Browse: A

WORKS 1981 – 2000 of 3313 IMAGES ONLY
Artist: Cruikshank, George. | Title: An Extraordinary Movement in China or an alteration in The willow pattern - at last!. | Date: 1853 | Technique: etching, printed in black ink, from one steel plate; subsequently hand-coloured

George Cruikshank (1792–1878)

An Extraordinary Movement in China or an alteration in "The willow pattern" - at last!.

(1853)

etching

Artist: Ackermann, Rudolph. | Title: An historical account of the Colony of New South Wales and its dependent settlements. London: R. Ackermann, 1821. | Date: 1821 | Technique: engravings, printed in black ink, each from one copper plate; letter-press text

Rudolph Ackermann (1764–1834)

An historical account of the Colony of New South Wales and its dependent settlements. London: R. Ackermann, 1821.

(1821)

engravings

Rupert Bunny (1864–1947)

An Idyll.

Artist: van RAALTE, Henri | Title: An idyll. | Date: c.1920 | Technique: drypoint, printed in brown ink with plate-tone, from one plate

Henri Van Raalte (1881–1929)

An idyll.

(c.1920)

drypoint

Artist: van RAALTE, Henri | Title: An idyll (study) | Date: c.1920 | Technique: drypoint, printed in brown ink with plate-tone, from one plate

Henri Van Raalte (1881–1929)

An idyll (study) | Man playing flute

(c.1920)

drypoint

Artist: VARIOUS ARTISTS, | Title: An illustrated Poem, Orara, by Henry Kendall. Melbourne: Art Union of Victoria, 1881 | Date: 1881 | Technique: wood-engravings; lithographs; letterpress text

VARIOUS ARTISTS,

An illustrated Poem, Orara, by Henry Kendall. Melbourne: Art Union of Victoria, 1881

(1881)

wood-engravings; lithographs; letterpress text

Artist: Counihan, Noel. | Title: An important conversation. | Date: 1948 | Technique: lithograph, printed in black ink, from one stone

Noel Counihan (1913–1986)

An important conversation.

(1948)

lithograph

R.A. Taylor (1880–)

An impromptu course.

(1890s)

lithograph

An inland view, in Atooi.

(1784)

engraving

Artist: Heyes, Ken. | Title: 'an instant which some feeling of fatique or sadness had perhaps prevented me from enjoying then, but which now, freed from what is necessarily imperfect in external perception, pure and disincarnate, caused me ...' | Date: 1984 | Technique: photocopy

Ken Heyes (1952–)

'an instant which some feeling of fatique or sadness had perhaps prevented me from enjoying then, but which now, freed from what is necessarily imperfect in external perception, pure and disincarnate, caused me ...'

(1984)

photocopy

Lyall Trindall (1866–1965)

An Interesting tory.

Artist: Watson, Ruth. | Title: An Introduction to Gaming | Date: 1990 | Technique: lithograph, printed in colour, from multiple stones

Ruth Watson (1962–)

An Introduction to Gaming

(1990)

lithograph

Artist: Bainbridge, John. | Title: An invitation: London Transport poster | Technique: lithograph, printed in colour, from multiple plates

John Bainbridge (1918–1978)

An invitation: London Transport poster

lithograph

Title: An Irish patriot [Sir Charles Gavin Duffy]. | Date: 31 January 1874 | Technique: lithograph, printed in colour, from multiple stones

An Irish patriot [Sir Charles Gavin Duffy].

(31 January 1874)

lithograph

Ray Crooke (1922–2015)

An Island view.

(c.1965-70)

linocut?

Artist: Doggett-Williams, Phillip. | Title: An object of stupidity. | Date: 1986 | Technique: lithograph, printed in black ink, from one stone

Phillip Doggett-Williams (1953–)

An object of stupidity.

(1986)

lithograph

Herbert Gallop (1890–1958)

An OConnell Farm, Bathurst.

(c.1930)

etching and aquatint

Salvatore Zofrea (1946–)

An Odyssey.

(1989)

woodcut

Artist: Zofrea, Salvatore. | Title: An Odyssey (title page). | Date: 1989 | Technique: woodcut, printed in black ink, from one block; hand-coloured | Copyright: © Salvatore Zofrea, 1989

Salvatore Zofrea (1946–)

An Odyssey (title page).

(1989)

woodcut

An offering before Cap.t Cook, in the Sandwich Islands.

(1784)

engraving