Browse: A

WORKS 1581 – 1600 of 3296 IMAGES ONLY
Artist: WESTCOTT, Kim | Title: Alad bird. | Date: 1996 | Technique: drypoint, printed in black ink with plate-tone, printed from one plate | Copyright: © Kim Westcott.

Kim Westcott (1968–)

Alad bird.

(1996)

drypoint

UNKNOWN,

Aladog

(1999)

woodcut

Artist: TUNGUTALUM, Bede | Title: Alamunga (Barramundi) | Date: 1991 | Technique: lithograph, printed in black ink, from one plate

Bede Tungutalum (1952–)

Alamunga (Barramundi)

(1991)

lithograph

Normand H. Baker (1908–1955)

Alan.

Normand H. Baker (1908–1955)

Alan [pencil drawing].

pencil drawing

Artist: Clutterbuck, Bob. | Title: Alan Bond: the 'Great Sportsman'. | Date: 1987 | Technique: screenprint, printed in colour, from two stencils

Bob Clutterbuck (1951–)

Alan Bond: the 'Great Sportsman'.

(1987)

screenprint

Artist: AMOR, Rick | Title: [Alan Marshall]. | Date: 1984 | Technique: linocut, printed in black ink, from one block | Copyright: © Rick Amor. Licensed by VISCOPY, Australia.

Rick Amor (1948–)

[Alan Marshall].

(1984)

linocut

Artist: Frazer, David. | Title: Alan Michael | Date: c.2001 | Technique: wood-engraving, printed in black ink, from one block

David Frazer (1966–)

Alan Michael

(c.2001)

wood-engraving

Artist: Buckley, Sue. | Title: Alar. | Date: 1978 | Technique: screenprint, printed in colour, from multiple stencils | Copyright: This work appears on screen courtesy of Sue Buckley and her sister Jean Hanrahan

Sue Buckley (1911–1986)

Alar.

(1978)

screenprint

Artist: Bowen, Dean. | Title: (Alarm clock between two trees) | Date: 1992 | Technique: etching, printed in black ink, from one plate

Dean Bowen (1957–)

(Alarm clock between two trees)

(1992)

etching

Artist: Leech, John. | Title: Alarming prospect - the single ladies off to the diggings | Date: c.1850 | Technique: etching and roulette, printed in black ink, from one plate; hand-coloured

John Leech (1817–1864)

Alarming prospect - the single ladies off to the diggings

(c.1850)

etching and roulette

Will Dyson (1880–1938)

'Alas, is there nothing left for me to take off.'.

J. Armstrong Meame (1934–)

Alassio.

(by 1934)

etching

Edith A. Hope (1870–1942)

Alb.

Artist: Tomescu, Aida. | Title: Alba I | Date: 2002 | Technique: aquatint, printed in black ink, from one copper plate | Copyright: © Aida Tomescu. Licensed by VISCOPY, Australia.

Aida Tomescu (1955–)

Alba I

(2002)

aquatint

Aida Tomescu (1955–)

Alba I-IX

(2002)

aquatint

Artist: Tomescu, Aida. | Title: Alba II | Date: 2002 | Technique: aquatint, printed in black ink, from one copper plate | Copyright: © Aida Tomescu. Licensed by VISCOPY, Australia.

Aida Tomescu (1955–)

Alba II

(2002)

aquatint

Artist: Tomescu, Aida. | Title: Alba III | Date: 2002 | Technique: aquatint, printed in black ink, from one copper plate | Copyright: © Aida Tomescu. Licensed by VISCOPY, Australia.

Aida Tomescu (1955–)

Alba III

(2002)

aquatint

Artist: Tomescu, Aida. | Title: Alba IV | Date: 2002 | Technique: aquatint, printed in black ink, from one copper plate | Copyright: © Aida Tomescu. Licensed by VISCOPY, Australia.

Aida Tomescu (1955–)

Alba IV

(2002)

aquatint

Artist: Tomescu, Aida. | Title: Alba IX | Date: 2002 | Technique: aquatint, printed in black ink, from one copper plate | Copyright: © Aida Tomescu. Licensed by VISCOPY, Australia.

Aida Tomescu (1955–)

Alba IX

(2002)

aquatint