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WORKS 34361 – 34380 of 54679 IMAGES ONLY

Christian Waller (1894–1954)

'Perhaps it was the dark held out his hand, And morning came and stole his hand away'.

(1931)

linocut

Artist: Waller, Christian. | Title: Perhaps it was the dark held out his hand, And morning came and stole his hand away. | Date: (1931) | Technique: linocut, printed in black ink, from one block

Christian Waller (1894–1954)

"Perhaps it was the dark held out his hand, And morning came and stole his hand away".

((1931))

linocut

Artist: McGrath, Raymond. | Title: Pericles | Date: 1928 | Technique: wood-engraving, printed in black ink, from one block

Raymond Mcgrath (1903–1977)

Pericles

(1928)

wood-engraving

Artist: Nolan, Sidney. | Title: Pericles and Orphée | Date: 1948 | Technique: screenprint, printed in colour, from multiple stencils

Sidney Nolan (1917–1992)

Pericles and Orphée

(1948)

screenprint

Helen Ogilvie (1902–1993)

Period Piece.

Artist: Bowen, Dean. | Title: Periscope | Date: 1991 | Technique: etching, printed in brown, orange and black ink, from three plates

Dean Bowen (1957–)

Periscope

(1991)

etching

Title: Perkin's Beach, Port Kembla | Date: c.1930 | Technique: woodcut, printed in colour, from multiple blocks

Perkin's Beach, Port Kembla

(c.1930)

woodcut

Artist: REDBACK GRAPHIX | Title: Permanency. | Date: 1986 | Technique: offset-lithograph, printed in colour, from multiple plates

REDBACK GRAPHIX (1980–1994)

Permanency.

(1986)

offset-lithograph

Praxis Poster Workshop. (1982–)

Permanent Days, a Pilbara Story

screenprint

Brett Colquhoun (1958–)

Permeate. | Light & photography: a suite of 10 etchings

(2003)

etching

Artist: Amac. | Title: Permit Zone promo poster. | Date: 2004 | Technique: stencil, printed in brown ink, from one stencil

Amac. (1968–)

Permit Zone promo poster.

(2004)

stencil

Artist: Couzens, Vicki. | Title: Pernmeeyal | Date: 1999, August | Technique: etching and aquatint, printed in black ink, from one plate | Copyright: © V. Couzens

Vicki Couzens (1960–)

Pernmeeyal

(1999, August)

etching and aquatint

Wayne Crothers (1961–)

Perplexity of Place.

(1997, February)

woodcut

Wayne Crothers (1961–)

Perplexity of Place.

(1997, February)

woodcut

Title: Perruche a taches noires du Cap de Diemen. | Date: 1800 | Technique: engraving, printed in black ink, from one copper plate

Perruche a taches noires du Cap de Diemen.

(1800)

engraving

Perruche omnicolore [Many-coloured parrot]

(1805)

stipple-engraving

Title: Perry's Great International Circus & Menagerie | Date: 1995-96 | Technique: linocut, printed in black ink, from one block

Perry's Great International Circus & Menagerie

(1995-96)

linocut

Artist: Cilento, Margaret. | Title: Persephone. | Date: 1947 | Technique: aquatint, engraving and softground etching, printed with plate-tone

Margaret Cilento (1923–2006)

Persephone.

(1947)

aquatint

Artist: Cilento, Margaret. | Title: Persephone. | Date: 1949 | Technique: etching and aquatint, printed in black ink, from one plate

Margaret Cilento (1923–2006)

Persephone.

(1949)

etching and aquatint

Artist: Shearer, Mitzi. | Title: Persian carpet design | Date: 1978

Mitzi Shearer (1909–1995)

Persian carpet design

(1978)