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WORKS 19841 – 19860 of 54674 IMAGES ONLY
Artist: Lasisi, David. | Title: In the act of being trustful | Date: 1976 | Technique: screenprint, printed in yellow/brown ink, from one stencil

David Lasisi (1955–)

In the act of being trustful

(1976)

screenprint

D.G. Reid (1862–1933)

In the Afterglow.

etching

Lilias Garling (1909–)

In the Albaicin, Granada pencil.

Artist: WALKER, Murray | Title: In the antique room at the Slade School (a) | Date: 1962 | Technique: drypoint, printed in black ink, from one plate

Murray Walker (1937–)

In the antique room at the Slade School (a)

(1962)

drypoint

Artist: WALKER, Murray | Title: In the antique room at the Slade School (b) | Date: 1962 | Technique: etching and sugarlift aquatint, printed in black ink, from one plate

Murray Walker (1937–)

In the antique room at the Slade School (b)

(1962)

etching and sugarlift aquatint

Artist: WALKER, Murray | Title: In the antique room at the Slade School (c) | Date: 1962 | Technique: etching and sugarlift aquatint, printed in black ink, from one plate

Murray Walker (1937–)

In the antique room at the Slade School (c)

(1962)

etching and sugarlift aquatint

Artist: White, Nigel. | Title: In the beginning | Date: 1991 | Technique: drypoint, printed in sepia ink, from one plate

Nigel White (1958–)

In the beginning

(1991)

drypoint

Artist: French, Len. | Title: (In the beginning). | Date: (1955) | Technique: lithograph, printed in black ink, from one plate | Copyright: © Leonard French. Licensed by VISCOPY, Australia

Len French (1928–2017)

(In the beginning).

((1955))

lithograph

Artist: MEYER, Bill | Title: In The Beginning (was the void) | Date: 1974 | Technique: screenprint, printed in eight colours, from seven screens (indirect and direct stencils photo-image and hand cut) | Copyright: © Bill Meyer

Bill Meyer (1942–)

In The Beginning (was the void) | In the beginning

(1974)

screenprint

In the beginning there were birds.

(1987)

etching and aquatint

Artist: Zero. | Title: In the blackout - before you alight make sure the train is in the station | Date: (1939-1945) | Technique: lithograph

Zero. (1898–1976)

In the blackout - before you alight make sure the train is in the station

((1939-1945))

lithograph

Artist: Brown, Donna. | Title: In the bush | Date: 1995, June | Technique: lithograph, printed in black ink, from one stone

Donna Brown (1966–)

In the bush

(1995, June)

lithograph

Artist: Brown, Donna. | Title: In the bush | Date: 1995, June | Technique: lithograph, printed in colour, from three stones

Donna Brown (1966–)

In the bush

(1995, June)

lithograph

Artist: O'Connor, Vic. | Title: In the Cathedral: The saint and beggarwoman | Date: 1982 | Technique: linocut, printed in black ink, from one block | Copyright: Reproduced with permission of the artist.

Vic O'Connor (1918–2010)

In the Cathedral: The saint and beggarwoman

(1982)

linocut

Gladys Gibbons (1903–1969)

In the City.

Frederick George Reynolds (1880–1932)

In the Dandenongs.

Artist: Ritchie, Therese. | Title: In the Dark? | Date: 1992 | Technique: offset-lithograph, printed in colour, from four process plates

Therese Ritchie (1961–)

In the Dark?

(1992)

offset-lithograph

Artist: LINDSAY, Lionel | Title: In the days of the Push | Date: 1936 | Technique: etching, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

In the days of the Push | Whalers' Arms, in the days of the push

(1936)

etching

Michael W. Nicholson (1916–2017)

In the depths.

(1957)

lithograph

Artist: Searle, Bruce. | Title: In the early Nineteenth Century ... A book containing [14] pp. | Date: 1984

Bruce Searle (1949–)

In the early Nineteenth Century ... A book containing [14] pp.

(1984)