Browse: C

WORKS 2281 – 2300 of 3325 IMAGES ONLY

Austin Platt (1912–2003)

Congregational Church, Burwood.

Artist: PHILIP, James B. | Title: Congregational Church, Davey Street, Hobart Town, Tasmania. | Date: c.1854 | Technique: lithograph, printed in colour, from two stones

James B. Philip (1830–1865)

Congregational Church, Davey Street, Hobart Town, Tasmania.

(c.1854)

lithograph

Congregational Church, Princes Square

(1887)

lithograph

Congress Hall, Nuremberg

(c.2006)

photopolymer print

Artist: Keeling, David. | Title: Connections, an exhibition of works by art teachers. Chameleon, Hobart | Date: 1984 | Technique: screenprint, printed in colour, from four stencils | Copyright: This work appears on screen courtesy of the artist and copyright holder

David Keeling (1951–)

Connections, an exhibition of works by art teachers. Chameleon, Hobart

(1984)

screenprint

Artist: Adams, Tate. | Title: Connemara girl | Date: 1955 | Technique: lithograph, printed in colour, from multiple stones

Tate Adams (1922–2018)

Connemara girl

(1955)

lithograph

Title: Connemara girl | Date: 1955 | Technique: lithograph, printed in colour, from multiple stones

Connemara girl

(1955)

lithograph

Artist: White, Sheona. | Title: Connexion '81. | Date: 1981 | Technique: screenprint, printed in colour, from four stencils

Sheona White

Connexion '81.

(1981)

screenprint

Artist: REDBACK GRAPHIX | Title: Connor conference, strangler or strangled. | Date: 1982, before 24 July | Technique: screenprint, printed in colour, from seven stencils | Copyright: © Michael Callaghan

REDBACK GRAPHIX (1980–1994)

Connor conference, strangler or strangled.

(1982, before 24 July)

screenprint

Artist: REDBACK GRAPHIX | Title: Connor conference, strangler or strangled. | Date: 1982, before 24 July | Technique: screenprint, printed in colour, from seven stencils | Copyright: © Michael Callaghan

REDBACK GRAPHIX (1980–1994)

Connor conference, strangler or strangled.

(1982, before 24 July)

screenprint

Title: Conqueror | Date: 2006 | Technique: lithograph, printed in colour, from multiple plates and stones

Conqueror

(2006)

lithograph

John Goodchild (1898–1980)

'Conquest' (Broken Hill Mines).

etching

James Gillray (1757–1815)

Consequences of a Successfull French Invasion...

(1798)

engraving

Conservation and contemporary art. What's wrong with this picture?

(1984)

screenprint

Artist: REDBACK GRAPHIX | Title: Conservation and contemporary art. What's wrong with this picture? | Date: 1984 | Technique: screenprint, printed in colour, from four stencils | Copyright: © Michael Callaghan

REDBACK GRAPHIX (1980–1994)

Conservation and contemporary art. What's wrong with this picture? | What's wrong with this picture?

(1984)

screenprint

A.H. Fullwood (1863–1930)

Conservatorium of Music, Sydney.

(1923)

Artist: SANDOR, Eva | Title: Consider the lilies. | Date: 1953 | Technique: wood engravings, printed in black ink, each from one block; letterpress text

Eva Sandor (1924–)

Consider the lilies.

(1953)

wood engravings

Artist: Dickerson, Robert. | Title: Consideration | Date: 1990 | Technique: lithograph, printed in black ink, from one stone

Robert Dickerson (1924–2015)

Consideration

(1990)

lithograph

Murray Griffin (1903–1992)

Considering Pelican.

(1950-1951)

linocut

A.H. Fullwood (1863–1930)

Constable's valley farm.