Browse: C

WORKS 841 – 860 of 3328 IMAGES ONLY
Artist: ARNOLD, Raymond | Title: Centre for the arts: Open house, University of Tasmania. | Date: 1986 | Technique: screenprint, printed in colour, from six stencils

Raymond Arnold (1950–)

Centre for the arts: Open house, University of Tasmania.

(1986)

screenprint

John Goodchild (1898–1980)

Centre of Sydney.

(1922)

Artist: WALKER, Annie | Title: Ceratopetalum gummiferum [christmas bush]. | Date: 1887 | Technique: lithograph, printed in black ink, from one stone; hand-coloured

Annie Walker (1831–1913)

Ceratopetalum gummiferum [christmas bush].

(1887)

lithograph

Ceratopetalum gummiferum [Three-leaved red-gum tree].

(1793)

engraving

James D. Watson (1913–)

Ceremonial. woodcut from block with built up relief.

Ceremonie des gna-lung [Gna-lung ceremony]; Ceremonien von einer australischen Hochzeit [ceremony for an Australian wedding]; Begrabniss der Eingeborenen von Australien [funeral of Aboriginal Australians]; Frau von Tasmanien [Tasmanian woman] and Eingeborener von Australien [Australian Aborigine].

(1835)

engravings

Artist: Boyd, Hermia. | Title: Ceremony. | Date: 1978 | Technique: etching and aquatint, printed in green ink, from one plate

Hermia Boyd (1931–2000)

Ceremony.

(1978)

etching and aquatint

Artist: Burra Burra, Sambo. | Title: Ceremony for bones | Date: 2002 | Technique: screenprint, printed in colour, from multiple stencils

Sambo Burra Burra (1937–2005)

Ceremony for bones

(2002)

screenprint

John Rae (1813–1900)

Ceremony of turning the first turf of the first railway in Australia.

(c.1855)

lithograph

Artist: Murray, Janice. | Title: Ceremony pole | Date: 1996, November | Technique: etching, printed in black ink, from one plate | Copyright: © Janice Murray and Jilamara Arts + Craft

Janice Murray (1966–)

Ceremony pole

(1996, November)

etching

Artist: Lempriere, Helen | Title: Ceremony to the sun | Date: c.1955 | Technique: drypoint, printed in black ink, from one plate

Helen Lempriere (1907–1991)

Ceremony to the sun

(c.1955)

drypoint

Artist: Wall, Edith. | Title: Ceres | Date: 1954 | Technique: lithograph, printed in colour, from multiple plates | Copyright: Courtesy of the artist

Edith Wall (1904–2021)

Ceres

(1954)

lithograph

Artist: Wilkins, John | Title: Certain connections: an artist's book containing [28] pp. with card cover, staple-bound. | Technique: offset-lithograph, printed in black ink

John Wilkins (1946–)

Certain connections: an artist's book containing [28] pp. with card cover, staple-bound.

offset-lithograph

Certificate and tube

(1938)

printed certificate

Artist: Button, Henry. | Title: Certificate for the independent Order of Rechabites. | Date: 23 September 1889 | Technique: lithograph, printed in colour, from multiple stones

Henry Button (1829–1914)

Certificate for the independent Order of Rechabites.

(23 September 1889)

lithograph

Artist: Button, Henry. | Title: Certificate for the independent Order of Rechabites. | Date: 9 May 1903 | Technique: lithograph, printed in colour, from multiple stones

Henry Button (1829–1914)

Certificate for the independent Order of Rechabites.

(9 May 1903)

lithograph

Title: Certificate for the Tasmanian Grand Lodge of the Ancient and Independent Order of Odd Fellows | Date: 24 February 1860 | Technique: lithograph, printed in colour, from multiple stones; hand-coloured; gilded

Certificate for the Tasmanian Grand Lodge of the Ancient and Independent Order of Odd Fellows

(24 February 1860)

lithograph

Title: Certificate: Life governor of the Melbourne Hospital | Date: 1880s | Technique: lithograph, printed in colour, from multiple stones

Certificate: Life governor of the Melbourne Hospital

(1880s)

lithograph

Title: Certificate: Ros Bower Memorial Trust award | Date: 1989 | Technique: screenprint, printed in colour, from three stencils

Certificate: Ros Bower Memorial Trust award

(1989)

screenprint

Title: Certificate: Royal Society for the encouragement of arts, manufactures and commerce, London | Date: 1938

Certificate: Royal Society for the encouragement of arts, manufactures and commerce, London

(1938)