Browse: H

WORKS 1021 – 1040 of 1550 IMAGES ONLY

David Rose (1936–2006)

Hollow Helmet.

Artist: Thake, Eric. | Title: Hollow log at Alice Springs | Date: 1948 | Technique: linocut, printed in black ink, from one block

Eric Thake (1904–1982)

Hollow log at Alice Springs

(1948)

linocut

Artist: Djurritjini, Charlie. | Title: Hollow log coffin | Date: c.1992 | Technique: linocut, printed in black ink, from one block

Charlie Djurritjini (1952–)

Hollow log coffin

(c.1992)

linocut

Normand H. Baker (1908–1955)

Holly pencil.

Artist: Montgomery, Anne. | Title: (Hollyhocks) | Date: 1930 | Technique: etching, printed in colour with plate-tone, from plate

Anne Montgomery (1908–1991)

(Hollyhocks)

(1930)

etching

Artist: PERCY, W.S. | Title: Hollyhocks. | Date: 1922 | Technique: etching, printed in brown ink, from one plate

W.S. Percy (1872–1946)

Hollyhocks.

(1922)

etching

Margaret Pestell (1894–1984)

Hollyhocks

(1938)

linocut

Artist: Maguire, Tim. | Title: Hollyhocks | Date: 1991, June-July | Technique: lithograph, printed in colour, from eight aluminium plates | Copyright: © Tim Maguire

Tim Maguire (1958–)

Hollyhocks

(1991, June-July)

lithograph

Artist: PRESTON, Margaret | Title: Hollyhocks | Date: 1928 | Technique: woodcut, printed in black ink, from one block; hand-coloured | Copyright: © Margaret Preston. Licensed by VISCOPY, Australia

Margaret Preston (1875–1963)

Hollyhocks

(1928)

woodcut

Artist: COLEING, Tony | Title: Hollywood. | Date: 1983 | Technique: softground etching, printed in black ink, from one plate

Tony Coleing (1942–)

Hollywood.

(1983)

softground etching

Artist: COLEING, Tony | Title: Hollywood | Date: 1983 | Technique: etching, printed in black ink, from one plate

Tony Coleing (1942–)

Hollywood

(1983)

etching

Artist: Dyson, Will. | Title: Hollywood no.2: The Higher literate: But understand Miss Hollywood, only with reluctance, with marked reluctance. | Date: c.1929 | Technique: etching, printed in black ink, from one plate

Will Dyson (1880–1938)

Hollywood no.2: The Higher literate: "But understand Miss Hollywood, only with reluctance, with marked reluctance".

(c.1929)

etching

Artist: Dyson, Will. | Title: Hollywood: But surely Mr Shakespeare, you will admit two heads is better than one. | Date: c.1929 | Technique: etching, printed in black ink, from one plate

Will Dyson (1880–1938)

Hollywood: "But surely Mr Shakespeare, you will admit two heads is better than one".

(c.1929)

etching

Artist: Dyson, Will. | Title: Hollywood: The Executives: And gentlemen our policy shall ever continue to be that of giving the people what they like and if they dont like it, something else exactly like it. | Date: c.1929 | Technique: drypoint, printed in black ink, from one plate

Will Dyson (1880–1938)

Hollywood: The Executives: "And gentlemen our policy shall ever continue to be that of giving the people what they like and if they dont like it, something else exactly like it".

(c.1929)

drypoint

Artist: Dyson, Will. | Title: Hollywood: The Magnates: No my dears, one thing I have never stood for and that is impurity in my films. | Date: c.1930 | Technique: drypoint, printed in black ink, from one plate

Will Dyson (1880–1938)

Hollywood: The Magnates: "No my dears, one thing I have never stood for and that is impurity in my films".

(c.1930)

drypoint

Artist: Dyson, Will. | Title: Hollywood: The Talkies - science: Alas! poor posterity, can you ever forgive me - I've gone and made the Hamlet eternal. | Date: c.1929 | Technique: etching, printed in black ink, from one plate

Will Dyson (1880–1938)

Hollywood: The Talkies - science: Alas! poor posterity, can you ever forgive me - I've gone and made the Hamlet eternal.

(c.1929)

etching

Artist: Clutterbuck, Bob. | Title: Holmes à Court: making money with money. | Date: 1987 | Technique: screenprint, printed in colour, from two stencils

Bob Clutterbuck (1951–)

Holmes à Court: making money with money.

(1987)

screenprint

Artist: HARLEY, Ross | Title: Holy catfish it's O week. | Date: 1981 | Technique: screenprint, printed in colour, from multiple stencils

Ross Harley (by 1981)

Holy catfish it's O week.

(1981)

screenprint

Artist: Walsh, Peter. | Title: Holy cow | Date: 1988 | Technique: lithograph, printed in black ink, from one stone [or plate]

Peter Walsh (1958–2009)

Holy cow

(1988)

lithograph

Artist: Aldor, Christine. | Title: Holy family. | Date: c.1953 | Technique: linocut, printed in colour, from multiple blocks

Christine Aldor (1913–1970)

Holy family.

(c.1953)

linocut