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WORKS 27801 – 27820 of 32060 IMAGES ONLY
Artist: Senbergs, Jan. | Title: The Port Liardet limner. [a] | Date: 1992 | Technique: etching, printed in black ink, from four copper plates | Copyright: © Jan Senbergs

Jan Senbergs (1939–)

The Port Liardet limner. [a]

(1992)

etching

Artist: Senbergs, Jan. | Title: The Port Liardet limner. [b] | Date: 1992 | Technique: etching, printed in black ink, from four copper plates | Copyright: © Jan Senbergs

Jan Senbergs (1939–)

The Port Liardet limner. [b]

(1992)

etching

Artist: Senbergs, Jan. | Title: The Port Liardet limner. [c] | Date: 1992 | Technique: etching, printed in black ink, from four copper plates | Copyright: © Jan Senbergs

Jan Senbergs (1939–)

The Port Liardet limner. [c]

(1992)

etching

Artist: Senbergs, Jan. | Title: The Port Liardet limner. [d] | Date: 1992 | Technique: etching, printed in black ink, from four copper plates | Copyright: © Jan Senbergs

Jan Senbergs (1939–)

The Port Liardet limner. [d]

(1992)

etching

Artist: GOODCHILD, John | Title: The port, London | Date: 1928 | Technique: drypoint, printed in black ink, from one plate

John Goodchild (1898–1980)

The port, London | The pool of London | The pool, London

(1928)

drypoint

Artist: Nixon, F.R. | Title: The port, Mount Lofty. | Date: 1845 | Technique: etching, printed in black ink, from one plate

F.R. Nixon (1817–1860)

The port, Mount Lofty.

(1845)

etching

Artist: Hjorth, Noela. | Title: The portrait of the artist's son, cat and garden. | Date: 1972 | Technique: photo-etching, printed in colour, from multiple plates

Noela Hjorth (1940–)

The portrait of the artist's son, cat and garden.

(1972)

photo-etching

Artist: Ham Brothers. | Title: The post office, Melbourne. | Date: 1851 | Technique: engraving, printed in black ink, from one copper plate

Ham Brothers. (1850–1851)

The post office, Melbourne.

(1851)

engraving

Artist: Black, Dorrit. | Title: The pot plant. | Date: 1933 | Technique: linocut, printed in colour, from six blocks (crimson, brown ochre, cobalt blue viridian, light brown-grey)

Dorrit Black (1891–1951)

The pot plant.

(1933)

linocut

Artist: Harris, Pamela. | Title: The powder room | Date: 1984 | Technique: photo-screenprint, printed in colour, from multiple screens

Pamela Harris (1946–1992)

The powder room

(1984)

photo-screenprint

Artist: Lane, Leonie. | Title: The Power Gallery Lecture '80: Kenneth Coutts-Smith, 'The state of the avant-garde'. | Date: 1980 | Technique: screenprint, printed in colour, from two stencils | Copyright: © Leonie Lane

Leonie Lane (1955–)

The Power Gallery Lecture '80: Kenneth Coutts-Smith, 'The state of the avant-garde'.

(1980)

screenprint

Artist: HANRAHAN, Barbara | Title: The power of example | Date: 1979 | Technique: etching, printed in black ink with plate-tone, from one plate

Barbara Hanrahan (1939–1991)

The power of example

(1979)

etching

Artist: VARIOUS | Title: The Power Survey of Contemporary Art 1972. National Gallery of Victoria, February 3ed to March 19th, 1972. | Date: 1972 | Technique: screenprint

VARIOUS

The Power Survey of Contemporary Art 1972. National Gallery of Victoria, February 3ed to March 19th, 1972.

(1972)

screenprint

Title: The Powerhouse youth theatre | Date: 1991 | Technique: screenprint, printed in colour, from nine stencils

The Powerhouse youth theatre

(1991)

screenprint

Title: The preacher | Date: 2001 | Technique: hardground etching, sugar-lift and aquatint, printed in colour, from two copper plates; inked a-la-poupee

The preacher

(2001)

hardground etching

Artist: QUICK, Mary | Title: The Presbyterian church | Date: c.1945 | Technique: woodcut, printed in black ink, from one block

Mary Quick

The Presbyterian church

(c.1945)

woodcut

Artist: Shead, Garry. | Title: The presence | Date: 1994 | Technique: etching and aquatint, printed in blue-black ink, from one plate | Copyright: © Garry Shead

Garry Shead (1942–)

The presence

(1994)

etching and aquatint

Artist: LINDSAY, Lionel | Title: The priest's door | Date: 1919 | Technique: etching and drypoint, printed in brown ink with plate-tone and wiped highlights, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The priest's door | The bishops door, Seville.

(1919)

etching and drypoint

Artist: Forster, Josephine. | Title: The printer. | Date: 1988 | Technique: linocut, printed in black ink, from one block | Copyright: © Josephine Forster

Josephine Forster (1930–)

The printer.

(1988)

linocut

Artist: LINDSAY, Lionel | Title: The priory doorway, Taormina. | Date: 1928 | Technique: drypoint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The priory doorway, Taormina.

(1928)

drypoint