Browse

WORKS 19781 – 19800 of 54674 IMAGES ONLY

Raymond Mcgrath (1903–1977)

'In dreams and dark Chateau'.

Philippa Matthews (1994–)

In escape

(c.1994)

etching and aquatint

Therese Dowling (1994–)

In Escape.

(1994)

etching

A.H. Fullwood (1863–1930)

In Eton Fields.

John Barclay Godson (1882–1957)

In Festive Mood.

Title: In fifteen minutes, everybody will be famous. Richard Weiss opens his new club ... Space Kinselas. | Date: 1989 | Technique: screenprint, printed in silver and black ink, from two stencils

In fifteen minutes, everybody will be famous. Richard Weiss opens his new club ... Space Kinselas.

(1989)

screenprint

John Shirlow (1869–1936)

In Flinders Lane (Melbourne Set).

(1919)

etching

William Montague Whitney (1880–1946)

In For Repairs.

etching

William Lee Hankey (1869–1952)

In Full Sail.

Lionel Lindsay (1874–1961)

In Gloucester Street.

Artist: LINDSAY, Lionel | Title: In Heysen's country | Date: 1921 | Technique: etching, aquatint and burnishing, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

In Heysen's country

(1921)

etching

Artist: UNKNOWN | Title: In jest we forget...Dead hero. | Date: 1979 | Technique: screenprint, printed in colour, from four stencils

UNKNOWN

In jest we forget...Dead hero.

(1979)

screenprint

Squire Morgan (1886–1974)

In Kangaroo Valley.

etching

D.G. Reid (1862–1933)

In Leafy Bower.

etching

D.G. Reid (1862–1933)

In Leafy Bower.

etching

Artist: TSOUNIS, Demeter | Title: In limbo | Date: (1985) | Technique: screenprint, printed in colour, from multiple stencils

Demeter Tsounis (1961–)

In limbo

((1985))

screenprint

Artist: Sibley, Andrew. | Title: In love with the cat lady | Date: 1997 | Technique: etching, printed in black ink, from one plate

Andrew Sibley (1933–2015)

In love with the cat lady

(1997)

etching

In Memorium Jurgis Maciunas

(1999)

David Lasisi (1955–)

In memory of a master craftsman.

(1976)

screenprint

Gaye Paterson (1970–)

In memory of Neil Davis

(1985)

softground