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WORKS 10841 – 10860 of 54494 IMAGES ONLY

Custom House, Launceston

(1887)

lithograph

Ruby Millikin (1924–)

Customs House

(1984)

etching and aquatint

Artist: Freedman, Harold. | Title: Customs House - Yarra River - Queens Bridge. | Date: 1962 | Technique: lithograph

Harold Freedman (1915–1999)

Customs House - Yarra River - Queens Bridge.

(1962)

lithograph

Artist: Jack, Kenneth. | Title: Customs House, Brisbane | Date: 1965 | Technique: screenprint, printed in colour, from 12 stencils | Copyright: © Kenneth Jack. Licensed by VISCOPY, Australia

Kenneth Jack (1924–2006)

Customs House, Brisbane

(1965)

screenprint

Kenneth Jack (1924–2006)

Customs House, Brisbane Illustrated in Seidel, The Arts of Australia: Printmaking, p.31.

Sidney Nolan (1917–1992)

(Cutouts)

(c.1940)

pieces cut from prints

Sidney Nolan (1917–1992)

(Cutouts).

((c 1940))

pieces cut from prints

Artist: MEYER, Bill | Title: Cuts and little floating bits | Date: 1981 | Technique: photo-etching, aquatint, drypoint, printed in black ink, from one zinc plate (pre-coated photo-engraving mitsui) | Copyright: © Bill Meyer

Bill Meyer (1942–)

Cuts and little floating bits | Cuts and little floating things

(1981)

photo-etching

Artist: Faulkner, Sarah | Title: Cutting cane | Date: 1992 | Technique: lithograph, printed in black ink, from one stone

Sarah Faulkner (1959–)

Cutting cane

(1992)

lithograph

Artist: MEYER, Bill | Title: Cutting in space | Date: 1981 | Technique: etching and aquatint, printed in black ink, from one zinc plate (mitsui, precoated photo-engraving) | Copyright: © Bill Meyer

Bill Meyer (1942–)

Cutting in space

(1981)

etching and aquatint

Artist: MEYER, Bill | Title: Cutting the concrete softness | Date: 1981 | Technique: screenprint, printed in seven colours, from six screens (half tone photo images and indirect hand-cut stencils) | Copyright: © Bill Meyer

Bill Meyer (1942–)

Cutting the concrete softness

(1981)

screenprint

Artist: Armstrong, Ian. | Title: (Cutting toenails). | Date: 1950s | Technique: etching, drypoint printed in brown ink (from one plate)

Ian Armstrong (1923–2005)

(Cutting toenails). | Putting on shoes

(1950s)

etching

Title: CV part 1 in Bruno Leti: Landscapes, memories and fantasies | Date: 1987 | Technique: offset-lithograph, printed in black ink, from one plate

CV part 1 in Bruno Leti: Landscapes, memories and fantasies

(1987)

offset-lithograph

Title: CV part 2 in Bruno Leti: Landscapes, memories and fantasies | Date: 1987 | Technique: offset-lithograph, printed in black ink, from one plate

CV part 2 in Bruno Leti: Landscapes, memories and fantasies

(1987)

offset-lithograph

Artist: MADDOCK, Bea | Title: CXV | Date: (1966-67) | Technique: etching, printed in black ink, from two abutted zinc plates

Bea Maddock (1934–2016)

CXV

((1966-67))

etching

Artist: MADDOCK, Bea | Title: CXVI | Date: (1966) | Technique: etching, printed in black ink, from one zinc plate

Bea Maddock (1934–2016)

CXVI

((1966))

etching

Artist: Mellor, Danie. | Title: Cyathea Cooperi. | Date: 2004 | Technique: mezzotint, printed in brown ink, from two plates

Danie Mellor (1971–)

Cyathea Cooperi.

(2004)

mezzotint

Artist: Mellor, Danie. | Title: Cyathea Cooperi | Date: 2004 | Technique: mezzotint, printed in brown ink, from one plate

Danie Mellor (1971–)

Cyathea Cooperi

(2004)

mezzotint

Artist: Mellor, Danie. | Title: Cyathea Cooperi | Date: 2004 | Technique: mezzotint, printed in brown ink, from one plate

Danie Mellor (1971–)

Cyathea Cooperi

(2004)

mezzotint

Artist: Thompson, Janette. | Title: Cybermum | Date: 1999, October | Technique: etching, aquatint and sugar-lift, printed in dark blue ink, from one plate

Janette Thompson (1956–)

Cybermum

(1999, October)

etching