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WORKS 38361 – 38380 of 54684 IMAGES ONLY

Richard Wallwork (1882–1955)

Satyrs.

Satyrs and sunlight. Being the collected poetry of Hugh McCrae.

(1928)

Artist: Hillard, Merris. | Title: Saucepan | Date: c.1986 | Technique: lithograph, printed in black ink, from one stone

Merris Hillard (1949–)

Saucepan

(c.1986)

lithograph

Artist: Cummings, Elizabeth. | Title: Saucepan. | Date: 2001 | Technique: etching and aquatint, printed in black ink, from one plate

Elizabeth Cummings (1934–)

Saucepan.

(2001)

etching and aquatint

Artist: Bowen, Dean. | Title: Saucer | Date: 1992 | Technique: aquatint, printed in black ink, from one plate

Dean Bowen (1957–)

Saucer

(1992)

aquatint

Artist: Bowen, Dean. | Title: Saucer | Date: 1992 | Technique: etching, printed in colour, from multiple plates

Dean Bowen (1957–)

Saucer

(1992)

etching

Artist: Bowen, Dean. | Title: Saucer (with red building) | Date: 1992 | Technique: etching, printed in colour, from multiple plates

Dean Bowen (1957–)

Saucer (with red building)

(1992)

etching

Paul Hewson (1949–)

Saul and Hannah Lepke: A recollection.

(1984-86)

typescript

Theo Scharf (1899–1987)

Saunders & Son - Malt Extract

(1913)

etching

Artist: Northfield, James. | Title: Saunders' malt extract and cod liver oil. | Date: 1947-49 | Technique: lithograph, printed in colour, from multiple stones [or plates] | Copyright: © James Northfield Heritage Art Trust

James Northfield (1887–1973)

Saunders' malt extract and cod liver oil.

(1947-49)

lithograph

Anne Graham (1925–)

Sausage stall

(1999)

screenprint

Title: Sauvages des bords de la Nepean | Date: c.1820s | Technique: stipple-engraving, printed in black ink, from one plate

Sauvages des bords de la Nepean

(c.1820s)

stipple-engraving

Title: Sauvages des bords de la Nepean | Date: c.1820s | Technique: stipple-engraving, printed in black ink, from one plate

Sauvages des bords de la Nepean

(c.1820s)

stipple-engraving

Artist: Copia, Jacques-Louis. | Title: Sauvages du Cap de Diemen préparant leur repas. | Date: 1817 | Technique: engraving, printed in black ink, from one copper plate

Jacques-Louis Copia (1764–1799)

Sauvages du Cap de Diemen préparant leur repas.

(1817)

engraving

Artist: Laroque, J | Title: Sauvagesse de la Nouvelle Zelande. [Savage woman of New Zealand] | Date: 1796 | Technique: engraving, printed in black ink, from one copper plate; hand-coloured in watercolour

J Laroque (1796–)

Sauvagesse de la Nouvelle Zelande. [Savage woman of New Zealand]

(1796)

engraving

A.H. Fullwood (1863–1930)

Savage Club, Melbourne.

A.H. Fullwood (1863–1930)

Savage Club, N.S.W.

Artist: ARNOLD, Raymond | Title: Savage lives. Multi-media event. video/Performance/Paintings/Music...Chameleon...Hobart. | Date: 1989 | Technique: screenprint, printed in colour, from five stencils

Raymond Arnold (1950–)

Savage lives. Multi-media event. video/Performance/Paintings/Music...Chameleon...Hobart.

(1989)

screenprint

Artist: ARNOLD, Raymond | Title: Savage lives. Multi-media event. video/Performance/Paintings/Music...Comming soon. | Date: 1989 | Technique: screenprint, printed in colour, from multiple stencils

Raymond Arnold (1950–)

Savage lives. Multi-media event. video/Performance/Paintings/Music...Comming soon.

(1989)

screenprint

Artist: ARNOLD, Raymond | Title: Savage River Art Project, An exhibition of paintings and prints by Ray Arnold and some of the residents of Savage River... Cockatoo Gallery... Launceston. | Date: 1988 | Technique: screenprint, printed in colour, from two stencils

Raymond Arnold (1950–)

Savage River Art Project, An exhibition of paintings and prints by Ray Arnold and some of the residents of Savage River... Cockatoo Gallery... Launceston.

(1988)

screenprint