Browse: A

WORKS 461 – 480 of 1830 IMAGES ONLY
Artist: UNKNOWN | Title: A.I.F. Race Meeting. To be held at the New Flemington Track Barbara near Gaza. | Date: 1940 | Technique: letterpress, printed in black ink, from type

UNKNOWN

A.I.F. Race Meeting. To be held at the New Flemington Track Barbara near Gaza.

(1940)

letterpress

Artist: UNKNOWN | Title: A.M.S.A. 1980: Dare you risk not coming? | Date: 1980 | Technique: screenprint, printed in blue ink, from one stencil

UNKNOWN

A.M.S.A. 1980: Dare you risk not coming?

(1980)

screenprint

Artist: Lane, Leonie. | Title: A.R.U. guessing competition. | Date: (1980) | Technique: screenprint, printed in colour, from two stencils | Copyright: © Leonie Lane

Leonie Lane (1955–)

A.R.U. guessing competition.

((1980))

screenprint

Artist: STOTT, Chris | Title: A.T. | Technique: screenprint, printed in colour, from multiple stencils

Chris Stott (1970s)

A.T.

screenprint

Artist: STOTT, Chris | Title: A.T. | Technique: screenprint, printed in colour, from multiple stencils

Chris Stott (1970s)

A.T.

screenprint

Artist: MACKINOLTY, Chips | Title: A.U.S. gives a raw deal! [Australian Union of Students legalization of grass campaign] | Date: 1974 | Technique: screenprint, printed in colour inks, from multiple stencils

Chips Mackinolty (1954–)

A.U.S. gives a raw deal! [Australian Union of Students legalization of grass campaign]

(1974)

screenprint

Artist: Dodd, James. | Title: A3 study of Amrozi. | Date: 2003 | Technique: stencil, printed in black and grey, from two stencils

James Dodd (1977–)

A3 study of Amrozi.

(2003)

stencil

Artist: Dodd, James. | Title: A3 study of Peter Hoare (Shock). | Date: 2003 | Technique: stencil, printed in black and grey, from three stencils

James Dodd (1977–)

A3 study of Peter Hoare (Shock).

(2003)

stencil

Artist: LINDSAY, Lionel | Title: Abandoned abattoir | Date: 1918 | Technique: etching, aquatint and drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Abandoned abattoir | Deserted abattoir | Glebe abattoir

(1918)

etching

Artist: Davies, L. Roy. | Title: Abandoned selection. | Date: 1922 | Technique: wood-engraving, printed in black ink, from one block | Copyright: © The Estate of L. Roy Davies

L. Roy Davies (1897–1979)

Abandoned selection.

(1922)

wood-engraving

Artist: Platt, Austin. | Title: Abbotsleigh | Date: 1937 | Technique: etching, printed in black ink, from one plate

Austin Platt (1912–2003)

Abbotsleigh

(1937)

etching

Artist: Platt, Austin. | Title: Abbotsleigh, Wahroonga | Date: 1982 | Technique: etching, printed in black ink, from one plate

Austin Platt (1912–2003)

Abbotsleigh, Wahroonga

(1982)

etching

Artist: Platt, Austin. | Title: Abbotsleigh, Wahroonga | Date: 1946 | Technique: etching, printed in black ink, from one plate

Austin Platt (1912–2003)

Abbotsleigh, Wahroonga

(1946)

etching

Artist: SELENITSCH, Alex | Title: ABCDE..... | Technique: xerox and screenprint

Alex Selenitsch (1946–)

ABCDE.....

xerox and screenprint

Artist: Barker, David. | Title: Abdul. | Date: (1923) | Technique: etching and foul biting, printed in black ink with plate-tone, from one plate

David Barker (1888–1946)

Abdul.

((1923))

etching and foul biting

Artist: Wilson, Margaret. | Title: Abeam | Date: 1990 | Technique: woodcut, printed in black ink, from one plywood block

Margaret Wilson (1939–)

Abeam

(1990)

woodcut

Artist: Wilson, Margaret. | Title: Abeam | Date: 1990 | Technique: woodcut, printed in black ink, from one plywood block

Margaret Wilson (1939–)

Abeam

(1990)

woodcut

Artist: Wilson, Margaret. | Title: Abeam | Date: 1990 | Technique: woodcut, printed in black ink, from one plywood block

Margaret Wilson (1939–)

Abeam

(1990)

woodcut

Artist: Thorpe, Lesbia. | Title: Aberdeen Harbour | Date: 1979 | Technique: woodcut, printed in colour, from four blocks

Lesbia Thorpe (1919–2009)

Aberdeen Harbour

(1979)

woodcut

Title: Abinghou | Date: c.1820s | Technique: line-engraving, printed in black ink, from one plate

Abinghou

(c.1820s)

line-engraving