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WORKS 14621 – 14640 of 32052 IMAGES ONLY
Artist: Groblicka, Lidia. | Title: Model [Portrait of a woman]. | Date: 1953-54 | Technique: lithograph, printed in black ink, from one stone

Lidia Groblicka (1933–2012)

Model [Portrait of a woman].

(1953-54)

lithograph

Artist: Groblicka, Lidia. | Title: Model [seated]. | Date: 1955-56 | Technique: woodcut, printed in black ink, from one block

Lidia Groblicka (1933–2012)

Model [seated].

(1955-56)

woodcut

Artist: Groblicka, Lidia. | Title: Model [young girl drawing]. | Date: 1958 | Technique: linocut, printed in black ink, from one block

Lidia Groblicka (1933–2012)

Model [young girl drawing].

(1958)

linocut

Artist: MADDOCK, Bea | Title: Model and a cast | Date: 1960 | Technique: hardgound etching, softground etching and sugar-lift aquatint, printed in black ink, from one zinc plate

Bea Maddock (1934–2016)

Model and a cast

(1960)

hardgound etching

Artist: Hadley, Basil. | Title: Model and wall | Date: 1974 | Technique: etching, aquatint and deep etch, printed in black ink, from one plate

Basil Hadley (1940–2006)

Model and wall

(1974)

etching

Artist: Brack, John. | Title: Model asleep. | Date: 1977 | Technique: lithograph, printed in black ink, from one zinc plate | Copyright: © Helen Brack

John Brack (1920–1999)

Model asleep.

(1977)

lithograph

Artist: Perry, Adelaide. | Title: Model in armchair. | Date: c.1930 | Technique: linocut, printed in black ink, from one block | Copyright: © Adelaide Perry

Adelaide Perry (1891–1973)

Model in armchair.

(c.1930)

linocut

Artist: WALKER, Murray | Title: Model in chair | Date: 1960 | Technique: drypoint, printed in black ink, from one plate

Murray Walker (1937–)

Model in chair

(1960)

drypoint

Artist: Burgess, Peter. | Title: Model railway track. | Date: 1996 | Technique: inkjet print

Peter Burgess (1952–)

Model railway track.

(1996)

inkjet print

Artist: Sumner, Alan. | Title: Model resting | Date: 1944 | Technique: screenprint, printed in colour, from four stencils

Alan Sumner (1911–1994)

Model resting

(1944)

screenprint

Artist: Rose, David. | Title: Model with cushion | Date: 1996 | Technique: screenprint, printed in colour, from multiple screens

David Rose (1936–2006)

Model with cushion

(1996)

screenprint

Artist: Brack, John. | Title: Model with Islamic carpet. | Date: 1977 | Technique: lithograph, printed in black ink, from one zinc plate | Copyright: © Helen Brack

John Brack (1920–1999)

Model with Islamic carpet.

(1977)

lithograph

Artist: Brack, John. | Title: Model with shag rug. | Date: 1977 | Technique: lithograph, printed in black ink, from one zinc plate | Copyright: © Helen Brack

John Brack (1920–1999)

Model with shag rug. | Nude with shag rug

(1977)

lithograph

Artist: Lowe, Geoff. | Title: Models | Date: 1986 | Technique: photo-screenprint, printed in grey ink, from one stencil

Geoff Lowe (1952–)

Models

(1986)

photo-screenprint

Artist: Senbergs, Jan. | Title: Modern monument in colour | Date: 1975 | Technique: screenprint, printed in colour, from multiple stencils | Copyright: © Jan Senbergs. Licensed by VISCOPY, Australia

Jan Senbergs (1939–2024)

Modern monument in colour

(1975)

screenprint

Artist: UNKNOWN, Artist | Title: Modern Movement in England | Date: 1973 | Technique: screenprint, printed in colour, from multiple stencils

Artist Unknown

Modern Movement in England

(1973)

screenprint

Artist: Cattapan, Jon. | Title: Modern punishment. | Date: 1980 | Technique: screenprint, printed in colour, from multiple stencils

Jon Cattapan (1956–)

Modern punishment.

(1980)

screenprint

Artist: Debenham, Pam. | Title: Modern still life. | Date: 1987 | Technique: lithograph, printed in black ink, from one stone [or plate]

Pam Debenham (1955–)

Modern still life.

(1987)

lithograph

Title: Modern times | Date: c.1985 | Technique: off-set lithograph

Modern times

(c.1985)

off-set lithograph

Artist: Long, Sydney. | Title: Moel Siabod, North Wales | Date: c.1920 | Technique: softground-etching, printed in black ink with plate-tone, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Moel Siabod, North Wales

(c.1920)

softground-etching