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WORKS 32181 – 32200 of 54370 IMAGES ONLY
Artist: LINDSAY, Lionel | Title: Officers quarters, Kent Street | Date: 1912 | Technique: etching and drypoint, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Officers quarters, Kent Street

(1912)

etching and drypoint

Eirene Mort (1879–1977)

Officers' Mess, Duntroon R.M.C. | Officers' Mess, Duntroon Royal Military College.

(1924)

Sydney Ure Smith (1887–1949)

Offices of the 'Sydney Morning Herald'.

Kozo Dobashi (1946–)

offset.

Kozo Dobashi (1946–)

offset.

Artist: Clutterbuck, Bob. | Title: Often the best man for the job is a woman!!. | Date: 1985 | Technique: photo-lithograph, printed in colour

Bob Clutterbuck (1951–)

Often the best man for the job is a woman!!.

(1985)

photo-lithograph

Artist: Clutterbuck, Bob. | Title: Often the best man for the job is..A woman!!. Affirmative action. | Date: 1985 | Technique: screenprint, printed in colour, from multiple stencils

Bob Clutterbuck (1951–)

Often the best man for the job is..A woman!!. Affirmative action.

(1985)

screenprint

Artist: Cardew, Gaynor. | Title: Oh by the way, I have MS. | Date: 1989 | Technique: offset-lithograph, printed in colour, from multiple plates

Gaynor Cardew (1952–1999)

Oh by the way, I have MS.

(1989)

offset-lithograph

Artist: Shearer, Mitzi. | Title: Oh Jerusalem | Date: 1980-86 | Technique: etching and aquatint, printed in black ink, from one plate

Mitzi Shearer (1909–1995)

Oh Jerusalem

(1980-86)

etching and aquatint

Artist: Clarke, Neilton. | Title: Oh my Omiai. | Date: 1993 | Technique: woodcut, printed in colour, from multiple blocks

Neilton Clarke (1958–)

Oh my Omiai.

(1993)

woodcut

Artist: White, Nigel. | Title: Oh no! | Date: 1991 | Technique: drypoint, printed in sepia ink, from one plate

Nigel White (1958–)

Oh no!

(1991)

drypoint

Title: Oh really [issue] 5 | Date: 2010

Oh really [issue] 5

(2010)

Artist: Headlam, Kristin. | Title: Oh Rose I | Date: 1997 | Technique: aquatint and drypoint, printed in colour, from two copper plates

Kristin Headlam (1953–)

Oh Rose I

(1997)

aquatint and drypoint

Artist: Headlam, Kristin. | Title: Oh Rose I-X | Date: 1997 | Technique: spit-bite aquatint and drypoint, printed in colour, from multiple copper plates

Kristin Headlam (1953–)

Oh Rose I-X

(1997)

spit-bite aquatint and drypoint

Artist: Headlam, Kristin. | Title: Oh Rose II | Date: 1997 | Technique: aquatint and drypoint, printed in colour, from two copper plates

Kristin Headlam (1953–)

Oh Rose II

(1997)

aquatint and drypoint

Artist: Headlam, Kristin. | Title: Oh Rose III | Date: 1997 | Technique: aquatint and drypoint, printed in colour, from multiple copper plates

Kristin Headlam (1953–)

Oh Rose III

(1997)

aquatint and drypoint

Artist: Headlam, Kristin. | Title: Oh Rose IV | Date: 1997 | Technique: aquatint and drypoint, printed in colour, from two copper plates

Kristin Headlam (1953–)

Oh Rose IV

(1997)

aquatint and drypoint

Artist: Headlam, Kristin. | Title: Oh Rose IX | Date: 1997 | Technique: aquatint and drypoint, printed in colour, from two copper plates

Kristin Headlam (1953–)

Oh Rose IX

(1997)

aquatint and drypoint

Artist: Headlam, Kristin. | Title: Oh Rose V | Date: 1997 | Technique: aquatint and drypoint, printed in colour, from two copper plates

Kristin Headlam (1953–)

Oh Rose V

(1997)

aquatint and drypoint

Artist: Headlam, Kristin. | Title: Oh Rose VI | Date: 1997 | Technique: aquatint and drypoint, printed in colour, from two copper plates

Kristin Headlam (1953–)

Oh Rose VI

(1997)

aquatint and drypoint