etching, aquatint and flat bite, printed in black ink, from one plate

Sally L'Estrange (1953–)

Iraqi tank passes an Iranian Government building in deserted Qasr-I-Shirin

(1981)

etching

Artist: Marshall, John. | Title: Iris | Date: 1997 | Technique: linocut, printed in black ink, from one block

John Marshall (1948–)

Iris

(1997)

linocut

Artist: HANRAHAN, Barbara | Title: Iris | Date: 1991 | Technique: relief-etching, printed in black ink, from one plate

Barbara Hanrahan (1939–1991)

Iris

(1991)

relief-etching

Artist: HANRAHAN, Barbara | Title: Iris Pearl dreams of a wedding | Date: 1967 | Technique: lithograph, printed in colour, from two plates, two photolithographs from three plates

Barbara Hanrahan (1939–1991)

Iris Pearl dreams of a wedding

(1967)

lithograph

Artist: HANRAHAN, Barbara | Title: Iris Pearl dreams of a wedding | Date: 1977 | Technique: screenprint, printed in colour, from nine stencils

Barbara Hanrahan (1939–1991)

Iris Pearl dreams of a wedding

(1977)

screenprint

Artist: Rose, David. | Title: Iris plate | Date: 1986 | Technique: aquatint, printed in black ink, from one plate

David Rose (1936–2006)

Iris plate

(1986)

aquatint

Artist: Adams, Tate. | Title: (Irish fishing village). | Date: 1954 | Technique: linocut, printed in black ink, from one block

Tate Adams (1922–2018)

(Irish fishing village). | Fishing village

(1954)

linocut

Artist: Adams, Tate. | Title: (Irish fishing village). | Date: 1954 | Technique: linocut, printed in black ink, from one block

Tate Adams (1922–2018)

(Irish fishing village). | Fishing village

(1954)

linocut

Artist: Adams, Tate. | Title: Irish fishing village. | Date: 1954 | Technique: linocut, printed in colour, from three blocks

Tate Adams (1922–2018)

Irish fishing village. | Fishing village

(1954)

linocut

Artist: Adams, Tate. | Title: Irish Village. | Date: c.1955 | Technique: lithograph, printed in black ink, from one zinc plate

Tate Adams (1922–2018)

Irish Village.

(c.1955)

lithograph

Artist: Adams, Tate. | Title: [Irish] fishing village. | Date: 1954 | Technique: linocut, printed in colour, from three blocks

Tate Adams (1922–2018)

[Irish] fishing village. | Irish fishing village

(1954)

linocut

Artist: Namatjira, Lenie. | Title: Irolpa | Date: 1995 | Technique: linocut, printed in black ink, from one block

Lenie Namatjira (1951–)

Irolpa | Mount Sonder

(1995)

linocut

Artist: WALKER, Murray | Title: Iron age castle - Wiltshire Hills | Date: 1960 | Technique: drypoint, printed in black ink, from one plate

Murray Walker (1937–)

Iron age castle - Wiltshire Hills

(1960)

drypoint

Artist: WALKER, Murray | Title: Iron age encampment | Date: 1962 | Technique: etching, printed in black ink, from one plate

Murray Walker (1937–)

Iron age encampment

(1962)

etching

Title: Iron age encampment, Wiltshire Hills | Date: 1962 | Technique: drypoint, printed in black ink, from one plate

Iron age encampment, Wiltshire Hills

(1962)

drypoint

Artist: GILL, S.T. | Title: Iron Bark. | Date: 1852 | Technique: lithograph, printed in black ink, from one stone

S.T. Gill (1818–1880)

Iron Bark.

(1852)

lithograph

Artist: GILL, S.T. | Title: Iron Bark Gully from road to Bendigo. | Date: 1852 | Technique: lithograph, printed in black ink, from one stone

S.T. Gill (1818–1880)

Iron Bark Gully from road to Bendigo.

(1852)

lithograph

Artist: Rees, Lloyd. | Title: Iron Cove, Sydney Harbour | Date: 1978 | Technique: softground etching, printed in blue ink with plate-tone, from one zinc plate | Copyright: © Alan and Jancis Rees

Lloyd Rees (1895–1988)

Iron Cove, Sydney Harbour

(1978)

softground etching