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WORKS 181 – 200 of 997 IMAGES ONLY

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Artist: Hirschfeld Mack, Ludwig. | Title: Hay (Bathers on the Murrumbidgee River, N.S.W.) | Date: 1940-41 | Technique: woodcut, printed in dark brown ink, from one block

Artist: Hirschfeld Mack, Ludwig. | Title: Hay, Murrumbidgee River landscape. | Date: 1940-41 | Technique: woodcut, printed in colour, from multiple blocks

Artist: Hirschfeld Mack, Ludwig. | Title: Hay, Murrumbidgee River landscape. | Date: (1940-41) | Technique: woodcut, printed in colour, from multiple blocks

Artist: Stockfeld, R.H. | Title: Haysheds | Date: c.1935 | Technique: engraving, printed in sepia ink, from one plate

Artist: Boyd, Penleigh. | Title: (Haystack). | Date: c.1921 | Technique: drypoint, printed in warm brown ink, from one plate

Artist: Owen, Gladys. | Title: (Haystack) | Date: 1935 | Technique: wood-engraving, printed in black ink, from one block | Copyright: © Estate of David Moore

Artist: Herbert, Harold. | Title: Haystacks | Date: c.1928 | Technique: etching, printed in black ink, from one plate

Artist: Killen, Virginia. | Title: Hazards [for printmakers] | Date: 1982 | Technique: screenprint, printed in colour, from multiple stencils

Artist: Redletter Press. | Title: Hazchem House | Technique: screenprint, printed in colour, from four stencils

Artist: Sharp, James. | Title: Haze | Date: 1972 | Technique: lithograph, printed in colour, from multiple stones [or plates] | Copyright: © Estate of James Sharp

Artist: Brash, Barbara. | Title: Haze.. | Date: c.1980s | Technique: screenprint, printed in colour, from multiple screens

Title: Haze II | Technique: screenprint, printed in colour, from multiple stencils

Artist: Wright, Helen. | Title: (Hazy blue flower with white specks) | Date: 2000 | Technique: digital print, printed in colour, from digital file

Artist: Burns, Tim. | Title: HCTC Environment | Technique: screenprint, printed in colour, from multiple stencils | Copyright: © Vivienne Binns

Artist: Binns, Vivienne. | Title: HCTC Environment | Technique: screenprint, printed in colour, from multiple stencils | Copyright: © Vivienne Binns

Artist: Storrier, Tim. | Title: He always loved Caruso | Date: 1994 | Technique: lithograph, printed in colour, from four stones [or plates] | Copyright: © Tim Storrier

Title: He at length settles down and becomes a truly happy man | Date: 1854 | Technique: pen-lithograph, printed in black ink, from one stone

Artist: Redletter Press. | Title: he Greenhouse Effect | Technique: screenprint, printed in colour, from four stencils

Artist: HANRAHAN, Barbara | Title: He is coming | Date: 1975 | Technique: etching, printed in colour from one plate

Artist: Heyes, Ken. | Title: '-He is thirty five-with dark curly hair over a high forehead, moustache over a full lower lip: youthfull, almost handsome. With his head lowered, his jacketed shoulders seem to start behind his ears'. | Date: 1984 | Technique: photocopy

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