Centre for Australian Art

Australian Prints + Printmaking

Search
Explore

About
Resources
Research

Browse

WORKS 8741 – 8760 of 32051 IMAGES ONLY

Sort By:

Results per page:

Artist: Meredith, Louisa Anne. | Title: Forest solitude [title page] | Date: 1860 | Technique: lithograph, printed in brown ink, from one stone

Artist: MEYER, Bill | Title: Forest survivor | Date: 1992 | Technique: etching, printed in brown-black charbonnel ink, from one plate | Copyright: © Bill Meyer

Artist: McKenna, Noel. | Title: Forest's edge | Date: 1991 | Technique: etching, printed in black ink, from one plate | Copyright: © Noel McKenna

Artist: von Guérard, Eugene | Title: Forest, Cape Otway Ranges | Date: (1866 - 68) | Technique: lithograph, printed in colour, from multiple stones [or plates]

Artist: Schlitz, Michael. | Title: Forester | Date: 2005 | Technique: woodcut, printed in black ink, from one block

Artist: Olsen, John. | Title: Forever the snake | Date: 1978 | Technique: etching and aquatint, printed in green/brown ink with plate-tone, from one plate | Copyright: © John Olsen. Licensed by VISCOPY, Australia

Artist: Elliott, Fred W. | Title: Foreword | Date: 1997, February | Technique: photo-lithograph, printed in black ink, from one stone | Copyright: By courtesy of the artist

Artist: Flett, James. | Title: Foreword. | Date: 1931 | Technique: letterpress

Title: Forget your last thought | Date: 1970 | Technique: pen and ink on typescript on offset-lithograph and xerox

Artist: TIPPING, Richard | Title: Form 1 planet. | Date: 1992 | Technique: screenprint, printed in colour, from three stencils

Artist: RICHARDSON, Berris | Title: Form I | Date: 1975 | Technique: lithograph, printed in colour, from two plates

Artist: RICHARDSON, Berris | Title: Form II | Date: 1975 | Technique: lithograph, printed in colour, from two stones [or plates]

Artist: RICHARDSON, Berris | Title: Form III | Date: 1975 | Technique: lithograph, printed in brown ink, from one plate

Artist: Kemp, Roger. | Title: Form in motion | Date: c.1974 | Technique: etching, printed in black ink, from one zinc plate

Artist: Hardy, Cecil. | Title: Form mutation II. | Date: 1969 | Technique: screenprint, printed in colour inks, from four stencils

Artist: Backen, Earle. | Title: Form suspended B. | Date: 1963 | Technique: etching and aquatint, printed in colour

Artist: Horvath, Richard. | Title: Formal hit | Date: 1980 or 1981 | Technique: screenprint, printed in colour inks, from multiple stencils

Artist: Burgess, Peter. | Title: formalist: smart foil. | Date: 2001 | Technique: computer generated inkjet prints, printed in colour, from digital files

Artist: SCHMEISSER, Jorg | Title: Formation | Date: 2002 | Technique: etching and aquatint, printed in blue/black ink, from one plate | Copyright: © Jörg Schmeisser

Artist: Peart, John. | Title: Formation | Date: 2004 | Technique: etching and aquatint, printed in black ink, from one plate

PAGES ← 1 2 3 4 5 6 7 8 9 10 11 →

Search

Simple
Advanced
Browse
- Artists
- Works
- Images
- Exhibitions
- Galleries
- References
- Documents

Join us on Facebook

Follow us on Instagram

Search

Simple
Advanced
Browse

Explore

Works and Networks
Decade Summary
All Artists
Subjects Explorer
Timeline

Resources

Resources
Awards & Grants
Australian Print Symposiums
Cataloguing manual
News
Links

About

About Us
National Gallery of Australia
Gordon Darling Fund
Prints and printmaking: web innovation and excellence
Contact

Research

Printed Images Australia Pacific
Partners

National Gallery of Australia

The National Gallery of Australia is an Australian Government Agency

National Gallery
Privacy statement
Website Disclaimer
Website copyright
Rights, permissions, reproductions

Australian Prints + Printmaking is an access initiative of the Gordon Darling Print Fund. Login