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WORKS 38181 – 38200 of 54684 IMAGES ONLY

John Flexmore (1911–2004)

(Sailing boats moored at jetty).

(1930s)

linocut

John Flexmore (1911–2004)

(sailing boats moored at jetty 96.83.16).

(1930s)

linocut

Artist: Doggett-Williams, Phillip. | Title: Sailor ascending into heaven. | Date: 1985 | Technique: lithograph, printed in black ink, from one stone [or plate]

Phillip Doggett-Williams (1953–)

Sailor ascending into heaven.

(1985)

lithograph

Harold Byrne (1899–1966)

Sailor's Rest. | Sailor's Rest, Hobart.

aquatint

Lionel Lindsay (1874–1961)

Sailor's Return.

Artist: Lindsay, Norman. | Title: (Sailors & Wenches) | Date: (1898) | Technique: woodcut, printed in black ink, from one block

Norman Lindsay (1879–1969)

(Sailors & Wenches)

((1898))

woodcut

Victor Zelman (1877–1960)

Sailors' Mission Church.

Artist: MACQUEEN, Mary | Title: Sails | Date: 1971 | Technique: lithograph, printed in colour, from multiple plates | Copyright: Courtesy Paulette Calhoun, for the estate of Mary Macqueen

Mary Macqueen (1912–1994)

Sails

(1971)

lithograph

Artist: Ransome, Richard | Title: Saint Andrews Cathedral | Date: c.1850 | Technique: etching, printed in black ink, from one plate

Richard Ransome (1858–)

Saint Andrews Cathedral

(c.1850)

etching

Arthur Boyd (1920–1999)

Saint Clare and Saint Francis Lithograph, 19 x 24, 14/25, 1965. Printed by John Watson. From "Saint Francis". Available from the artist.

Arthur Boyd (1920–1999)

Saint Francis and the Wolf of Gubbio Lithograph, 19 x 24, 14/25, 1965. Printed by John Watson, London. From a series, "Saint Francis". Available from Arthur Boyd.

Artist: GRIFFITH, Pamela | Title: Saint Ignatius College, Riverview | Date: 1984 | Technique: hardground-etching and aquatint, printed in brown ink, from one copper plate | Copyright: © Pamela Griffith

Pamela Griffith (1943–)

Saint Ignatius College, Riverview

(1984)

hardground-etching and aquatint

Artist: McDonald, Sheila. | Title: Saint Mark's, Darling Point | Date: c.1931 | Technique: etching, aquatint printed in brown ink with plate-tone

Sheila Mcdonald (1902–1971)

Saint Mark's, Darling Point

(c.1931)

etching

Artist: Ransome, Richard | Title: Saint Mary's Cathedral, Sydney. | Date: c.1858 | Technique: engraving, printed in black ink, from one copper plate

Richard Ransome (1858–)

Saint Mary's Cathedral, Sydney.

(c.1858)

engraving

Alfred Bock (1835–1920)

Saint Michael's Church Campbell Town.

(1857)

Artist: McDonald, Sheila. | Title: Saint Michael's Church, Vaucluse | Date: c.1932 | Technique: etching, aquatint printed with plate-tone

Sheila Mcdonald (1902–1971)

Saint Michael's Church, Vaucluse

(c.1932)

etching

Artist: Mather, John. | Title: Saint Patrick's spire | Date: 1896 | Technique: etching, printed in warm black ink with plate-tone, from one plate

John Mather (1848–1916)

Saint Patrick's spire

(1896)

etching

Francis Broadhurst (1914–1999)

Saint Sebastian.

(c.1940)

lithograph

Artist: McGrath, Raymond. | Title: Saint Simeon Stylites | Date: 1925 | Technique: wood-engraving, printed in black ink, from one block

Raymond Mcgrath (1903–1977)

Saint Simeon Stylites

(1925)

wood-engraving

Alice Newell (1876–1966)

Saints and pygmies.

linocut