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WORKS 28241 – 28260 of 32052 IMAGES ONLY
Artist: UNKNOWN | Title: The Sun-Herald: Food Riot. | Date: c.1979 | Technique: screenprint, printed in colour, from four stencils

UNKNOWN

The Sun-Herald: Food Riot.

(c.1979)

screenprint

Artist: Kelly, John. | Title: The sun-lovers | Date: 2002 | Technique: etching, printed in black ink, from one plate | Copyright: © John Kelly. Licensed by VISCOPY, Australia.

John Kelly (1965–)

The sun-lovers

(2002)

etching

Artist: LINDSAY, Lionel | Title: The Sundowner | Date: 1921 | Technique: aquatint and burnishing, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Sundowner

(1921)

aquatint and burnishing

Artist: Davey, William J. | Title: The sundowner | Date: 1930s | Technique: wood-engraving, printed in brown and yellow ink, from two blocks

William J. Davey (1935–)

The sundowner | While the billy boils

(1930s)

wood-engraving

Artist: Pratt, Douglas. | Title: The sunlit forge. | Date: c.1929 | Technique: etching, printed in black ink, from one plate

Douglas Pratt (1900–1972)

The sunlit forge.

(c.1929)

etching

Artist: Coburn, John. | Title: The sunlit plains | Date: 2003 | Technique: aquatint, printed in colour, from multiple plates

John Coburn (1925–2006)

The sunlit plains

(2003)

aquatint

Artist: Bennett, Gordon. | Title: The superimposed footprint (after Margaret Preston) | Date: 1997, September | Technique: lithograph, printed in colour, from five photo-lithographic plates | Copyright: © Gordon Bennett, Licensed by VISCOPY, Australia

Gordon Bennett (1955–2014)

The superimposed footprint (after Margaret Preston)

(1997, September)

lithograph

Artist: GRIFFITH, Pamela | Title: The Supreme Court, Sydney | Date: 1982 | Technique: hardground-etching, aquatint and burnishing, printed in warm black ink, from one zinc plate | Copyright: © Pamela Griffith

Pamela Griffith (1943–)

The Supreme Court, Sydney

(1982)

hardground-etching

Artist: BOYD, Arthur | Title: The survivor. | Date: 1971 | Technique: etching

Arthur Boyd (1920–1999)

The survivor.

(1971)

etching

Artist: Febey, Rodney. | Title: The swamp men. | Date: 1982 | Technique: photocopy, printed in black ink, from hand drawn artwork

Rodney Febey (1982–)

The swamp men.

(1982)

photocopy

Artist: LINDSAY, Lionel | Title: The swan | Date: 1924 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The swan | Swan and waterlilies | The white swan

(1924)

wood-engraving

Artist: Shearer, Mitzi. | Title: The swan that isn't | Date: 1977 | Technique: linocut, printed in colour from, five blocks

Mitzi Shearer (1909–1995)

The swan that isn't

(1977)

linocut

Artist: Shearer, Mitzi. | Title: The swan that isn't | Date: 1977

Mitzi Shearer (1909–1995)

The swan that isn't

(1977)

Artist: HANRAHAN, Barbara | Title: The sweetening of the year | Date: 1983 | Technique: wood-engraving, printed in black ink, from one block

Barbara Hanrahan (1939–1991)

The sweetening of the year

(1983)

wood-engraving

Artist: Proctor, Thea. | Title: The swing. | Date: (1925) | Technique: woodcut, printed in black ink, from one block; hand-coloured | Copyright: © Art Gallery of New South Wales

Thea Proctor (1879–1966)

The swing.

((1925))

woodcut

Artist: Owen, Gladys. | Title: The Sydney Bridge. | Date: 1932 (exhibited) | Technique: wood-engraving, printed in black ink, from one block | Copyright: © Estate of David Moore

Gladys Owen (1889–1960)

The Sydney Bridge.

(1932 (exhibited))

wood-engraving

Artist: GRIFFITH, Pamela | Title: The Sydney Harbour Bridge | Date: 1988 | Technique: hardground-etching, aquatint and burnishing, printed in black ink, from one copper plate | Copyright: © Pamela Griffith

Pamela Griffith (1943–)

The Sydney Harbour Bridge

(1988)

hardground-etching

Artist: TIPPING, Richard | Title: The Sydney Morning Herald Vol.III from Words Works 1979-1992 including works from the on-going series Roadsigned and Subvertising. | Date: 1992 | Technique: screenprints, printed in colour

Richard Tipping (1949–)

The Sydney Morning Herald Vol.III from Words Works 1979-1992 including works from the on-going series Roadsigned and Subvertising.

(1992)

screenprints

Artist: GRIFFITH, Pamela | Title: The Sydney Opera House | Date: 1988 | Technique: hardground-etching and aquatint, printed in black ink, from one copper plate | Copyright: © Pamela Griffith

Pamela Griffith (1943–)

The Sydney Opera House

(1988)

hardground-etching and aquatint

Artist: Shirlow, John. | Title: The Sydney set of six etchings | Date: (1917-18) | Technique: etchings, printed in brown/black ink, each from one copper plate

John Shirlow (1869–1936)

The Sydney set of six etchings

((1917-18))

etchings