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WORKS 43481 – 43500 of 54402 IMAGES ONLY

John Goodchild (1898–1980)

The barn.

(Adelaide, South Australia, Australi)

Victor Cobb (1876–1945)

The barn.

(by 1920)

etching

Sydney Ure Smith (1887–1949)

The barn.

(1919)

etching

Artist: Gruner, Elioth. | Title: The barn. | Date: 1919 | Technique: drypoint, printed in dark brown ink with plate-tone, from one plate

Elioth Gruner (1882–1939)

The barn.

(1919)

drypoint

Artist: FULLWOOD, A.H. | Title: The barn. | Date: 1904 | Technique: monotype, printed in colour, from one plate

A.H. Fullwood (1863–1930)

The barn.

(1904)

monotype

John Eldershaw (1892–1973)

The barn.

(c.1934)

lithograph

Sydney Ure Smith (1887–1949)

The barn, Evening.

Artist: Glover, Allan. | Title: The Barn, Magill | Date: 1929 | Technique: etching, printed in brown ink with plate-tone, from one plate

Allan Glover (1900–1984)

The Barn, Magill

(1929)

etching

Sydney Ure Smith (1887–1949)

The barn, Windsor.

Sydney Ure Smith (1887–1949)

The barn, Winnstay.

Artist: Atkinson, Charles. | Title: The Barracks. | Date: 1833 | Technique: lithograph, printed in black ink, from one stone

Charles Atkinson (1806–1837)

The Barracks.

(1833)

lithograph

Artist: GRIFFITH, Pamela | Title: The Barracks under restoration | Date: 1981 | Technique: hard ground, aquatint, photo-transfer from Kodalith on one zinc | Copyright: © Pamela Griffith

Pamela Griffith (1943–)

The Barracks under restoration

(1981)

hard ground

Artist: PROIOS, Stergios | Title: The barrier is not language: Ford Broadmeadows 1973 | Date: (1985) | Technique: screenprint, printed in colour, from multiple stencils

Stergios Proios

The barrier is not language: Ford Broadmeadows 1973

((1985))

screenprint

Artist: Barwell, Geoff. | Title: (The bass player). | Date: (1955) | Technique: linocut, printed in colour, from two blocks

Geoff Barwell (1926–1963)

(The bass player).

((1955))

linocut

John Shirlow (1869–1936)

The Bass Solo, St. Paul's Cathedral.

(1909)

etching

Artist: LINDSAY, Lionel | Title: The Bassra guard | Date: 1929 | Technique: drypoint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Bassra guard | The Bazra Guard

(1929)

drypoint

Dorothy Kay

The Basuto Blanket Not arrived in.

Artist: BALDESSIN, George | Title: The bath. | Date: 1971 | Technique: etching and aquatint, printed in black ink, from one plate.

George Baldessin (1939–1978)

The bath.

(1971)

etching and aquatint

Artist: WILLIAMS, Fred | Title: The bath | Date: 1955-56 | Technique: etching, aquatint, rough biting, printed in black ink, from one zinc plate | Copyright: © Fred Williams Estate

Fred Williams (1927–1982)

The bath

(1955-56)

etching

Artist: Mather, John. | Title: The bath, Healesville. | Date: c.1895 | Technique: etching, printed in black ink with plate-tone, from one plate

John Mather (1848–1916)

The bath, Healesville. | The bathers

(c.1895)

etching