Browse: E

WORKS 321 – 340 of 723 IMAGES ONLY
Artist: BOYD, Arthur | Title: Entombment. | Date: (1962-63) | Technique: etching and aquatint, printed in black ink, from one plate | Copyright: Reproduced with permission of Bundanon Trust

Arthur Boyd (1920–1999)

Entombment.

((1962-63))

etching and aquatint

Artist: Angas, George French. | Title: Entomology. | Date: 1846-47 | Technique: lithograph, printed in colour, from multiple stones; varnish highlights by brush

George French Angas (1822–1886)

Entomology.

(1846-47)

lithograph

Artist: Angas, George French. | Title: Entomology: coleoptera. | Date: 1846-47 | Technique: lithograph, printed in colour, from multiple stones; varnish highlights by brush

George French Angas (1822–1886)

Entomology: coleoptera.

(1846-47)

lithograph

Artist: BOT, G.W. | Title: Entrance I. | Date: 2000 | Technique: linocut, printed in colour, from multiple blocks

G.W. Bot (1954–)

Entrance I.

(2000)

linocut

Title: Entrance of Port Lincoln, taken from behind Memory Cove. | Date: 1814 | Technique: engraving, printed in black ink, from one copper plate

Entrance of Port Lincoln, taken from behind Memory Cove.

(1814)

engraving

Artist: Lanceley, Colin. | Title: Entrance of the thugs | Date: 1966 | Technique: screenprint, printed in colour, from seven stencils | Copyright: © Colin Lanceley. Licensed by VISCOPY, Australia

Colin Lanceley (1938–2015)

Entrance of the thugs

(1966)

screenprint

Artist: MADDOCK, Bea | Title: Entrance to a lane | Date: October 1961 | Technique: lithograph worked in touche, printed in black ink, from one stone

Bea Maddock (1934–2016)

Entrance to a lane

(October 1961)

lithograph worked in touche

Artist: MADDOCK, Bea | Title: Entrance to a lane | Date: October 1961 | Technique: lithograph worked in touche, printed in black ink, from one stone

Bea Maddock (1934–2016)

Entrance to a lane

(October 1961)

lithograph worked in touche

Title: Entrance to Port Jackson | Date: c.1850 | Technique: lithograph, printed in colour, from two stones

Entrance to Port Jackson

(c.1850)

lithograph

Artist: BALDESSIN, George | Title: Entrance to the city. | Date: 1963 | Technique: etching and aquatint, printed in black ink, from one plate

George Baldessin (1939–1978)

Entrance to the city.

(1963)

etching and aquatint

Title: Entrance to the gardens. | Date: 2006 | Technique: etching, printed in black ink, from one plate

Entrance to the gardens.

(2006)

etching

Artist: Angas, George French. | Title: Entrance to the Gorge at Yankalilla; Messrs Arthurs' sheep station, with one of the volcanic wells. | Date: 1846-47 | Technique: lithograph, printed in colour, from multiple stones; varnish highlights by brush

George French Angas (1822–1886)

Entrance to the Gorge at Yankalilla; Messrs Arthurs' sheep station, with one of the volcanic wells.

(1846-47)

lithograph

Artist: Wilson, Hardy. | Title: Entrance to the Royal Hotel Windsor, NSW | Date: (1924) | Technique: collotype

Hardy Wilson (1881–1955)

Entrance to the Royal Hotel Windsor, NSW

((1924))

collotype

Artist: Coffey, Alfred. | Title: Entrance, St. John College, Sydney University. | Date: 1917 | Technique: etching, printed in black ink, from one plate

Alfred Coffey (1869–1950)

Entrance, St. John College, Sydney University.

(1917)

etching

Artist: Bancroft, Bronwyn. | Title: Entrapped. | Date: 1991 | Technique: screenprint, printed in colour, from multiple screens | Copyright: © Bronwyn Bancroft. Licensed by VISCOPY, Australia

Bronwyn Bancroft (1958–)

Entrapped.

(1991)

screenprint

Artist: Lee, Graeme. | Title: Entre acte. | Date: 1997, November | Technique: lithograph, printed in colour, from multiple plates

Graeme Lee (1990–)

Entre acte.

(1997, November)

lithograph

Artist: MEYER, Bill | Title: Entropic gap | Date: 1980 | Technique: photo etching and aquatint, printed in black ink, from one plate | Copyright: © Bill Meyer

Bill Meyer (1942–)

Entropic gap

(1980)

photo etching and aquatint

Artist: Frank, Dale. | Title: Envelope. | Date: 1992 | Technique: envelope

Dale Frank (1959–)

Envelope.

(1992)

envelope

Artist: Megalo Screenprinting Collective. | Title: Envelope: Bacon and eggs for Di | Date: 1981 | Technique: screenprint, printed in colour, from four stencils

Megalo Screenprinting Collective. (1980–)

Envelope: Bacon and eggs for Di

(1981)

screenprint

Artist: Megalo Screenprinting Collective. | Title: Envelope: Exclusive collector's item | Date: 1981 | Technique: screenprint, printed in silver ink, from one stencil

Megalo Screenprinting Collective. (1980–)

Envelope: Exclusive collector's item

(1981)

screenprint