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WORKS 28441 – 28460 of 32052 IMAGES ONLY
Artist: Shead, Garry. | Title: The wave | Date: 1994-95 | Technique: etching and aquatint, printed in blue-black ink, from one plate | Copyright: © Garry Shead

Garry Shead (1942–)

The wave

(1994-95)

etching and aquatint

Artist: Shead, Garry. | Title: The wave | Date: 1994-95 | Technique: etching and aquatint, printed in blue-black ink, from one plate | Copyright: © Garry Shead

Garry Shead (1942–)

The wave

(1994-95)

etching and aquatint

Artist: Heyes, Ken. | Title: the way he moved; his manners, but especially his style of speaking: finally his downright idiosyncratic tastes - all this seemed so old-fashioned, as though he had drifted out of the nineteenth century into the twentieth ... | Date: 1984 | Technique: photocopy

Ken Heyes (1952–)

the way he moved; his manners, but especially his style of speaking: finally his downright idiosyncratic tastes - all this seemed so old-fashioned, as though he had drifted out of the nineteenth century into the twentieth ...

(1984)

photocopy

Title: The way Her Majesty's mails and the public protectors are served in New South Wales | Date: c.1865 | Technique: lithograph, printed in black ink, from one stone; hand-coloured

The way Her Majesty's mails and the public protectors are served in New South Wales

(c.1865)

lithograph

Artist: EWINS, Rod | Title: The Way It Was (The Residence III). | Date: 1983, March-April | Technique: photo-etching and aquatint, printed in black ink, from one plate

Rod Ewins (1940–)

The Way It Was (The Residence III).

(1983, March-April)

photo-etching and aquatint

Artist: Franklin, Annie. | Title: The way it was is gone forever. | Date: (1988) | Technique: screenprint, printed in colour, from multiple stencils

Annie Franklin (1962–)

"The way it was is gone forever".

((1988))

screenprint

Artist: Robertson, Toni. | Title: The way to a woman's heart is through her masochism. | Date: 1979 | Technique: screenprint, printed in colour, from four stencils | Copyright: © Toni Robertson

Toni Robertson (1953–)

The way to a woman's heart is through her masochism.

(1979)

screenprint

Artist: HANRAHAN, Barbara | Title: The wedding | Date: 1977 | Technique: screenprint, printed in colour, from seven stencils

Barbara Hanrahan (1939–1991)

The wedding

(1977)

screenprint

Artist: Groblicka, Lidia. | Title: The wedding | Date: 1953-54 | Technique: etching and aquatint, printed in black ink, from one plate

Lidia Groblicka (1933–2012)

The wedding

(1953-54)

etching and aquatint

Artist: Mantzaris, Diane. | Title: The wedding present. | Date: 1987 | Technique: lithograph from computer-generated image, printed in black ink, from one plate

Diane Mantzaris (1962–)

The wedding present.

(1987)

lithograph from computer-generated image

Artist: Zofrea, Salvatore. | Title: The wedding, Borgia. | Date: 1989 | Technique: woodcut, printed in black ink, from one block; hand-coloured | Copyright: © Salvatore Zofrea, 1989

Salvatore Zofrea (1946–)

The wedding, Borgia.

(1989)

woodcut

Artist: Watson, Judy. | Title: the well | Date: 1997 | Technique: lithograph | Copyright: © Judy Watson. Licensed by VISCOPY, Australia

Judy Watson (1959–)

the well

(1997)

lithograph

Artist: PROUT, John Skinner | Title: The Wellington Falls, Hobart Town. | Date: 1845 | Technique: lithograph, printed in colour, from multiple stones; additional hand-colouring

John Skinner Prout (1805–1876)

The Wellington Falls, Hobart Town.

(1845)

lithograph

Artist: LEACH-JONES, Alun | Title: The Welsh suite (#1) | Date: October 1991 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the artist

Alun Leach-Jones (1937–2017)

The Welsh suite (#1)

(October 1991)

etching

Artist: LEACH-JONES, Alun | Title: The Welsh suite (#2) | Date: October 1991 | Technique: etching, printed in black ink, from one plate | Copyright: Courtesy of the artist

Alun Leach-Jones (1937–2017)

The Welsh suite (#2)

(October 1991)

etching

Artist: LEACH-JONES, Alun | Title: The Welsh suite (#3) | Date: October 1991 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the artist

Alun Leach-Jones (1937–2017)

The Welsh suite (#3)

(October 1991)

etching

Artist: LEACH-JONES, Alun | Title: The Welsh suite (#4) | Date: October 1991 | Technique: etching, printed in black ink, from one plate | Copyright: Courtesy of the artist

Alun Leach-Jones (1937–2017)

The Welsh suite (#4)

(October 1991)

etching

Artist: LEACH-JONES, Alun | Title: The Welsh suite (#5) | Date: October 1991 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the artist

Alun Leach-Jones (1937–2017)

The Welsh suite (#5)

(October 1991)

etching

Artist: LEACH-JONES, Alun | Title: The Welsh suite (#6) | Date: October 1991 | Technique: etching, printed in black ink, from one plate | Copyright: Courtesy of the artist

Alun Leach-Jones (1937–2017)

The Welsh suite (#6)

(October 1991)

etching

Artist: LEACH-JONES, Alun | Title: The Welsh suite (#7) | Date: October 1991 | Technique: etching, printed in black ink, from one plate | Copyright: Courtesy of the artist

Alun Leach-Jones (1937–2017)

The Welsh suite (#7)

(October 1991)

etching