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WORKS 621 – 640 of 995 IMAGES ONLY

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Artist: TRAILL, Jessie | Title: Hole in the trees | Date: c.1914 | Technique: etched zinc plate

Artist: TRAILL, Jessie | Title: Hole in the trees | Date: c.1920 | Technique: etching and aquatint, printed in brown ink, from one zinc plate

Artist: TRAILL, Jessie | Title: Hole in the trees. | Date: 1914 | Technique: etching and aquatint, printed in warm black ink with plate-tone, from one zinc plate

Artist: Nedelkopoulos, Nicholas. | Title: Holidaying in a new depression | Date: 1978 | Technique: etching, printed in black ink, from one plate

Artist: AMOR, Rick | Title: Holland Park. | Date: 1987 | Technique: woodcut, printed in black ink, from one block

Artist: AMOR, Rick | Title: Holland Park London. | Date: 1990 | Technique: woodcut, printed in black and grey ink, from two blocks

Artist: Thake, Eric. | Title: Hollow log at Alice Springs | Date: 1948 | Technique: linocut, printed in black ink, from one block

Artist: Djurritjini, Charlie. | Title: Hollow log coffin | Date: c.1992 | Technique: linocut, printed in black ink, from one block

Artist: Maguire, Tim. | Title: Hollyhocks | Date: 1991, June-July | Technique: lithograph, printed in colour, from eight aluminium plates | Copyright: © Tim Maguire

Artist: Montgomery, Anne. | Title: (Hollyhocks) | Date: 1930 | Technique: etching, printed in colour with plate-tone, from plate

Artist: PERCY, W.S. | Title: Hollyhocks. | Date: 1922 | Technique: etching, printed in brown ink, from one plate

Artist: PRESTON, Margaret | Title: Hollyhocks | Date: 1928 | Technique: woodcut, printed in black ink, from one block; hand-coloured | Copyright: © Margaret Preston. Licensed by VISCOPY, Australia

Artist: COLEING, Tony | Title: Hollywood. | Date: 1983 | Technique: softground etching, printed in black ink, from one plate

Artist: COLEING, Tony | Title: Hollywood | Date: 1983 | Technique: etching, printed in black ink, from one plate

Artist: Dyson, Will. | Title: Hollywood no.2: The Higher literate: But understand Miss Hollywood, only with reluctance, with marked reluctance. | Date: c.1929 | Technique: etching, printed in black ink, from one plate

Artist: Dyson, Will. | Title: Hollywood: But surely Mr Shakespeare, you will admit two heads is better than one. | Date: c.1929 | Technique: etching, printed in black ink, from one plate

Artist: Dyson, Will. | Title: Hollywood: The Executives: And gentlemen our policy shall ever continue to be that of giving the people what they like and if they dont like it, something else exactly like it. | Date: c.1929 | Technique: drypoint, printed in black ink, from one plate

Artist: Dyson, Will. | Title: Hollywood: The Magnates: No my dears, one thing I have never stood for and that is impurity in my films. | Date: c.1930 | Technique: drypoint, printed in black ink, from one plate

Artist: Dyson, Will. | Title: Hollywood: The Talkies - science: Alas! poor posterity, can you ever forgive me - I've gone and made the Hamlet eternal. | Date: c.1929 | Technique: etching, printed in black ink, from one plate

Artist: Clutterbuck, Bob. | Title: Holmes à Court: making money with money. | Date: 1987 | Technique: screenprint, printed in colour, from two stencils

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