Browse: H

WORKS 361 – 380 of 1545 IMAGES ONLY
Artist: REDLETTER PRESS | Title: he Greenhouse Effect | Technique: screenprint, printed in colour, from four stencils

REDLETTER PRESS (1979–1991)

he Greenhouse Effect

screenprint

He however loses his way, and is compelled to bush it

(1854)

pen-lithograph

He however succeeds in obtaining a situation as a clerk

(1854)

pen-lithograph

He is attacked by bushrangers

(1854)

pen-lithograph

Artist: HANRAHAN, Barbara | Title: He is coming | Date: 1975 | Technique: etching, printed in colour from one plate

Barbara Hanrahan (1939–1991)

He is coming

(1975)

etching

He is taken before the Commissioner

(1854)

pen-lithograph

Artist: Heyes, Ken. | Title: '-He is thirty five-with dark curly hair over a high forehead, moustache over a full lower lip: youthfull, almost handsome. With his head lowered, his jacketed shoulders seem to start behind his ears'. | Date: 1984 | Technique: photocopy

Ken Heyes (1952–)

'-He is thirty five-with dark curly hair over a high forehead, moustache over a full lower lip: youthfull, almost handsome. With his head lowered, his jacketed shoulders seem to start behind his ears'.

(1984)

photocopy

David Morrow (1955–)

He lies and he knows he lies..

(1981)

screenprint

Artist: LITTLE, Colin | Title: He lies and he knows he lies | Date: 1981 | Technique: screenprint, printed in colour, from two stencils

Colin Little (1952–1982)

He lies and he knows he lies

(1981)

screenprint

He makes for the "Yarra"

(1854)

pen-lithograph

John Ryrie (1961–)

(He milked poor, ...).

(1990)

woodcut

He prefers hunting to digging...

(1854)

pen-lithograph

He proceeds to the country residence of his late uncle

(1854)

pen-lithograph

He puts up at the "Bush Inn"

(1854)

pen-lithograph

Artist: Heyes, Ken. | Title: he sits in the right foreground, probably taking notes. He is consulting a volume he holds open on the table with his left hand - his eyes can't be seen - looking, as it were, into the lower right edge of the photograph. | Date: 1984 | Technique: photocopy

Ken Heyes (1952–)

he sits in the right foreground, probably taking notes. He is consulting a volume he holds open on the table with his left hand - his eyes can't be seen - looking, as it were, into the lower right edge of the photograph.

(1984)

photocopy

Artist: Heyes, Ken. | Title: He thought of himself as a melancholic, disdaining modern psychological labels and invoking the traditional astrological one: 'I came into the world under the sign of Saturn-the star of slowest revolution, the planet of ...' | Date: 1984 | Technique: photocopy

Ken Heyes (1952–)

He thought of himself as a melancholic, disdaining modern psychological labels and invoking the traditional astrological one: 'I came into the world under the sign of Saturn-the star of slowest revolution, the planet of ...'

(1984)

photocopy

He took the same body he had always had.

(1987)

etching and aquatint

Title: He's very intelligent below the knees | Date: 1996 | Technique: woodcut, printed in black ink, from one block

He's very intelligent below the knees

(1996)

woodcut

Title: He, she and it (i) | Date: 1976 | Technique: offset-lithograph, printed in black ink, from one plate; hand-coloured in coloured pencil

He, she and it (i)

(1976)

offset-lithograph

Title: He, she and it (ii) | Date: 1976 | Technique: offset-lithograph, printed in black ink, from one plate; additional pastel drawing

He, she and it (ii)

(1976)

offset-lithograph