Browse

WORKS 21601 – 21620 of 54395 IMAGES ONLY
Title: L la la la la la l | Date: 1996 | Technique: lithograph, printed in black ink, from one stone [or plate]

L la la la la la l

(1996)

lithograph

Greg Moncrieff (1950–)

L'Albatros.

(1982)

screenprints

Artist: Conder, Charles. | Title: L'alcade dans l'embarras. | Date: 1899 | Technique: transfer-lithograph, printed in black ink, from one stone

Charles Conder (1868–1909)

L'alcade dans l'embarras.

(1899)

transfer-lithograph

Artist: Conder, Charles. | Title: L'alcade dans l'embarras. | Date: 1899 | Technique: transfer-lithograph, printed in brownish red ink, from one stone

Charles Conder (1868–1909)

L'alcade dans l'embarras.

(1899)

transfer-lithograph

Artist: Brooks, Ron. | Title: L'amour botanique. | Date: 1990 | Technique: etching and aquatint, printed in colour with plate-tone, from one plate

Ron Brooks (1948–)

L'amour botanique.

(1990)

etching and aquatint

H. Neville Barker (1903–1981)

'L'Apres Midi'.

Artist: Cilento, Margaret. | Title: L'arbre sur neige. | Date: 1951 | Technique: etching and aquatint, printed in black ink, from one plate

Margaret Cilento (1923–2006)

L'arbre sur neige.

(1951)

etching and aquatint

Artist: MEYER, Bill | Title: L'art erotique | Date: 1974 | Technique: screenprint, printed in colour, from seven screens (hand cut and photo-screens indirect) | Copyright: © Bill Meyer

Bill Meyer (1942–)

L'art erotique

(1974)

screenprint

Martin Kinney (1961–)

L'Atalante and zero du conduite

(c.1989)

screenprint

Artist: Conder, Charles. | Title: L'entree en scene. | Date: 1904 | Technique: transfer-lithograph, printed in red ink, from one stone

Charles Conder (1868–1909)

L'entree en scene.

(1904)

transfer-lithograph

Rupert Bunny (1864–1947)

L'Esclave.

Unknown artist

L'ESTAMPE MODERNE.

Artist: Ky, Marine. | Title: L'Eté (#1) | Date: 1996, August | Technique: etching and aquatint, printed in colour, from two plates

Marine Ky (1966–)

L'Eté (#1)

(1996, August)

etching and aquatint

Artist: Ky, Marine. | Title: L'Eté (#2) | Date: 1996, August | Technique: etching and aquatint, printed in colour, from two plates

Marine Ky (1966–)

L'Eté (#2)

(1996, August)

etching and aquatint

Title: L'Halmature thétis. A. Jeune dans le Repos [young at rest]. | Date: 1837 | Technique: engraving, printed in black ink, from one copper plate; hand-coloured

L'Halmature thétis. A. Jeune dans le Repos [young at rest].

(1837)

engraving

H. Neville Barker (1903–1981)

'L'Heure Sentimentale'.

Artist: Ky, Marine. | Title: L'Hiver (#1) | Date: 1996, August | Technique: etching and aquatint, printed in colour, from two plates

Marine Ky (1966–)

L'Hiver (#1)

(1996, August)

etching and aquatint

Artist: Ky, Marine. | Title: L'Hiver (#2) | Date: 1996, August | Technique: etching and aquatint, printed in colour, from two plates

Marine Ky (1966–)

L'Hiver (#2)

(1996, August)

etching and aquatint

John Wardell Power (1881–1943)

L'homme calculateur

(1939)

linocut

Artist: Power, John Wardell. | Title: L'homme calculateur [The calculating man]. | Date: 1939 | Technique: linocut, printed in brown ink, from one block

John Wardell Power (1881–1943)

L'homme calculateur [The calculating man].

(1939)

linocut