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WORKS 27761 – 27780 of 32060 IMAGES ONLY
Artist: AMOR, Rick | Title: The pillar. | Date: 1991 | Technique: etching, printed in colour, from two plates

Rick Amor (1948–)

The pillar.

(1991)

etching

Artist: Gruner, Elioth. | Title: The pines. | Date: 1919 | Technique: drypoint, printed in brown ink with plate-tone, from one plate

Elioth Gruner (1882–1939)

The pines.

(1919)

drypoint

Artist: AMOR, Rick | Title: The pines Baxter. | Date: 1984 | Technique: woodcut, printed in black ink, from one block

Rick Amor (1948–)

The pines Baxter.

(1984)

woodcut

Artist: Jeffcoat, Kirsten. | Title: The Pink Palace | Date: 1983 | Technique: lithograph, printed in black ink, from one stone [or plate]

Kirsten Jeffcoat (1961–)

The Pink Palace

(1983)

lithograph

Artist: Davies, L. Roy. | Title: The Pioneer. | Date: 1930 | Technique: wood-engraving, printed in black ink, from one block | Copyright: © The Estate of L. Roy Davies

L. Roy Davies (1897–1979)

The Pioneer.

(1930)

wood-engraving

Artist: LINDSAY, Lionel | Title: The pipe of baccy | Date: 1924 | Technique: etching, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The pipe of baccy

(1924)

etching

Artist: Nixon, F.R. | Title: The plains from Glen Osmond Mine, Adelaide. | Date: 1845 | Technique: etching, printed in black ink, from one plate

F.R. Nixon (1817–1860)

The plains from Glen Osmond Mine, Adelaide.

(1845)

etching

Artist: LINDSAY, Lionel | Title: The plant auction, Hunter Street | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The plant auction, Hunter Street | The old plant auction

etching

Artist: Dyson, Will. | Title: The planter's daughter. | Date: 1930 | Technique: drypoint, printed in black ink with plate-tone, from one plate

Will Dyson (1880–1938)

The planter's daughter.

(1930)

drypoint

Artist: Hamel, Julius. | Title: The plat or chamber of the United Extended Band of Hope Mine, Ballarat. | Date: 1867 | Technique: lithograph, printed in colour, from two stones

Julius Hamel (1823–1894)

The plat or chamber of the United Extended Band of Hope Mine, Ballarat.

(1867)

lithograph

Artist: Spowers, Ethel. | Title: The plough. | Date: 1928 | Technique: linocut, printed in colour, from three blocks (light green, mauve, cobalt blue)

Ethel Spowers (1890–1947)

The plough.

(1928)

linocut

Title: The ploughman | Date: 1919 | Technique: etching and drypoint, printed in black ink, from one plate

The ploughman

(1919)

etching and drypoint

Artist: Winkelmann, George. | Title: The ploughman

George Winkelmann (1930–)

The ploughman

Artist: Thake, Eric. | Title: The plume hunter | Date: 1951 | Technique: linocut, printed in black ink, from one block

Eric Thake (1904–1982)

The plume hunter

(1951)

linocut

Artist: Thake, Eric. | Title: The Plume Hunter | Date: 1951 | Technique: linocut, printed in black ink, from one block

Eric Thake (1904–1982)

"The Plume Hunter"

(1951)

linocut

Title: The pobble who has no toes. Brisbane, Locks' Press, 1979. | Date: 1979 | Technique: engraving, lithograph | Copyright: © Margaret Lock

The pobble who has no toes. Brisbane, Locks' Press, 1979.

(1979)

engraving

Artist: Waller, M. Napier. | Title: The poddy calf | Date: c.1925 | Technique: linocut, printed in black ink, from one block

M. Napier Waller (1893–1972)

The poddy calf

(c.1925)

linocut

Artist: Strachan, David. | Title: The Poet | Date: 1951

David Strachan (1919–1970)

The Poet

(1951)

Artist: Strachan, David. | Title: The Poet. | Date: 1951 | Technique: etching and aquatint, printed in black ink, from one plate

David Strachan (1919–1970)

The Poet.

(1951)

etching and aquatint

Artist: BOT, G.W. | Title: The poet | Date: 1996 | Technique: woodcut, printed in colour, from one block | Copyright: © G.W. Bot

G.W. Bot (1954–)

The poet

(1996)

woodcut