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WORKS 1461 – 1480 of 54640 IMAGES ONLY
Artist: Wilson, William. | Title: A table showing the several positions of the vanes of the telegraph. | Date: 1834 | Technique: engraving, printed in black ink, from one plate

William Wilson (1795–1867)

A table showing the several positions of the vanes of the telegraph.

(1834)

engraving

Charles Catton (Junior) (1756–1819)

A tapoa tafa.

(29 December 1789 (imprint))

Artist: Rees, Lloyd. | Title: A Tasmanian mountain | Date: 1977 | Technique: softground-etching, printed in brown ink, from one zinc plate | Copyright: © Alan and Jancis Rees

Lloyd Rees (1895–1988)

A Tasmanian mountain

(1977)

softground-etching

Title: A teapot | Date: 1982 | Technique: drypoint, printed in black ink, from three perspex plates

A teapot

(1982)

drypoint

Artist: LINDSAY, Lionel | Title: A Temple entry, Madura | Date: 1929-30 | Technique: etching, printed in warm black ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

A Temple entry, Madura

(1929-30)

etching

Artist: WALKER, Murray | Title: A theatrical prompters box. | Date: 1973 | Technique: softground-etching, printed in black ink, from one plate

Murray Walker (1937–)

A theatrical prompters box.

(1973)

softground-etching

Artist: NICOLSON, Noel | Title: A throw in | Date: 1989 | Technique: lithograph, printed in black ink, from one stone

Noel Nicolson (1937–)

A throw in

(1989)

lithograph

Helen Farmer (1888–1970)

A Timber Mill.

Eirene Mort (1879–1977)

A Timber scow.

Artist: MEYER, Bill | Title: A time and space feeling good | Date: 1979-1982 | Technique: photo-etching, aquatint and drypoint, printed in black ink, from one plate | Copyright: © Bill Meyer

Bill Meyer (1942–)

A time and space feeling good

(1979-1982)

photo-etching

Artist: WALKER, Murray | Title: A tired old woman | Date: 1961 | Technique: drypoint, printed in black ink, from one plate

Murray Walker (1937–)

A tired old woman

(1961)

drypoint

James Crisp (1879–1962)

A Tit Bit.

etching

Artist: ARNOLD, Raymond | Title: A Titanic night to remember. Farewell to Humphrey McQueen. | Date: 1984 | Technique: screenprint, printed in colour, from multiple stencils

Raymond Arnold (1950–)

A Titanic night to remember. Farewell to Humphrey McQueen.

(1984)

screenprint

Noel Mckenna (1956–)

A to Z

(1989)

photocopy

Artist: MACKINOLTY, Chips | Title: A toast to Melba | Date: 1980 | Technique: offset-lithograph in colour, from one plate

Chips Mackinolty (1954–)

A toast to Melba

(1980)

offset-lithograph in colour

Artist: Barker, David. | Title: A tomb in Bethlehem. | Date: (1919) | Technique: etching and foul biting, printed in black ink with plate-tone, from one plate

David Barker (1888–1946)

A tomb in Bethlehem.

((1919))

etching and foul biting

Title: A tousche or two, or three, or... | Date: 1987 | Technique: etching and aquatint, printed in black ink, from one plate

A tousche or two, or three, or...

(1987)

etching and aquatint

Title: A tower from the game of death | Date: 1995 | Technique: screenprint, printed in colour, from multiple stencils

A tower from the game of death

(1995)

screenprint

Artist: Rees, Lloyd. | Title: A tower in Europe | Date: 1922 | Technique: etching, printed in brown ink, from one copper plate | Copyright: © Alan and Jancis Rees

Lloyd Rees (1895–1988)

A tower in Europe

(1922)

etching

Artist: LINDSAY, Lionel | Title: A tower, Segovia | Date: c.1942 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

A tower, Segovia

(c.1942)

etching