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WORKS 36701 – 36720 of 54395 IMAGES ONLY
Artist: MADDOCK, Bea | Title: Reaching figure | Date: July 1964 | Technique: woodcut, printed in black ink by hand-burnishing, from one pine block

Bea Maddock (1934–2016)

Reaching figure

(July 1964)

woodcut

Alexander Hamilton (1958–)

Reachit longways.

etching

Artist: Christmann, Jenny. | Title: Readers Digest. | Date: 1977 - 1978 | Technique: wool, safety pins

Jenny Christmann (1928–2005)

Readers Digest.

(1977 - 1978)

wool

Brett Whiteley (1939–1992)

Reading.

(1981)

linocut

Artist: Hawkins, Weaver. | Title: Reading | Date: c.1922 | Technique: etching, printed in black ink, from one plate | Copyright: The Estate of H.F Weaver Hawkins

Weaver Hawkins (1893–1977)

Reading

(c.1922)

etching

Artist: Bradford, Wendy. | Title: Reading & Writing = Jobs. | Date: 1990 | Technique: screenprint, printed in yellow, red and black ink, from three stencils

Wendy Bradford (1980–)

Reading & Writing = Jobs.

(1990)

screenprint

Gayfield Shaw (1885–1961)

Readitt's Bend.

etching

Cedric Emanuel (1906–1995)

Ready for Planting.

Cedric Emanuel (1906–1995)

Ready for Planting Pencil Drawing.

pencil drawing

Artist: CICADA PRESS | Title: Ready to pop. | Date: 2006 | Technique: etching, printed in black ink, from one plate

CICADA PRESS (2003–)

Ready to pop.

(2006)

etching

Monika Behrens (1975–)

Ready to Pop

(2006)

etching

Artist: Koch-Sanders, Donny. | Title: Ready-set-go (exercise) | Date: 1996, 12 July | Technique: lithograph with photo-stencil, printed in black ink, from one stone

Donny Koch-Sanders (1988–)

Ready-set-go (exercise)

(1996, 12 July)

lithograph with photo-stencil

Artist: Redletter Press. | Title: Real costs of energy | Date: 1989 | Technique: screenprint, printed in colour, from five stencils

Redletter Press. (1979–1991)

Real costs of energy

(1989)

screenprint

Paul Uhlmann (1962–)

Real smoke from the mouths of men.

(1987)

drypoint and etching

Artist: Uhlmann, Paul. | Title: Real smoke from the mouths of men (left) | Date: 1987 | Technique: drypoint and etching, printed in black ink, from one plate

Paul Uhlmann (1962–)

Real smoke from the mouths of men (left)

(1987)

drypoint and etching

Artist: Uhlmann, Paul. | Title: Real smoke from the mouths of men (middle) | Date: 1987 | Technique: drypoint and etching, printed in black ink, from one plate

Paul Uhlmann (1962–)

Real smoke from the mouths of men (middle)

(1987)

drypoint and etching

Artist: Uhlmann, Paul. | Title: Real smoke from the mouths of men (right) | Date: 1987 | Technique: drypoint and etching, printed in black ink, from one plate

Paul Uhlmann (1962–)

Real smoke from the mouths of men (right)

(1987)

drypoint and etching

Artist: Mora, Philippe. | Title: Really good taste art | Date: 1971 | Technique: screenprint, printed in colour, from multiple stencils

Philippe Mora (1949–)

Really good taste art

(1971)

screenprint

Title: Rear Window | Date: c.1985 | Technique: off-set lithograph

Rear Window

(c.1985)

off-set lithograph

Artist: Marshall, Jennifer. | Title: Rearlight | Date: 1994 | Technique: woodcut, printed in blue ink, from two blocks

Jennifer Marshall (1944–)

Rearlight

(1994)

woodcut