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WORKS 1101 – 1120 of 1835 IMAGES ONLY

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Artist: Rish, Adam. | Title: An exhibition of batiks paintings & prints by Adam Rish, Powell Street Gallery | Date: 1979 | Technique: screenprint, printed in colour, from multiple stencils

Artist: ARNOLD, Raymond | Title: An exhibition of drawings, prints, paintings, works on paper, and photographs, Chameleon, Hobart. | Date: 1984 | Technique: screenprint, printed in colour, from three stencils

Artist: UNKNOWN | Title: An exhibition of political posters from Bitumen River Canberra | Date: 1984 | Technique: screenprint, printed in colour, from two stencils

Artist: O'Halloran, David. | Title: An exhibition of political posters from Bitumen River, Canberra | Date: 1984 | Technique: screenprint, printed in colour, from two stencils

Artist: UNKNOWN | Title: An exhibition of postcards and posters by Megalo Unemployment Project - Bitumen River Gallery | Date: 1985 | Technique: screenprint, printed in colour, from four stencils

Artist: Rish, Adam. | Title: An exhibition of prints. Adam Rish in Print... Harrington Street Gallery [Hobart]. | Date: 1979 | Technique: screenprint, printed in colour, from multiple stencils

Artist: ARNOLD, Raymond | Title: An exhibition of recent work by Sue Pedley at Hallmark Gallery. | Date: 1985 | Technique: screenprint, printed in colour, from four stencils

Artist: UNKNOWN | Title: An exhibition of work by homosexual and lesbian artists, Watters Gallery, Sydney | Date: 1978 | Technique: screenprint, printed in black ink, from one stencil; with collage of xerography

Artist: Doyle, John. | Title: An extraordinary animal. | Date: 1835, March | Technique: lithograph, printed in black ink, from one stone

Artist: Cruikshank, George. | Title: An Extraordinary Movement in China or an alteration in The willow pattern - at last!. | Date: 1853 | Technique: etching, printed in black ink, from one steel plate; subsequently hand-coloured

Artist: Ackermann, Rudolph. | Title: An historical account of the Colony of New South Wales and its dependent settlements. London: R. Ackermann, 1821. | Date: 1821 | Technique: engravings, printed in black ink, each from one copper plate; letter-press text

Artist: van RAALTE, Henri | Title: An idyll. | Date: c.1920 | Technique: drypoint, printed in brown ink with plate-tone, from one plate

Artist: van RAALTE, Henri | Title: An idyll (study) | Date: c.1920 | Technique: drypoint, printed in brown ink with plate-tone, from one plate

Artist: VARIOUS ARTISTS, | Title: An illustrated Poem, Orara, by Henry Kendall. Melbourne: Art Union of Victoria, 1881 | Date: 1881 | Technique: wood-engravings; lithographs; letterpress text

Artist: Counihan, Noel. | Title: An important conversation. | Date: 1948 | Technique: lithograph, printed in black ink, from one stone

Artist: Heyes, Ken. | Title: 'an instant which some feeling of fatique or sadness had perhaps prevented me from enjoying then, but which now, freed from what is necessarily imperfect in external perception, pure and disincarnate, caused me ...' | Date: 1984 | Technique: photocopy

Artist: Watson, Ruth. | Title: An Introduction to Gaming | Date: 1990 | Technique: lithograph, printed in colour, from multiple stones

Artist: Bainbridge, John. | Title: An invitation: London Transport poster | Technique: lithograph, printed in colour, from multiple plates

Title: An Irish patriot [Sir Charles Gavin Duffy]. | Date: 31 January 1874 | Technique: lithograph, printed in colour, from multiple stones

Artist: Doggett-Williams, Phillip. | Title: An object of stupidity. | Date: 1986 | Technique: lithograph, printed in black ink, from one stone

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