Centre for Australian Art

Australian Prints + Printmaking

Search
Explore

About
Resources
Research

Browse: A

WORKS 381 – 400 of 1835 IMAGES ONLY

Sort By:

Results per page:

Artist: Buvelot, Louis. | Title: A summer evening in the Pentland Hills. | Date: 1876 | Technique: lithograph, printed in colour, from multiple stones

Artist: Roberts, Tom. | Title: A summer morning tiff. | Date: 1886 | Technique: etching, printed in brown ink, from one plate

Artist: Meredith, Louisa Anne. | Title: A summer sketch [title page] | Date: 1860 | Technique: lithograph, printed in brown ink, from one stone

Artist: Storrier, Tim. | Title: A suspicious self-portrait | Date: 1976 | Technique: etching, printed in black ink, from one plate; hand-coloured | Copyright: © Tim Storrier

Artist: Wilson, William. | Title: A table showing the several positions of the vanes of the telegraph. | Date: 1834 | Technique: engraving, printed in black ink, from one plate

Artist: Rees, Lloyd. | Title: A Tasmanian mountain | Date: 1977 | Technique: softground-etching, printed in brown ink, from one zinc plate | Copyright: © Alan and Jancis Rees

Title: A teapot | Date: 1982 | Technique: drypoint, printed in black ink, from three perspex plates

Artist: LINDSAY, Lionel | Title: A Temple entry, Madura | Date: 1929-30 | Technique: etching, printed in warm black ink, from one plate | Copyright: Courtesy of the National Library of Australia

Artist: WALKER, Murray | Title: A theatrical prompters box. | Date: 1973 | Technique: softground-etching, printed in black ink, from one plate

Artist: NICOLSON, Noel | Title: A throw in | Date: 1989 | Technique: lithograph, printed in black ink, from one stone

Artist: MEYER, Bill | Title: A time and space feeling good | Date: 1979-1982 | Technique: photo-etching, aquatint and drypoint, printed in black ink, from one plate | Copyright: © Bill Meyer

Artist: WALKER, Murray | Title: A tired old woman | Date: 1961 | Technique: drypoint, printed in black ink, from one plate

Artist: ARNOLD, Raymond | Title: A Titanic night to remember. Farewell to Humphrey McQueen. | Date: 1984 | Technique: screenprint, printed in colour, from multiple stencils

Artist: MACKINOLTY, Chips | Title: A toast to Melba | Date: 1980 | Technique: offset-lithograph in colour, from one plate

Artist: Barker, David. | Title: A tomb in Bethlehem. | Date: (1919) | Technique: etching and foul biting, printed in black ink with plate-tone, from one plate

Title: A tousche or two, or three, or... | Date: 1987 | Technique: etching and aquatint, printed in black ink, from one plate

Title: A tower from the game of death | Date: 1995 | Technique: screenprint, printed in colour, from multiple stencils

Artist: Rees, Lloyd. | Title: A tower in Europe | Date: 1922 | Technique: etching, printed in brown ink, from one copper plate | Copyright: © Alan and Jancis Rees

Artist: LINDSAY, Lionel | Title: A tower, Segovia | Date: c.1942 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

PAGES ← 1 2 3 4 5 6 7 8 9 10 11 →

Search

Simple
Advanced
Browse
- Artists
- Works
- Images
- Exhibitions
- Galleries
- References
- Documents

Join us on Facebook

Follow us on Instagram

Search

Simple
Advanced
Browse

Explore

Works and Networks
Decade Summary
All Artists
Subjects Explorer
Timeline

Resources

Resources
Awards & Grants
Australian Print Symposiums
Cataloguing manual
News
Links

About

About Us
National Gallery of Australia
Gordon Darling Fund
Prints and printmaking: web innovation and excellence
Contact

Research

Printed Images Australia Pacific
Partners

National Gallery of Australia

The National Gallery of Australia is an Australian Government Agency

National Gallery
Privacy statement
Website Disclaimer
Website copyright
Rights, permissions, reproductions

Australian Prints + Printmaking is an access initiative of the Gordon Darling Print Fund. Login