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WORKS 50081 – 50100 of 54709 IMAGES ONLY
Artist: Shearer, Mitzi. | Title: Triptych | Date: 1981-84 | Technique: etching, printed in black, with plate-tone, from one plate

Mitzi Shearer (1909–1995)

Triptych

(1981-84)

etching

Marr Grounds (1930–2021)

Triptych

(1984)

mylar film

Artist: Shearer, Mitzi. | Title: Triptych | Date: 1981-84

Mitzi Shearer (1909–1995)

Triptych

(1981-84)

Vivienne Binns (1940–)

Triptych.

(2000)

acrylic paint applied by wooden stamps

Triptych

(1976)

screenprint

Victoria Edwards (1948–)

Triptych.

(1973 (exhibited))

Artist: MADDOCK, Bea | Title: Triptych 1 | Date: 1969 | Technique: drypoint and etching, printed in black ink, from one copper plate

Bea Maddock (1934–2016)

Triptych 1

(1969)

drypoint and etching

Artist: MADDOCK, Bea | Title: Triptych 2 | Date: 1969 | Technique: drypoint and etching, printed in black ink, from one copper plate

Bea Maddock (1934–2016)

Triptych 2

(1969)

drypoint and etching

Artist: MADDOCK, Bea | Title: Triptych 3 | Date: 1969 | Technique: drypoint and etching, printed in black ink, from one copper plate

Bea Maddock (1934–2016)

Triptych 3

(1969)

drypoint and etching

Fred Williams (1927–1982)

Triptych Landscape.

Artist: Lee, Graeme. | Title: Triptych of rostrums | Date: 1989 | Technique: etching, printed in black ink, from one plate

Graeme Lee (1990–)

Triptych of rostrums

(1989)

etching

Artist: Lindsay, Norman. | Title: Tristan and Isolda. | Date: (1899) | Technique: woodcut, printed in black ink, from one block

Norman Lindsay (1879–1969)

Tristan and Isolda.

((1899))

woodcut

Artist: UNKNOWN | Title: Tristania conferta | Date: 1882 | Technique: lithograph, printed in colour, from multiple stones [or plates]

UNKNOWN

Tristania conferta

(1882)

lithograph

Artist: Olsen, John. | Title: Tristram | Date: 1978 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: © John Olsen. Licensed by VISCOPY, Australia

John Olsen (1928–2023)

Tristram

(1978)

etching

Artist: Haxton, Elaine | Title: Triton's call | Date: 1967 | Technique: open-bite etching, printed in blue-green ink, from one plate

Elaine Haxton (1909–1999)

Triton's call

(1967)

open-bite etching

Jules Sébastien César Dumont-D'Urville (1790–1842)

(Triton, Port Essington, Raffle).

(1842-47)

lithograph

Ben Taylor (1960–)

Triumph of the Mimi

(10 November 1999)

etching

Artist: WORSTEAD, Paul | Title: Trivia makes the world go round. Sydney; (s.n.): [13] pp, including front and back cover, incl. [4] pp of ippustration, stapled. | Technique: photocopy | Copyright: This work appears on screen courtesy of the artist

Paul Worstead (1950–)

Trivia makes the world go round. Sydney; (s.n.): [13] pp, including front and back cover, incl. [4] pp of ippustration, stapled.

photocopy

Rupert Bunny (1864–1947)

Trois Femmes dans un paysage.

Artist: The Pott Still Press. | Title: (Trooper and drinking horse). | Date: 1981 | Technique: photo offset-lithograph

The Pott Still Press.

(Trooper and drinking horse).

(1981)

photo offset-lithograph