Browse

WORKS 30441 – 30460 of 32052 IMAGES ONLY
Artist: Slager, Philip. | Title: View of part of the town of Parramatta in New South Wales. Taken from the north side of the river. | Date: 30 November 1812 (imprint) | Technique: engraving, printed in black ink, from one copper plate

Philip Slager (1755–1815)

View of part of the town of Parramatta in New South Wales. Taken from the north side of the river. | Second part view of the town of Parramatta, taken from the north side of the river

(30 November 1812 (imprint))

engraving

Title: View of part of the town of Parramatta in New South Wales. Taken from the south side of the river. | Date: 1 February 1813 (published) | Technique: engraving, printed in black ink, from one copper plate

View of part of the town of Parramatta in New South Wales. Taken from the south side of the river.

(1 February 1813 (published))

engraving

Title: View of part of the town of Parramatta, in New South Wales. Taken from the north side of the River. | Date: 1812 | Technique: engraving, printed in black ink, from one copper plate

View of part of the town of Parramatta, in New South Wales. Taken from the north side of the River.

(1812)

engraving

Artist: Earle, Augustus. | Title: View of Point Piper, Port Jackson. | Date: 1830 | Technique: lithograph, printed in black ink, from one stone; hand-coloured

Augustus Earle (1793–1838)

View of Point Piper, Port Jackson.

(1830)

lithograph

Artist: Bull, Norma C. | Title: View of Port Arthur. | Date: 1937-38 | Technique: etching, printed in black ink, from one plate; pencil and brush and ink additions

Norma C. Bull (1906–1980)

View of Port Arthur.

(1937-38)

etching

Title: View of Port Bowen, from the hills behind the Watering Gully. | Date: 1814 | Technique: engraving, printed in black ink, from one copper plate

View of Port Bowen, from the hills behind the Watering Gully.

(1814)

engraving

Artist: Pye, John. | Title: View of Port Jackson, taken from the South Head. | Date: 1814 | Technique: engraving, printed in black ink, from one copper plate

John Pye (1782–1874)

View of Port Jackson, taken from the South Head.

(1814)

engraving

Artist: Lycett, Joseph. | Title: View of Port Macquarie at the entrance of the River Hastings, New South Wales. | Date: 1825 | Technique: etching and aquatint, printed in black ink, from one copper plate; hand-coloured

Joseph Lycett (1775–1828)

View of Port Macquarie at the entrance of the River Hastings, New South Wales.

(1825)

etching and aquatint

Artist: Lycett, Joseph. | Title: View of Roseneath Ferry, taken from the Eastside, Van Diemen's Land. | Date: 1825 | Technique: etching and aquatint, printed in black ink, from one copper plate; hand-coloured

Joseph Lycett (1775–1828)

View of Roseneath Ferry, taken from the Eastside, Van Diemen's Land.

(1825)

etching and aquatint

Title: View of Sharks Bay, in New South Wales. Taken from Vinegar Hill. | Date: 1812 | Technique: engraving, printed in black ink, from one copper plate

View of Sharks Bay, in New South Wales. Taken from Vinegar Hill.

(1812)

engraving

Title: View of Sir Edward Pellew's Group - Gulph (sic) of Carpentaria. | Date: 1814 | Technique: engraving, printed in black ink, from one copper plate

View of Sir Edward Pellew's Group - Gulph (sic) of Carpentaria.

(1814)

engraving

Artist: Courier, Jack. | Title: View of St Ives, Cornwall. | Date: c.1955 | Technique: lithograph, printed in colour, from multiple stones [or plates]

Jack Courier (1915–2007)

View of St Ives, Cornwall.

(c.1955)

lithograph

Artist: Furlonger, Joe. | Title: View of St. Pats 3 | Date: 1992 | Technique: softground etching and drypoint, printed in black ink, from one plate

Joe Furlonger (1952–)

View of St. Pats 3

(1992)

softground etching and drypoint

Artist: Furlonger, Joe. | Title: View of St. Pats 7 (clean plate) | Date: 1992 | Technique: drypoint, printed in black ink with plate-tone, from one plate

Joe Furlonger (1952–)

View of St. Pats 7 (clean plate)

(1992)

drypoint

Artist: Furlonger, Joe. | Title: View of St. Pats 7 (dark plate) | Date: 1992 | Technique: etching, printed in black ink with plate-tone, from one plate

Joe Furlonger (1952–)

View of St. Pats 7 (dark plate)

(1992)

etching

Artist: Haefliger, Paul. | Title: View of Sydney | Date: 1933 | Technique: woodcut, printed in colour, from multiple blocks

Paul Haefliger (1914–1982)

View of Sydney

(1933)

woodcut

Artist: Cooke, George. | Title: View of Sydney and the mouth of the Parramatta. | Date: 1 December 1811 (imprint) | Technique: engraving, printed in black ink, from one copper plate; subsequently hand-coloured in water-colour

George Cooke (1781–1834)

View of Sydney and the mouth of the Parramatta.

(1 December 1811 (imprint))

engraving

Artist: Martens, Conrad. | Title: View of Sydney from St. Leonards | Date: 1843 | Technique: lithograph, printed in colour, from multiple stones; hand-coloured

Conrad Martens (1801–1878)

View of Sydney from St. Leonards | Sydney from the North Shore

(1843)

lithograph

Artist: Lycett, Joseph. | Title: View of Tasman's Park, from Macquarie Plains, Van Diemen's Land. | Date: 1825 | Technique: etching and aquatint, printed in black ink, from one copper plate; hand-coloured

Joseph Lycett (1775–1828)

View of Tasman's Park, from Macquarie Plains, Van Diemen's Land.

(1825)

etching and aquatint

Artist: Claux, Eugene. | Title: (View of Terrace house backyards, Sydney). | Date: 1946 | Technique: etching and aquatint, printed in black ink with plate-tone, from one copper plate

Eugene Claux (1929–1950)

(View of Terrace house backyards, Sydney).

(1946)

etching and aquatint