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WORKS 30421 – 30440 of 32060 IMAGES ONLY
Artist: Prout, John Skinner | Title: View in George Street, Sydney. | Date: 1842 | Technique: lithograph, printed in colour inks, from two stones (black image, buff tint)

John Skinner Prout (1805–1876)

View in George Street, Sydney. | View in George Street, Sydney, looking North [in list of plates]

(1842)

lithograph

Title: View in the Island of Pines | Date: 1 February 1777 (imprint) | Technique: engraving, printed in black ink, from one copper plate

View in the Island of Pines

(1 February 1777 (imprint))

engraving

Artist: Cogne, Francois. | Title: View near the swamp 1859. | Date: c.1859 | Technique: lithograph, printed in colour, from two stones (black image, cream tint-stone)

Francois Cogne (1829–1883)

View near the swamp 1859.

(c.1859)

lithograph

Artist: SELLBACH, Udo | Title: (View of a city street) | Date: 1950 | Technique: lithograph, printed in black ink, from one stone [or plate]

Udo Sellbach (1927–2006)

(View of a city street)

(1950)

lithograph

Artist: Lycett, Joseph. | Title: View of Captain Piper's Naval Villa, at Eliza Point near Sydney, New South Wales. | Date: 1 May 1825 (imprint) | Technique: etching and aquatint, printed in black ink, from one copper plate; hand-coloured

Joseph Lycett (1775–1828)

View of Captain Piper's Naval Villa, at Eliza Point near Sydney, New South Wales.

(1 May 1825 (imprint))

etching and aquatint

Artist: EWINS, Rod | Title: View of Droughty Pt from Sandy Bay. | Date: 1969 | Technique: screenprint, etching and router-cut woodcut

Rod Ewins (1940–)

View of Droughty Pt from Sandy Bay.

(1969)

screenprint

Artist: Bell, Greg. | Title: View of East End. | Date: 1985 | Technique: screenprint, printed in colour, from multiple stencils

Greg Bell (1960–)

View of East End.

(1985)

screenprint

Title: View of Geelong toward great, great grandmother Stinton's garden | Date: 2007 | Technique: linocuts, printed in black ink, each from one block

View of Geelong toward great, great grandmother Stinton's garden

(2007)

linocuts

Title: View of Geelong toward great, great grandmother Stinton's garden - Panel 1 | Date: 2007 | Technique: linocut, printed in black ink, from one block

View of Geelong toward great, great grandmother Stinton's garden - Panel 1

(2007)

linocut

Title: View of Geelong toward great, great grandmother Stinton's garden - Panel 2 | Date: 2007 | Technique: linocut, printed in black ink, from one block

View of Geelong toward great, great grandmother Stinton's garden - Panel 2

(2007)

linocut

Title: View of Geelong toward great, great grandmother Stinton's garden - Panel 3 | Date: 2007 | Technique: linocut, printed in black ink, from one block

View of Geelong toward great, great grandmother Stinton's garden - Panel 3

(2007)

linocut

Artist: Lycett, Joseph. | Title: View of Hobart Town, Van Diemen's Land. | Date: 1 October 1824 (imprint) | Technique: etching and aquatint, printed in black ink, from one copper plate; hand-coloured

Joseph Lycett (1775–1828)

View of Hobart Town, Van Diemen's Land.

(1 October 1824 (imprint))

etching and aquatint

Artist: Wallis, James. | Title: View of Hunter's River. Newcastle. New South Wales. | Date: 1821 | Technique: engraving, printed in black ink, from one copper plate

James Wallis (1785–1858)

View of Hunter's River. Newcastle. New South Wales.

(1821)

engraving

Artist: Preston, Walter. | Title: View of Hunters River near Newcastle, New South Wales. Taken from Prospect Hill. | Date: 30 November 1812 (imprint) | Technique: etching and engraving, printed in black ink, from one copper plate

Walter Preston (1787–1821)

View of Hunters River near Newcastle, New South Wales. Taken from Prospect Hill.

(30 November 1812 (imprint))

etching and engraving

Title: View of Iron Bark from Victoria Reef, Bendigo. | Date: c.1855 | Technique: lithograph, printed in black ink, from one stone; hand-coloured

View of Iron Bark from Victoria Reef, Bendigo.

(c.1855)

lithograph

Artist: Lycett, Joseph. | Title: View of Lake George, New South Wales, from the north east. | Date: 1 March 1825 (imprint) | Technique: etching and aquatint, printed in black ink, from one copper plate; hand-coloured

Joseph Lycett (1775–1828)

View of Lake George, New South Wales, from the north east.

(1 March 1825 (imprint))

etching and aquatint

Title: View of Malay Road, from Pobafsoo's Island. | Date: 1814 | Technique: engraving, printed in black ink, from one copper plate

View of Malay Road, from Pobafsoo's Island.

(1814)

engraving

Title: View of Mount Cockburn at the bottom of Cambridge Gulf, Taken from the Gut. | Date: 1825 | Technique: engraving, printed in black ink, from one copper plate; hand-coloured [at a later date?]

View of Mount Cockburn at the bottom of Cambridge Gulf, Taken from the Gut.

(1825)

engraving

Title: View of Murray's Islands, with the natives offering to barter. | Date: 1814 | Technique: engraving, printed in black ink, from one copper plate

View of Murray's Islands, with the natives offering to barter.

(1814)

engraving

Title: View of New Norfolk. | Date: 1834 | Technique: lithograph, printed in black ink, from one stone

View of New Norfolk.

(1834)

lithograph