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WORKS 30461 – 30480 of 32060 IMAGES ONLY
Artist: Furlonger, Joe. | Title: View of St. Pats 7 (clean plate) | Date: 1992 | Technique: drypoint, printed in black ink with plate-tone, from one plate

Joe Furlonger (1952–)

View of St. Pats 7 (clean plate)

(1992)

drypoint

Artist: Furlonger, Joe. | Title: View of St. Pats 7 (dark plate) | Date: 1992 | Technique: etching, printed in black ink with plate-tone, from one plate

Joe Furlonger (1952–)

View of St. Pats 7 (dark plate)

(1992)

etching

Artist: Haefliger, Paul. | Title: View of Sydney | Date: 1933 | Technique: woodcut, printed in colour, from multiple blocks

Paul Haefliger (1914–1982)

View of Sydney

(1933)

woodcut

Artist: Cooke, George. | Title: View of Sydney and the mouth of the Parramatta. | Date: 1 December 1811 (imprint) | Technique: engraving, printed in black ink, from one copper plate; subsequently hand-coloured in water-colour

George Cooke (1781–1834)

View of Sydney and the mouth of the Parramatta.

(1 December 1811 (imprint))

engraving

Artist: Boys, Thomas Shotter. | Title: View of Sydney from St. Leonards | Date: 11 September 1843 (imprint) | Technique: lithograph, printed in colour, from multiple stones; hand-coloured

Thomas Shotter Boys (1803–1874)

View of Sydney from St. Leonards | Sydney from the North Shore

(11 September 1843 (imprint))

lithograph

Artist: Lycett, Joseph. | Title: View of Tasman's Peak, from Macquarie Plains, Van Diemen's Land. | Date: 1 March 1825 (imprint) | Technique: etching and aquatint, printed in black ink, from one copper plate; hand-coloured

Joseph Lycett (1775–1828)

View of Tasman's Peak, from Macquarie Plains, Van Diemen's Land.

(1 March 1825 (imprint))

etching and aquatint

Artist: Claux, Eugene. | Title: (View of Terrace house backyards, Sydney). | Date: 1946 | Technique: etching and aquatint, printed in black ink with plate-tone, from one copper plate

Eugene Claux (1929–1950)

(View of Terrace house backyards, Sydney).

(1946)

etching and aquatint

Artist: Rowe, George. | Title: View of the City of Melbourne. | Date: 1858 | Technique: lithograph, printed in colour, from multiple stones

George Rowe (1796–1864)

View of the City of Melbourne.

(1858)

lithograph

Artist: Lycett, Joseph. | Title: View of the Female Orphan School, near Parramatta, New South Wales. | Date: 1 January 1825 (imprint) | Technique: etching and aquatint, printed in black ink, from one copper plate; hand-coloured

Joseph Lycett (1775–1828)

View of the Female Orphan School, near Parramatta, New South Wales.

(1 January 1825 (imprint))

etching and aquatint

Artist: Whiteley, Brett. | Title: View of the garden | Date: 1977 | Technique: lithograph, printed in black ink, from one stone | Copyright: This work appears on the screen courtesy of the estate of Brett Whiteley

Brett Whiteley (1939–1992)

View of the garden

(1977)

lithograph

Artist: Lycett, Joseph. | Title: View of the Governor's Retreat, New Norfolk, Van Diemen's Land. | Date: 1 January 1825 (imprint) | Technique: etching and aquatint, printed in black ink, from one copper plate; hand-coloured

Joseph Lycett (1775–1828)

View of the Governor's Retreat, New Norfolk, Van Diemen's Land.

(1 January 1825 (imprint))

etching and aquatint

Artist: Sainson, Louis de. | Title: View of the Heads - Port Jackson. | Date: 1833 | Technique: lithograph, printed in black ink, from one stone

Louis de Sainson (1801–1887)

View of the Heads - Port Jackson.

(1833)

lithograph

Artist: Lycett, Joseph. | Title: View of the Heads, at the Entrance to Port Jackson, New South Wales. | Date: 1 October 1824 | Technique: etching, aquatint and roulette, printed in black ink, from one copper plate; hand-coloured in watercolour

Joseph Lycett (1775–1828)

View of the Heads, at the Entrance to Port Jackson, New South Wales.

(1 October 1824)

etching

Artist: Lycett, Joseph. | Title: View of the Heads, at the Entrance to Port Jackson, New South WalesX | Date: 1 October 1824 (imprint) | Technique: etching and aquatint, printed in black ink, from one copper plate; hand- coloured

Joseph Lycett (1775–1828)

View of the Heads, at the Entrance to Port Jackson, New South WalesX

(1 October 1824 (imprint))

etching and aquatint

Title: View of the seat of Ultimo, near Sydney, in New South Wales. | Date: 1 February 1813 (imprint) | Technique: etching and engraving, printed in black ink, from one copper plate

View of the seat of Ultimo, near Sydney, in New South Wales.

(1 February 1813 (imprint))

etching and engraving

Title: View of the seat of Woolloomoola, near Sydney, in New South Wales. | Date: 1813 | Technique: etching and engraving, printed in black ink, from one copper plate

View of the seat of Woolloomoola, near Sydney, in New South Wales. | Woolloomoolla House, near Sydney

(1813)

etching and engraving

Artist: Lycett, Joseph. | Title: View of the South End of Schouten's Island, Van Diemen's Land. | Date: 1 June 1825 (imprint) | Technique: etching and aquatint, printed in black ink, from one copper plate; hand-coloured

Joseph Lycett (1775–1828)

View of the South End of Schouten's Island, Van Diemen's Land.

(1 June 1825 (imprint))

etching and aquatint

Title: View of the Swan River, Western Australia (grass trees, black swans, and kangaroos). | Date: 1880s | Technique: engraving, printed in black ink, from one plate; hand-coloured at a later date

View of the Swan River, Western Australia (grass trees, black swans, and kangaroos).

(1880s)

engraving

Artist: Webber, John. | Title: View of Ulietea | Date: 1 February 1788 (imprint) | Technique: etching and aquatint, printed in black ink, from one plate; hand-coloured

John Webber (1751–1793)

View of Ulietea

(1 February 1788 (imprint))

etching and aquatint

Artist: Lycett, Joseph. | Title: View of Wilberforce, on the banks of the River Hawkesbury, New South Wales. | Date: 1 February 1825 (imprint) | Technique: etching and aquatint, printed in black ink, from one copper plate; hand-coloured

Joseph Lycett (1775–1828)

View of Wilberforce, on the banks of the River Hawkesbury, New South Wales.

(1 February 1825 (imprint))

etching and aquatint