Browse: I

WORKS 261 – 280 of 700 IMAGES ONLY
Title: Imposed cross | Date: 1964 | Technique: monoprint, printed in black ink, from one plate

Imposed cross

(1964)

monoprint

Artist: Wright, Helen. | Title: Impossible flower (Cover). | Date: 2000 | Technique: digital prints, printed in colour

Helen Wright (1956–)

Impossible flower (Cover).

(2000)

digital prints

Artist: SHEARER, Mitzi | Title: Impressions from a toy-shop | Technique: etching, printed in black ink, from one plate

Mitzi Shearer (1909–1995)

Impressions from a toy-shop

etching

Artist: MADDOCK, Bea | Title: Impressions of forty working days. | Date: 1985 | Technique: embossing

Bea Maddock (1934–2016)

Impressions of forty working days.

(1985)

embossing

Artist: Payne, Patsy. | Title: Imprint IX | Date: 2005 | Technique: screenprint, printed in colour, from three stencils

Patsy Payne (1955–)

Imprint IX

(2005)

screenprint

Artist: Payne, Patsy. | Title: Imprint VIII | Date: 2005 | Technique: screenprint, printed in colour, from three stencils

Patsy Payne (1955–)

Imprint VIII

(2005)

screenprint

Artist: Payne, Patsy. | Title: Imprint XII | Date: 2005 | Technique: screenprint, printed in colour, from three stencils

Patsy Payne (1955–)

Imprint XII

(2005)

screenprint

Artist: Buckley, Sue. | Title: Imprisoned. | Date: 1960 | Technique: linocut, printed in black ink, from one block | Copyright: This work appears on screen courtesy of Sue Buckley and her sister Jean Hanrahan

Sue Buckley (1911–1986)

Imprisoned.

(1960)

linocut

Artist: Hawkins, Weaver. | Title: Impromptu 2 | Date: 1960 | Technique: monotype, printed in colour, from one plate | Copyright: The Estate of H.F Weaver Hawkins

Weaver Hawkins (1893–1977)

Impromptu 2

(1960)

monotype

Artist: COLEING, Tony | Title: Improved fragmentation anti-personnel bombs | Date: 1982 | Technique: collage of newspaper and photographs, pencil

Tony Coleing (1942–)

Improved fragmentation anti-personnel bombs

(1982)

collage of newspaper and photographs

Artist: GILL, S.T. | Title: Improvident diggers in Melbourne. | Date: 1852 | Technique: lithograph, printed in black ink, from one stone

S.T. Gill (1818–1880)

Improvident diggers in Melbourne.

(1852)

lithograph

Artist: KING, Grahame | Title: Improvisation I | Date: 1975 | Technique: lithograph, printed in colour, from stones [or plates]

Grahame King (1915–2008)

Improvisation I

(1975)

lithograph

Artist: KING, Grahame | Title: Improvisation II | Date: 1975 | Technique: lithograph, printed in colour, from four stones [or plates]

Grahame King (1915–2008)

Improvisation II

(1975)

lithograph

Artist: ROSE, Jacqueline | Title: Improvisations | Date: 2002 | Technique: etching, printed in black and green ink, from two copper plates

Jacqueline Rose (1967–)

Improvisations

(2002)

etching

Artist: Counihan, Noel. | Title: In a foundry. | Date: 1948 | Technique: lithograph, printed in black ink, from one stone

Noel Counihan (1913–1986)

In a foundry.

(1948)

lithograph

Title: In a garden | Date: 1961 | Technique: screenprint, printed in black and green ink, from two stencils

In a garden

(1961)

screenprint

Artist: Heyes, Ken. | Title: In a photograph taken in the summer of 1938, on the last of several visits he is standing in front of the house, an old man at forty six, in white shirt, tie, trousers with watch chain, looking truculently at the camera. | Date: 1984 | Technique: photocopy

Ken Heyes (1952–)

In a photograph taken in the summer of 1938, on the last of several visits he is standing in front of the house, an old man at forty six, in white shirt, tie, trousers with watch chain, looking truculently at the camera.

(1984)

photocopy

Artist: Heyes, Ken. | Title: In a picture from the late thirties, the curly hair has hardly receded, but there is no trace of youth or handsomeness; the face has widened and the upper torso seems not just high but blocky, huge. | Date: 1984 | Technique: photocopy

Ken Heyes (1952–)

In a picture from the late thirties, the curly hair has hardly receded, but there is no trace of youth or handsomeness; the face has widened and the upper torso seems not just high but blocky, huge.

(1984)

photocopy

Artist: Davies, L. Roy. | Title: (In a yacht). | Date: 1930 | Technique: wood-engraving, printed in black ink, from one block | Copyright: © The Estate of L. Roy Davies

L. Roy Davies (1897–1979)

(In a yacht).

(1930)

wood-engraving

Title: In Africa | Date: c.2008 | Technique: linocut, printed in black ink, from one block

In Africa

(c.2008)

linocut