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WORKS 47001 – 47020 of 54702 IMAGES ONLY
Artist: Senbergs, Jan. | Title: The Port Liardet limner. [b] | Date: 1992 | Technique: etching, printed in black ink, from four copper plates | Copyright: © Jan Senbergs

Jan Senbergs (1939–2024)

The Port Liardet limner. [b]

(1992)

etching

Artist: Senbergs, Jan. | Title: The Port Liardet limner. [c] | Date: 1992 | Technique: etching, printed in black ink, from four copper plates | Copyright: © Jan Senbergs

Jan Senbergs (1939–2024)

The Port Liardet limner. [c]

(1992)

etching

Artist: Senbergs, Jan. | Title: The Port Liardet limner. [d] | Date: 1992 | Technique: etching, printed in black ink, from four copper plates | Copyright: © Jan Senbergs

Jan Senbergs (1939–2024)

The Port Liardet limner. [d]

(1992)

etching

Jessie Traill (1881–1967)

The Port Ragusa chalk.

drawing in chalk

Artist: GOODCHILD, John | Title: The port, London | Date: 1928 | Technique: drypoint, printed in black ink, from one plate

John Goodchild (1898–1980)

The port, London | The pool of London | The pool, London

(1928)

drypoint

Artist: Nixon, F.R. | Title: The port, Mount Lofty. | Date: 1845 | Technique: etching, printed in black ink, from one plate

F.R. Nixon (1817–1860)

The port, Mount Lofty.

(1845)

etching

Artist: Hjorth, Noela. | Title: The portrait of the artist's son, cat and garden. | Date: 1972 | Technique: photo-etching, printed in colour, from multiple plates

Noela Hjorth (1940–)

The portrait of the artist's son, cat and garden.

(1972)

photo-etching

Murray Griffin (1903–1992)

The Post Office.

(c.1934)

linocut

Sydney Ure Smith (1887–1949)

The Post Office, from Wynyard Street.

Artist: Ham Brothers. | Title: The post office, Melbourne. | Date: 1851 | Technique: engraving, printed in black ink, from one copper plate

Ham Brothers. (1850–1851)

The post office, Melbourne.

(1851)

engraving

Herbert Rose (1890–1937)

The Post Office, Sydney.

etching

Dorrit Black (1891–1951)

The Pot Plant.

Artist: Black, Dorrit. | Title: The pot plant. | Date: 1933 | Technique: linocut, printed in colour, from six blocks (crimson, brown ochre, cobalt blue viridian, light brown-grey)

Dorrit Black (1891–1951)

The pot plant.

(1933)

linocut

Dorrit Black (1891–1951)

The Pot-plant.

Lionel Lindsay (1874–1961)

The Potter's Shop.

Eirene Mort (1879–1977)

The pottery.

(1920)

etching

Artist: Harris, Pamela. | Title: The powder room | Date: 1984 | Technique: photo-screenprint, printed in colour, from multiple screens

Pamela Harris (1946–1992)

The powder room

(1984)

photo-screenprint

Artist: Lane, Leonie. | Title: The Power Gallery Lecture '80: Kenneth Coutts-Smith, 'The state of the avant-garde'. | Date: 1980 | Technique: screenprint, printed in colour, from two stencils | Copyright: © Leonie Lane

Leonie Lane (1955–)

The Power Gallery Lecture '80: Kenneth Coutts-Smith, 'The state of the avant-garde'.

(1980)

screenprint

Artist: HANRAHAN, Barbara | Title: The power of example | Date: 1979 | Technique: etching, printed in black ink with plate-tone, from one plate

Barbara Hanrahan (1939–1991)

The power of example

(1979)

etching

Christine Mccarthy (1952–)

The power of example

(1994)

linocut