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Artist: GRIFFITH, Pamela | Title: The Red Geranium | Date: 1988 | Technique: hardground-etching and aquatint, printed in black ink, from one copper plate | Copyright: © Pamela Griffith

Pamela Griffith (1943–)

The Red Geranium

(1988)

hardground-etching and aquatint

Artist: GRIFFITH, Pamela | Title: The Red Geranium | Date: 1988 | Technique: hardground-etching and aquatint, printed in black ink, from one copper plate | Copyright: © Pamela Griffith

Pamela Griffith (1943–)

The Red Geranium

(1988)

hardground-etching and aquatint

Artist: GRIFFITH, Pamela | Title: The Red Geranium | Date: 1988 | Technique: hardground-etching and aquatint, printed in colour, from two copper plates | Copyright: © Pamela Griffith

Pamela Griffith (1943–)

The Red Geranium

(1988)

hardground-etching and aquatint

Artist: Ragless, Max. | Title: The red gum | Date: 1933 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: © Max Ragless

Max Ragless (1901–1981)

The red gum

(1933)

drypoint

Title: The Red House Farm, Windsor in New South Wales. | Date: c.1810 | Technique: engraving, printed in black ink, from one copper plate; hand-coloured

The Red House Farm, Windsor in New South Wales.

(c.1810)

engraving

Artist: TRAILL, Jessie | Title: The red light, Harbour Bridge, June 1931. | Date: 1932 | Technique: aquatint and etching, printed in brown ink with plate-tone, from one plate; additional hand-colouring

Jessie Traill (1881–1967)

The red light, Harbour Bridge, June 1931.

(1932)

aquatint and etching

Artist: PRESTON, Margaret | Title: The red road to Mulgoa. | Date: 1944 | Technique: woodcut, printed in colour, from one masonite block | Copyright: © Margaret Preston. Licensed by VISCOPY, Australia

Margaret Preston (1875–1963)

The red road to Mulgoa. | Red road to Mulgoa

(1944)

woodcut

Artist: Cummings, Elizabeth. | Title: The red table. | Date: 2001 | Technique: etching and aquatint, printed in colour, from five plates

Elizabeth Cummings (1934–)

The red table.

(2001)

etching and aquatint

Artist: LONG, Sydney | Title: The reflected mill | Date: 1919 | Technique: line-etching and aquatint, printed in dark brown ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The reflected mill

(1919)

line-etching and aquatint

Artist: Counihan, Noel. | Title: The relieving priest. | Date: 1981 | Technique: lithograph, printed in black ink, from one stone

Noel Counihan (1913–1986)

The relieving priest.

(1981)

lithograph

Artist: McBurnie, Ron. | Title: The reluctant return of the button eyed cat | Date: 1988 | Technique: etching and aquatint, printed in black ink, from one plate | Copyright: © Ron McBurnie

Ron Mcburnie (1957–)

The reluctant return of the button eyed cat

(1988)

etching and aquatint

Artist: UNKNOWN | Title: The Removalists - Nimrod Street Theatre | Date: c.1974

UNKNOWN

The Removalists - Nimrod Street Theatre

(c.1974)

Artist: UNKNOWN | Title: The Renaissance players | Date: 1976 | Technique: screenprint, printed in colour, from two stencils

UNKNOWN

The Renaissance players

(1976)

screenprint

Artist: Stejskal, Josef Lada. | Title: The Rep. Theatre at Bondi presents ... Tom Stoppard: Dogg's Hamlet, Cahoot's Macbeth; Edward Bond: The Fool | Date: 1983 | Technique: offset-lithograph, printed in black ink, from one plate

Josef Lada Stejskal (1945–)

The Rep. Theatre at Bondi presents ... Tom Stoppard: Dogg's Hamlet, Cahoot's Macbeth; Edward Bond: The Fool

(1983)

offset-lithograph

Artist: Cant, James. | Title: The reptile | Date: 1948 | Technique: cliche-verre, printed in blue pigment, from one hand-drawn glass plate

James Cant (1911–1982)

The reptile

(1948)

cliche-verre

Artist: Cant, James. | Title: The reptile. | Date: 1948 | Technique: cliche-verre, printed in blue pigment, from one paper plate

James Cant (1911–1982)

The reptile.

(1948)

cliche-verre

Artist: STONE, T.M. (Bauxhau) | Title: The Republic | Date: 1986 | Technique: aquatint, etching printed in black ink, from one plate

T.M. (Bauxhau) Stone

The Republic

(1986)

aquatint

Artist: EWINS, Rod | Title: The Residence.. | Date: 1983 | Technique: screenprint

Rod Ewins (1940–)

The Residence..

(1983)

screenprint

Artist: EWINS, Rod | Title: The Residence (The Residence I). | Date: 1983, January | Technique: photo-etching and aquatint, printed in black ink, from one plate

Rod Ewins (1940–)

The Residence (The Residence I).

(1983, January)

photo-etching and aquatint

Artist: LYCETT, Joseph | Title: The residence of Edward Riley Esq., Woolloomooloo, near Sydney, N.S.W. | Date: 1825 | Technique: etching, aquatint and roulette, printed in black ink, from one copper plate; hand-coloured

Joseph Lycett (1775–1828)

The residence of Edward Riley Esq., Woolloomooloo, near Sydney, N.S.W.

(1825)

etching