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WORKS 13281 – 13300 of 54663 IMAGES ONLY
Artist: Olsen, John. | Title: Emus by the lake | Date: 1975 | Technique: etching, printed in brown ink with plate-tone, from one zinc plate | Copyright: © John Olsen. Licensed by VISCOPY, Australia

John Olsen (1928–2023)

Emus by the lake

(1975)

etching

Pamela Griffith (1943–)

Emus on the run.

(1995)

hardground-etching and aquatint

Artist: Law, Roger. | Title: (Emus running) | Date: 2005 | Technique: aquatint, printed in sepia ink, from one plate

Roger Law (1941–)

(Emus running)

(2005)

aquatint

Artist: Edwards, Annette. | Title: En passant | Date: 1985 | Technique: etching and aquatint, printed in black ink with plate-tone, from one plate

Annette Edwards (1948–2009)

En passant

(1985)

etching and aquatint

Encampment at Escape Cliffs, Palmerston.

(1865)

wood-engraving

Artist: Angas, George French. | Title: Encampment of native women near Cape Jervis; Natives of Encounter Bay making cord for fishing nets. | Date: 1846-47 | Technique: lithograph, printed in colour, from multiple stones; varnish highlights by brush

George French Angas (1822–1886)

Encampment of native women near Cape Jervis; Natives of Encounter Bay making cord for fishing nets.

(1846-47)

lithograph

Artist: King, Grahame. | Title: Enchanted garden | Date: 1989 | Technique: lithograph, printed in colour, from four stones [or plates]

Grahame King (1915–2008)

Enchanted garden

(1989)

lithograph

Murray Griffin (1903–1992)

Enchanted wood | Trees

(c.1929)

linocut

Artist: Buckley, Sue. | Title: Encirclement. | Date: 1967 | Technique: lithograph, printed in colour, from multiple stones [or plates] | Copyright: This work appears on screen courtesy of Sue Buckley and her sister Jean Hanrahan

Sue Buckley (1911–1986)

Encirclement.

(1967)

lithograph

Artist: BALDESSIN, George | Title: Enclosure. | Date: 1964 | Technique: etching and aquatint, printed in black ink, from one plate

George Baldessin (1939–1978)

Enclosure.

(1964)

etching and aquatint

Artist: Cilento, Margaret. | Title: Enclosures. | Date: 1947 | Technique: etching and aquatint, printed in black ink, from one plate

Margaret Cilento (1923–2006)

Enclosures.

(1947)

etching and aquatint

Artist: MADDOCK, Bea | Title: Encounter | Date: 1966 | Technique: woodcut, printed in black ink by hand burnishing, from two abutted pine blocks

Bea Maddock (1934–2016)

Encounter

(1966)

woodcut

Earle Backen (1927–2005)

Encounter.

(1961)

etching

Artist: BALDESSIN, George | Title: Encounter. | Date: 1963 | Technique: etching and aquatint, printed in black ink, from one plate

George Baldessin (1939–1978)

Encounter.

(1963)

etching and aquatint

Artist: Buckley, Sue. | Title: Encounter. | Date: 1981 | Technique: screenprint, printed in colour, from multiple stencils | Copyright: This work appears on screen courtesy of Sue Buckley and her sister Jean Hanrahan

Sue Buckley (1911–1986)

Encounter.

(1981)

screenprint

Robert Trauer (1913–1985)

Encounter.

(1965)

lithograph

Artist: Angas, George French. | Title: Encounter Bay. | Date: 1846

George French Angas (1822–1886)

Encounter Bay.

(1846)

Artist: Boag, Yvonne. | Title: End. | Date: 1993 | Technique: lithographs, printed in black ink, from one plates | Copyright: © Yvonne Boag

Yvonne Boag (1954–)

End.

(1993)

lithographs

Artist: Bell, Malcolm. | Title: End line. | Date: 1985 | Technique: screenprint, printed in colour, from multiple stencils

Malcolm Bell (1959–)

End line.

(1985)

screenprint

Murray Griffin (1903–1992)

End of day

(1934)

linocut