Centre for Australian Art

Australian Prints + Printmaking

Search
Explore

About
Resources
Research

Browse

WORKS 4121 – 4140 of 32052 IMAGES ONLY

Sort By:

Results per page:

Artist: Medworth, Frank. | Title: Cafe en la Plazza. | Date: c.1941 | Technique: wood-engraving, printed in black ink, from one block

Artist: Daws, Lawrence. | Title: Cage and running figures. | Date: 1973 | Technique: etching, printed in black ink, from one plate | Copyright: © Lawrence Daws

Artist: BALDESSIN, George | Title: Caged bird. | Date: 1967 | Technique: colour etching and aquatint

Artist: BOYD, Arthur | Title: (Caged unicorn). | Date: 1973-74 | Technique: aquatint, printed in black ink, from one plate | Copyright: Reproduced with permission of Bundanon Trust

Artist: BOYD, Arthur | Title: (Caged unicorn). | Date: 1973-74 | Technique: aquatint, printed in black ink, from one plate | Copyright: Reproduced with permission of Bundanon Trust

Artist: Roach, G.T.M. | Title: Cairo | Date: c.1920 | Technique: etching, printed in brown ink with plate-tone, from one plate

Artist: Stansfield, Sue. | Title: Caithiness II | Date: 1982 | Technique: linocut, printed in colour, from four blocks

Artist: Frazer, David. | Title: Caitlin E. Littlewood | Date: c.2001 | Technique: wood-engraving, printed in black in, from one block

Artist: PRESTON, Margaret | Title: Calabash Bay, Berowra | Date: 1939 | Technique: woodcut, printed in black ink, from one block | Copyright: © Margaret Preston. Licensed by VISCOPY, Australia

Artist: PRESTON, Margaret | Title: Calabash Bay, Berowra | Date: c.1939 | Technique: woodcut, printed in black ink, from one block | Copyright: © Margaret Preston. Licensed by VISCOPY, Australia

Artist: Long, Sydney. | Title: Calder House | Date: 1921 | Technique: line-etching, drypoint and sandgrain aquatint, printed in dark brown ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Artist: Mortensen, Kevin. | Title: Caleb's steps | Date: 2000 | Technique: etching, printed in black ink, from one copper plate | Copyright: © Kevin Mortensen

Artist: Mortensen, Kevin. | Title: Caleb's steps II | Date: 1999 | Technique: etching, printed in black ink, from one copper plate | Copyright: © Kevin Mortensen

Artist: RILEY, Jean | Title: (Calendar, 1980) | Date: 1979 | Technique: screenprint, printed in colour, from multiple stencils

Artist: Craig, Sybil. | Title: Calendar: Cacti. | Date: c.1942 | Technique: collotype, printed in colour

Artist: Craig, Sybil. | Title: Calendar: Flower. | Date: c.1942 | Technique: linocut, printed in colour, from multiple blocks

Artist: Derham, Frances. | Title: Calendar: (Three kookaburras in moonlight). | Date: (1920-21) | Technique: stencil, printed in colour

Title: Calendar: Australia Vietnam society 1982 - Jan-June | Date: 1981 | Technique: [French flag] screenprint, printed in colour, from seven stencils
[USA flag] screenprint, printed in colour, from six stencils

Title: Calendar: Australia Vietnam society 1982 - July - Dec | Date: 1981 | Technique: [NLF flag] screenprint, printed in colour, from seven stencils
[Vietnamese flag] screenprint, printed in colour, from six stencils

PAGES ← 1 2 3 4 5 6 7 8 9 10 11 →

Search

Simple
Advanced
Browse
- Artists
- Works
- Images
- Exhibitions
- Galleries
- References
- Documents

Join us on Facebook

Follow us on Instagram

Search

Simple
Advanced
Browse

Explore

Works and Networks
Decade Summary
All Artists
Subjects Explorer
Timeline

Resources

Resources
Awards & Grants
Australian Print Symposiums
Cataloguing manual
News
Links

About

About Us
National Gallery of Australia
Gordon Darling Fund
Prints and printmaking: web innovation and excellence
Contact

Research

Printed Images Australia Pacific
Partners

National Gallery of Australia

The National Gallery of Australia is an Australian Government Agency

National Gallery
Privacy statement
Website Disclaimer
Website copyright
Rights, permissions, reproductions

Australian Prints + Printmaking is an access initiative of the Gordon Darling Print Fund. Login