Centre for Australian Art

Australian Prints + Printmaking

Search
Explore

About
Resources
Research

Browse: A

WORKS 301 – 320 of 1830 IMAGES ONLY

Sort By:

Results per page:

Artist: Noone, John. | Title: A print. | Date: 1869 | Technique: photolithograph, printed in black ink from one plate

Artist: TIPPING, Richard | Title: a print from Airpoet portfolio. | Date: 1979 | Technique: screenprint, printed in black ink, from one stencil

Artist: TIPPING, Richard | Title: a print from Airpoet portfolio. | Date: 1979 | Technique: screenprint, printed in colour, from multiple stencils

Artist: TIPPING, Richard | Title: a print from Airpoet portfolio. | Date: 1979 | Technique: screenprint, printed in blue ink, from one stencil

Artist: TIPPING, Richard | Title: a print from Airpoet portfolio. | Date: 1979 | Technique: screenprint, printed in colour, from two stencils

Artist: TIPPING, Richard | Title: a print from Airpoet portfolio. | Date: 1979 | Technique: screenprint, printed in black ink, from one stencil

Artist: TIPPING, Richard | Title: a print from Airpoet portfolio. | Date: 1979 | Technique: screenprint, printed in brown ink, from one stencil

Artist: TIPPING, Richard | Title: a print from Airpoet portfolio. | Date: 1979 | Technique: screenprint, printed in brown ink, from one stencil

Artist: TIPPING, Richard | Title: a print from Airpoet portfolio. | Date: 1979 | Technique: screenprint, printed in blue ink, from one stencil

Artist: TIPPING, Richard | Title: a print from Airpoet portfolio. | Date: 1979 | Technique: screenprint, printed in brown ink, from one stencils

Artist: Young, Blamire. | Title: A print from Johnny Fawkner's press. | Date: 1902 | Technique: woodcut, printed in black ink, from one block

Artist: Nedelkopoulos, Nicholas. | Title: A private life made public property | Technique: etching, printed in black ink, from one plate

Artist: MEYER, Bill | Title: A problem of identity | Date: 1971 | Technique: screenprint, printed in seven colours, from one open block out screen, paper stencils, one hand cut stencil and two photo ortho indirect screens | Copyright: © Bill Meyer

Artist: Moore, Mary. | Title: A proper gander | Date: 1980 | Technique: etching and aquatint, printed in black ink, from one plate | Copyright: © Mary Moore

Artist: Twigg, Tony. | Title: A puppet company, Ubu's chair performance, Sydney | Date: 1986 | Technique: screenprint, printed in black ink, from one stencil | Copyright: © Tony Twigg. Licensed by VISCOPY, Australia

Title: A quarter moon | Date: 1980 | Technique: colour woodcut printed from eleven woodblocks | Copyright: © Ed Baynard

Artist: Milojevic, Milan. | Title: A question of balance (Figur 3). | Date: 2007 | Technique: relief-etching and aquatint, printed in colour, from two plates

Artist: Milojevic, Milan. | Title: A question of balance (Figur 33). | Date: 2007 | Technique: relief-etching and aquatint, printed in colour, from two plates

Artist: Milojevic, Milan. | Title: A question of balance (Figur 52). | Date: 2007 | Technique: relief-etching and aquatint, printed in colour, from two plates

Artist: Milojevic, Milan. | Title: A question of balance (Figur 58). | Date: 2007 | Technique: relief-etching and aquatint, printed in colour, from two plates

PAGES ← 1 2 3 4 5 6 7 8 9 10 11 →

Search

Simple
Advanced
Browse
- Artists
- Works
- Images
- Exhibitions
- Galleries
- References
- Documents

Join us on Facebook

Follow us on Instagram

Search

Simple
Advanced
Browse

Explore

Works and Networks
Decade Summary
All Artists
Subjects Explorer
Timeline

Resources

Resources
Awards & Grants
Australian Print Symposiums
Cataloguing manual
News
Links

About

About Us
National Gallery of Australia
Gordon Darling Fund
Prints and printmaking: web innovation and excellence
Contact

Research

Printed Images Australia Pacific
Partners

National Gallery of Australia

The National Gallery of Australia is an Australian Government Agency

National Gallery
Privacy statement
Website Disclaimer
Website copyright
Rights, permissions, reproductions

Australian Prints + Printmaking is an access initiative of the Gordon Darling Print Fund. Login