Browse

WORKS 11541 – 11560 of 54663 IMAGES ONLY

Fred Britton (1889–1931)

Demolition of Old Mint, Sydney.

etching

Lionel Lindsay (1874–1961)

Demolition of the Girls' High School.

Artist: LINDSAY, Lionel | Title: Demolition of the Girls' High School, Sydney. | Date: 1924 | Technique: etching and aquatint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Demolition of the Girls' High School, Sydney. | Last of the girls' high school.

(1924)

etching and aquatint

Len Annois (1906–1966)

Demolition, Old Bijon Theatre.

Sydney Long (1871–1955)

Demolition, Waterloo Bridge, London.

Quinton Tidswell (1910–1940)

Demolitions.

Lionel Lindsay (1874–1961)

Demons.

Artist: UNKNOWN | Title: Demonstrate... Support repeal of all abortion laws, freely available safe contraceptives, no forced sterilisation | Date: 1973 | Technique: offset-lithograph, printed black ink

UNKNOWN

Demonstrate... Support repeal of all abortion laws, freely available safe contraceptives, no forced sterilisation

(1973)

offset-lithograph

Artist: MADDOCK, Bea | Title: Demonstration drypoint (Bending figure) | Date: 1967 | Technique: drypoint and etching, printed in black ink, from one plate

Bea Maddock (1934–2016)

Demonstration drypoint (Bending figure)

(1967)

drypoint and etching

Artist: MADDOCK, Bea | Title: Demonstration steelplate etching [walking]. | Date: 1968 | Technique: open bite and line-etching, printed in black ink, from one steel plate

Bea Maddock (1934–2016)

Demonstration steelplate etching [walking].

(1968)

open bite and line-etching

Title: Demonstration woodcut [figures] | Date: 1968 | Technique: woodcut, printed in black ink, from one plywood block by hand-burnishing

Demonstration woodcut [figures]

(1968)

woodcut

Bernhard Sachs (1954–2022)

Demonstration: negative dialectics (reconstruction from a New York City corpse, 4:20 am, 1994, of X-rays of an anonymous 19th century American painting after Titian).

(1995, May)

lithograph

Artist: Sachs, Bernhard. | Title: Demonstration: negative dialectics (reconstruction from a New York City corpse, 4:20 am, 1994, of X-rays of an anonymous 19th century American painting after Titian). | Date: 1995, May | Technique: lift-ground, spit-bite, aquatint, roulette, burnish, drypoint and lithograph | Copyright: © Bernhard Sachs

Bernhard Sachs (1954–2022)

Demonstration: negative dialectics (reconstruction from a New York City corpse, 4:20 am, 1994, of X-rays of an anonymous 19th century American painting after Titian).

(1995, May)

lift-ground

Bernhard Sachs (1954–2022)

Demonstration: negative dialectics (reconstruction from a New York City corpse, 4:20 am, 1994, of X-rays of an anonymous 19th century American painting after Titian).

(1995, May)

lithograph

Bernhard Sachs (1954–2022)

Demonstration: negative dialectics (reconstruction from a New York City corpse, 4:20 am, 1994, of X-rays of an anonymous 19th century American painting after Titian)

(1995, May)

lift-ground

Bernhard Sachs (1954–2022)

Demonstration: negative dialectics (reconstruction from a New York City corpse, 4:20 am, 1994, of X-rays of an anonymous 19th century American painting after Titian)

(1995, May)

lift-ground

Artist: Sachs, Bernhard. | Title: Demonstration: negative dialectics (reconstruction from a New York City corpse, 4:20 am, 1994, of X-rays of an anonymous 19th century American painting after Titian). | Date: 1995, May | Technique: lithograph, printed in cream ink, from one plate; lift ground, spit bite, aquatint, roulette, burnish and drypoint, printed in colour, from multiple plates | Copyright: © Bernhard Sachs

Bernhard Sachs (1954–2022)

Demonstration: negative dialectics (reconstruction from a New York City corpse, 4:20 am, 1994, of X-rays of an anonymous 19th century American painting after Titian).

(1995, May)

lithograph

Bernhard Sachs (1954–2022)

Demonstration: negative dialectics (reconstruction from a New York City corpse, 4:20 am, 1994, of X-rays of an anonymous 19th century American painting after Titian)

(1995, May)

lift-ground

Bernhard Sachs (1954–2022)

Demonstration: negative dialectics (reconstruction from a New York City corpse, 4:20 am, 1994, of X-rays of an anonymous 19th century American painting after Titian)

(1995, May)

lift-ground

Bernhard Sachs (1954–2022)

Demonstration: negative dialectics (reconstruction from a New York City corpse, 4:20 am, 1994, of X-rays of an anonymous 19th century American painting after Titian)

(1995, May)

lift-ground