Browse: F

WORKS 1161 – 1180 of 1343 IMAGES ONLY
Title: Fremantle South Bay | Date: 1852 | Technique: lithograph, printed in black ink, from one stone

Fremantle South Bay

(1852)

lithograph

Artist: Hadley, Basil. | Title: Fremantle wall | Date: 1974 | Technique: etching, deep etch and aquatint, printed in black ink, from one plate

Basil Hadley (1940–2006)

Fremantle wall

(1974)

etching

Artist: Hadley, Basil. | Title: Fremantle wall II | Date: 1975 | Technique: etching and aquatint, printed in black ink, from one plate

Basil Hadley (1940–2006)

Fremantle wall II

(1975)

etching and aquatint

Artist: UNKNOWN | Title: Fremantle Youth Centre | Date: 1989 | Technique: printed in colour, from four colour process

UNKNOWN

Fremantle Youth Centre

(1989)

printed in colour

Artist: Cook, James. | Title: Fremantle's Carols by candlelight. | Date: 1989 | Technique: screenprint, printed in colour, from two stencils

James Cook (1980–)

Fremantle's Carols by candlelight.

(1989)

screenprint

Artist: Cilento, Margaret. | Title: French farm. | Date: 1950 | Technique: etching, aquatint, printed in black ink, from one plates,

Margaret Cilento (1923–2006)

French farm.

(1950)

etching

Artist: Cilento, Margaret. | Title: French farm. | Date: 1950 | Technique: aquatint, softground-etching, printed in black ink, from one plate

Margaret Cilento (1923–2006)

French farm.

(1950)

aquatint

Artist: Bainbridge, John. | Title: French Line: as Faberge goes with fabulous. | Date: c.1961 | Technique: photo-lithograph

John Bainbridge (1918–1978)

French Line: as Faberge goes with fabulous.

(c.1961)

photo-lithograph

Artist: Allport, C.L. | Title: French nurses. | Date: 1931 | Technique: linocut, printed in colour, from multiple blocks

C.L. Allport (1860–1949)

French nurses. | Bonnes

(1931)

linocut

Title: Frenchman's Beach (Neutral Bay) | Date: c. 1920 | Technique: woodcut, printed in black ink, from one woodblock; hand-coloured

Frenchman's Beach (Neutral Bay)

(c. 1920)

woodcut

Artist: Platt, Austin. | Title: Frensham, Bowral | Date: 1952 | Technique: etching, printed in black ink, from one plate

Austin Platt (1912–2003)

Frensham, Bowral

(1952)

etching

Artist: GUSRC and Women's area. | Title: Frente! | Date: 1993, March | Technique: screenprint, printed in green ink, from one stencil

GUSRC and Women's area. (1993–)

Frente!

(1993, March)

screenprint

Artist: REDBACK GRAPHIX | Title: Fresh blood. | Date: 1983, before 14 December | Technique: screenprint, printed in colour, from four stencils

REDBACK GRAPHIX (1980–1994)

Fresh blood.

(1983, before 14 December)

screenprint

Artist: Cullen, Gregor. | Title: Fresh blood. | Date: 1983, before 14 December | Technique: screenprint, printed in colour, from four stencils | Copyright: © Michael Callaghan

Gregor Cullen (1954–)

Fresh blood.

(1983, before 14 December)

screenprint

Artist: REDBACK GRAPHIX | Title: Fresh blood. | Date: 1983, before 14 December | Technique: screenprint, printed in colour, from four stencils | Copyright: © Michael Callaghan

REDBACK GRAPHIX (1980–1994)

Fresh blood.

(1983, before 14 December)

screenprint

Artist: Hill, Andrew. | Title: Freshly waiting day | Date: 1986 | Technique: screenprint, printed in colour, from multiple stencils

Andrew Hill (1952–)

Freshly waiting day

(1986)

screenprint

Artist: Carlton, Paddy. | Title: Freshwater croc dreaming.

Paddy Carlton (1926–2006)

Freshwater croc dreaming.

Artist: Namok, Rosella. | Title: Freshwater turtle | Date: 1997, August | Technique: etching and aquatint, printed in brown ink, from one plate

Rosella Namok (1979–)

Freshwater turtle

(1997, August)

etching and aquatint

Artist: Long, Sydney. | Title: Friar Street, Worcester | Date: 1919 | Technique: aquatint and line-etching, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Friar Street, Worcester

(1919)

aquatint and line-etching

Title: Friday apinun. | Date: 1970s | Technique: screenprint, printed in black and red ink, from two screens

Friday apinun.

(1970s)

screenprint