Browse

WORKS 29081 – 29100 of 32052 IMAGES ONLY
Artist: Boag, Yvonne. | Title: To. | Date: 1993 | Technique: lithograph, printed in black ink, from one plate | Copyright: © Yvonne Boag

Yvonne Boag (1954–)

To.

(1993)

lithograph

Artist: Hickey, Dale. | Title: To a damaged lung | Date: 1993 | Technique: lithograph, printed in yellow and black ink, from two stones

Dale Hickey (1937–)

To a damaged lung

(1993)

lithograph

Artist: Boyd, Hermia. | Title: To a handsome man. | Date: 1978 | Technique: etching and aquatint

Hermia Boyd (1931–2000)

To a handsome man.

(1978)

etching and aquatint

Artist: Cullen, Adam. | Title: To an end | Date: 2001 | Technique: etching, printed in black ink, from one plate

Adam Cullen (1965–2012)

To an end

(2001)

etching

Artist: Boyd, Hermia. | Title: To Atthis. | Date: 1978 | Technique: etching, printed in lilac ink, from one plate

Hermia Boyd (1931–2000)

To Atthis.

(1978)

etching

Artist: Boag, Yvonne. | Title: To be are if so and the an. | Date: 1993 | Technique: lithograph, printed in black ink, from one plate | Copyright: © Yvonne Boag

Yvonne Boag (1954–)

To be are if so and the an.

(1993)

lithograph

Artist: Shearer, Mitzi. | Title: To be or not to be | Date: 1982 | Technique: etching, printed in black ink with plate-tone, from one plate

Mitzi Shearer (1909–1995)

To be or not to be

(1982)

etching

Artist: Hirschfeld Mack, Ludwig. | Title: To be understood only by skiing people [recto]; (Study for 'To be understood only by skiing people') [verso] | Date: (1959) | Technique: transfer print; watercolour addition (recto)

Ludwig Hirschfeld Mack (1893–1965)

To be understood only by skiing people [recto]; (Study for 'To be understood only by skiing people') [verso]

((1959))

transfer print; watercolour addition (recto)

Artist: SELLBACH, Udo | Title: To chain | Date: 1965-66 | Technique: etching and aquatint, printed in black ink, from one plate

Udo Sellbach (1927–2006)

To chain

(1965-66)

etching and aquatint

Artist: White, Susan Dorothea. | Title: To cut both ways | Date: 1983 | Technique: lithograph, printed in black ink, from one stone [or plate]

Susan Dorothea White (1941–)

To cut both ways

(1983)

lithograph

Artist: SELLBACH, Udo | Title: To destine | Date: c.1966 | Technique: etching, aquatint printed in black

Udo Sellbach (1927–2006)

To destine

(c.1966)

etching

Artist: WORSTEAD, Paul | Title: To destroy the world ... we had to save it | Date: 1992 | Technique: screenprint, printed in colour, from five stencils | Copyright: This work appears on screen courtesy of the artist

Paul Worstead (1950–)

To destroy the world ... we had to save it

(1992)

screenprint

Artist: SELLBACH, Udo | Title: To dump | Technique: etching, printed with plate-tone in black

Udo Sellbach (1927–2006)

To dump

etching

Artist: SELLBACH, Udo | Title: To execute | Date: 1965 | Technique: etching, aquatint printed in colour

Udo Sellbach (1927–2006)

To execute

(1965)

etching

Artist: SELLBACH, Udo | Title: To exhibit | Date: 1965 | Technique: etching and aquatint printed in black ink, from one plate

Udo Sellbach (1927–2006)

To exhibit

(1965)

etching and aquatint printed in black ink

Artist: Dench, Marieke. | Title: To feel one's way. | Date: 2002 | Technique: linocut, embossing with dry pigment

Marieke Dench (1974–)

To feel one's way.

(2002)

linocut

Artist: Tremblay, Theo. | Title: To Grahame | Date: 1983 | Technique: lithograph, printed in black ink, from one stone; with additional pencil

Theo Tremblay (1952–)

To Grahame

(1983)

lithograph

Artist: SELLBACH, Udo | Title: To humble | Date: 1965 | Technique: etching and aquatint with burnishing, printed in black ink, from one plate

Udo Sellbach (1927–2006)

To humble

(1965)

etching and aquatint with burnishing

Artist: HANRAHAN, Barbara | Title: To Iris Pearl | Date: 1966 | Technique: lithograph, printed in colour, from two plates, photo-screenprint

Barbara Hanrahan (1939–1991)

To Iris Pearl

(1966)

lithograph

Artist: Farmer, Glen. | Title: To kampini | Date: 1996, July | Technique: etching, printed in black ink, from one plate

Glen Farmer (1971–)

To kampini

(1996, July)

etching