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WORKS 13961 – 13980 of 32046 IMAGES ONLY
Title: Map of route from Sydney to New Guinea of the Detached Squadron expedition to New Guinea | Technique: lithograph, printed in black ink, from one stone

Map of route from Sydney to New Guinea of the Detached Squadron expedition to New Guinea

lithograph

Title: Map of Sarah Island the penal settlement at Macquarie Harbour 1831. | Date: 1831 | Technique: engraving, printed in black ink, from one plate

Map of Sarah Island the penal settlement at Macquarie Harbour 1831.

(1831)

engraving

Artist: Ham Brothers. | Title: Map of the counties of Wellington and Bathurst showing the present goldfield of New South Wales, June 1851. | Date: 1851 | Technique: lithograph, printed in black ink, from one stone; hand-coloured

Ham Brothers. (1850–1851)

Map of the counties of Wellington and Bathurst showing the present goldfield of New South Wales, June 1851.

(1851)

lithograph

Artist: Ham Brothers. | Title: Map of the isthmus of Panama showing the proposed connection of the Pacific and Atlantic oceans. | Date: 1850 | Technique: lithograph, printed in blue/green ink, from one stone

Ham Brothers. (1850–1851)

Map of the isthmus of Panama showing the proposed connection of the Pacific and Atlantic oceans.

(1850)

lithograph

Title: Map of the Leichhardt and Port Curtis districts. | Date: 1859 | Technique: photo-lithograph, printed in black ink, from one stone

Map of the Leichhardt and Port Curtis districts.

(1859)

photo-lithograph

Artist: Wilson, William. | Title: Map of the town of Sydney 1833. | Date: 1834 | Technique: engraving, printed in black ink, from one copper plate

William Wilson (1795–1867)

Map of the town of Sydney 1833.

(1834)

engraving

Artist: Robinson, William. | Title: Marais | Date: 2000 | Technique: lithograph, printed in brown ink, from one plate

William Robinson (1936–2025)

Marais

(2000)

lithograph

Artist: HALL, Fiona | Title: Maranta arundinacea - Arrowroot (Trinidad & Tobago currency) | Date: 2000 - 2002 | Technique: gouache | Copyright: © Fiona Hall

Fiona Hall (1953–)

Maranta arundinacea - Arrowroot (Trinidad & Tobago currency)

(2000 - 2002)

gouache

Artist: Ciccone, Valerio. | Title: Marathon man | Date: 1992, June | Technique: lithograph, printed in black ink, from one stone

Valerio Ciccone (1970–)

Marathon man

(1992, June)

lithograph

Artist: LINDSAY, Lionel | Title: Marble balcony, Palazzo Chiarrabia, Venice. | Date: 1937 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Marble balcony, Palazzo Chiarrabia, Venice. | The Venetian balcony.

(1937)

etching

Title: Marcel Duchamp | Date: c.1985 | Technique: off-set lithograph

Marcel Duchamp

(c.1985)

off-set lithograph

Artist: Radok, Stephanie. | Title: March | Date: 1984 | Technique: screenprint, printed in colour, from multiple stencils | Copyright: © Stephanie Radok

Stephanie Radok (1954–)

March

(1984)

screenprint

Artist: Lane, Leonie. | Title: March against Fraser: put people first. | Date: 1980 | Technique: screenprint, printed in colour, from two stencils | Copyright: © Leonie Lane

Leonie Lane (1955–)

March against Fraser: put people first.

(1980)

screenprint

Artist: Orsto, Josette. | Title: March fly dreaming | Date: 1991 | Technique: lithograph, printed in black ink, from one plate

Josette Orsto (1962–2020)

March fly dreaming

(1991)

lithograph

Artist: Morrow, David. | Title: March for full employment ... May Day '81. | Date: 1981 | Technique: screenprint, printed in colour, from multiple stencils

David Morrow (1955–)

March for full employment ... May Day '81.

(1981)

screenprint

Artist: Morrow, David. | Title: March for full employment ... May Day '81. | Date: 1981 | Technique: screenprint, printed in colour, from multiple stencils

David Morrow (1955–)

March for full employment ... May Day '81.

(1981)

screenprint

Artist: UNKNOWN (UNIVERSITY OF QUEENSLAND STUDENT WORKSHOP) | Title: March for more T.E.A.S. | Date: 1981 | Technique: screenprint, printed in black ink, from one stencil

UNKNOWN (UNIVERSITY OF QUEENSLAND STUDENT WORKSHOP)

March for more T.E.A.S. | March for more Tertiary Education Allowance Scheme

(1981)

screenprint

Title: March on Mayday 1984 | Date: c.1984 | Technique: screenprint, printed in colour, from two stencils

March on Mayday 1984

(c.1984)

screenprint

Title: March, April. | Date: 1980 | Technique: screenprint, printed in colour, from six stencils

March, April.

(1980)

screenprint

Artist: Tillers, Imants. | Title: Marchand de Selby | Date: 1976 | Technique: etching and aquatint printed in brown ink, from one copper plate | Copyright: Courtesy of the artist

Imants Tillers (1950–)

Marchand de Selby

(1976)

etching and aquatint printed in brown ink