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WORKS 2101 – 2120 of 3296 IMAGES ONLY

Praxis Poster Workshop. (1982–)

And this is what I mean by me ...(me me)

(1984)

screenprint

Artist: Heyes, Ken. | Title: 'and this napkin now, in the library, unfolded for me - concealed within its smooth surfaces and folds - the plumage of an ocean green and blue like the tail of a peacock'. | Date: 1984 | Technique: photocopy

Ken Heyes (1952–)

'and this napkin now, in the library, unfolded for me - concealed within its smooth surfaces and folds - the plumage of an ocean green and blue like the tail of a peacock'.

(1984)

photocopy

Artist: Simon, Bruno. | Title: ... and thrown back again. | Date: 1941 | Technique: monotype, printed in brown ink, from one plate

Bruno Simon (1913–1999)

... and thrown back again.

(1941)

monotype

Artist: Challis, Pamela | Title: And upon every high hill. | Date: 1994 | Technique: lithograph, printed in colour, from multiple stones

Pamela Challis (1928–2010)

And upon every high hill.

(1994)

lithograph

Artist: Boag, Yvonne. | Title: and use us me. | Date: 1993 | Technique: lithograph, printed in black ink, from one plate | Copyright: © Yvonne Boag

Yvonne Boag (1954–)

and use us me.

(1993)

lithograph

L. Roy Davies (1897–1979)

And we marvel thereat.

(1932)

wood-engraving

Artist: LINDSAY, Norman | Title: And we said old man your horse will die. | Date: (1898) | Technique: woodcut, printed in black ink, from one block

Norman Lindsay (1879–1969)

And we said old man your horse will die.

((1898))

woodcut

Artist: Headlam, Kristin. | Title: ...and went into the house. | Date: 1998 | Technique: etching, printed in black ink, from one plate | Copyright: © Kristin Headlam, Licensed by VISCOPY, Australia

Kristin Headlam (1953–)

...and went into the house.

(1998)

etching

And whatever remains

(1983)

woodblock print and handwritten letter insert

Title: And whatever remains | Date: 1983 | Technique: woodblock print, printed in yellow, red, blue, black and white inks, from eight blocks

And whatever remains | Insdie, Outside

(1983)

woodblock print

Title: And when a cloudy sunset... | Date: 1881 | Technique: wood-engraving, printed in black ink, from one block

And when a cloudy sunset...

(1881)

wood-engraving

Artist: SHEARER, Mitzi | Title: And when I awoke... | Date: 1981 | Technique: relief-etching, printed in black ink, from one plate

Mitzi Shearer (1909–1995)

And when I awoke...

(1981)

relief-etching

Artist: Azlan. | Title: ...and you still need me. | Date: 2003 | Technique: laser printed in black ink

Azlan. (1975–)

...and you still need me.

(2003)

laser printed in black ink

Artist: Gurvich, Rafael. | Title: ...... and you wiggle it all about [leaf 17: recto]. | Date: 1979, April | Technique: etching, printed in black ink, from one plate | Copyright: © Rafael Gurvich

Rafael Gurvich (1949–)

...... and you wiggle it all about [leaf 17: recto].

(1979, April)

etching

Title: And, where the teeth of reef by reef shone out... | Date: 1881 | Technique: wood-engraving, printed in black ink, from one block

And, where the teeth of reef by reef shone out...

(1881)

wood-engraving

Artist: Clutterbuck, Bob. | Title: And...a V.D.T. | Date: 1984 | Technique: screenprint, printed in colour, from multiple stencils

Bob Clutterbuck (1951–)

And...a V.D.T.

(1984)

screenprint

Sandra O'Sullivan

And...the women

(1996)

etching and blind embossing

Kevin Connor (1932–)

Andalusian portfolio.

(1970)

screenprints

Artist: Cordero, Christina. | Title: Andante. | Date: 1988 | Technique: etching, printed in black ink, from one plate | Copyright: © Christina Cordero

Christina Cordero (1940–)

Andante.

(1988)

etching

Artist: SHIRLOW, John | Title: Andante. | Date: 1923 | Technique: drypoint, printed in black ink, from one copper plate

John Shirlow (1869–1936)

Andante.

(1923)

drypoint