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WORKS 9281 – 9300 of 54455 IMAGES ONLY
Artist: Dickson, Clive. | Title: Clifton Hill | Date: 1986 | Technique: etching and aquatint, printed in black ink, from one plate

Clive Dickson (1953–)

Clifton Hill

(1986)

etching and aquatint

Brian Seidel (1928–2019)

Clifton Hill, Sunday Morning.

Matthew Dubourg (1786–1838)

Climbing trees.

(1 October 1813 (imprint))

Clinker

(1983)

screenprint

Artist: Wood., C. Dudley. | Title: (Cloak) | Date: c.1950 | Technique: lithograph, printed in colour, from multiple stones [or plates]

C. Dudley Wood. (1905–1980)

(Cloak)

(c.1950)

lithograph

Artist: Berick, Wendy Watjera. | Title: Cloak | Date: 1999, April | Technique: etching, printed in black ink, from one plate

Wendy Watjera Berick (1970–)

Cloak

(1999, April)

etching

Artist: Johnstone, Ruth. | Title: Cloak study | Date: 1988 | Technique: lithograph, printed in black ink, from one stone

Ruth Johnstone (1955–)

Cloak study

(1988)

lithograph

Artist: White, Robin. | Title: Clock | Date: 1988 | Technique: photo-etching

Robin White (1946–)

Clock

(1988)

photo-etching

Artist: OGILVIE, Helen | Title: (Clock) | Date: (1953) | Technique: wood-engraving, printed in black ink, from one block

Helen Ogilvie (1902–1993)

(Clock)

((1953))

wood-engraving

A.H. Fullwood (1863–1930)

Clock Tower, Central Station, Sydney.

etching

David Barker (1888–1946)

Clock Tower, Jaffa.

Tanya Crothers (1941–)

Cloistere.

(1990)

drypoint and aquatint

Pearl Sheldon (1877–)

Cloisters, Churst Church, Oxford.

John Goodchild (1898–1980)

Cloisters, Lincoln Cathedral.

Pearl Sheldon (1877–)

Cloisters, Magdalen College, Oxford.

Artist: Cullen, Adam. | Title: Clone | Date: 2001 | Technique: etching, printed in black ink, from one plate

Adam Cullen (1965–2012)

Clone

(2001)

etching

Artist: Allen, Joyce. | Title: Close contact. | Date: 1989 | Technique: linocut, printed in black ink, from one block

Joyce Allen (1916–1992)

Close contact.

(1989)

linocut

Artist: Moore, Mary. | Title: Close encounter of the ...kind. Busby | Date: 1980, April | Technique: mezzotint, drypoint and engraving, printed in black ink with green ballpoint pen; lithograph, printed in colour, four plates | Copyright: © Mary Moore

Mary Moore (1957–)

Close encounter of the ...kind. Busby

(1980, April)

mezzotint

Fred Campbell (1851–1930)

Close Hauled. | Closehauled.

aquatint

Victor Cobb (1876–1945)

Close of day.

(1918)

drypoint