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WORKS 27521 – 27540 of 32052 IMAGES ONLY
Artist: Garrett, Tom. | Title: (The mill by moonlight) | Date: 1930s | Technique: monotype, printed in colour

Tom Garrett (1879–1952)

(The mill by moonlight)

(1930s)

monotype

Artist: ROSENGRAVE, Harry | Title: The mill stream | Date: 1957 | Technique: linocut, printed in colour, from four blocks

Harry Rosengrave (1899–1986)

The mill stream

(1957)

linocut

Artist: UNKNOWN | Title: The mill, Braidwood | Date: 1977 | Technique: screenprint, printed in colour, from two stencils

UNKNOWN

The mill, Braidwood

(1977)

screenprint

Artist: Dickerson, Robert. | Title: The mime. | Date: 1977 | Technique: etching and aquatint, printed in black ink, from one zinc plate

Robert Dickerson (1924–2015)

The mime.

(1977)

etching and aquatint

Artist: Counihan, Noel. | Title: The miner. | Date: 1947 | Technique: linocut, printed in black ink, from one block

Noel Counihan (1913–1986)

The miner.

(1947)

linocut

Title: The miner's dream of home | Date: c.1900 | Technique: lithograph, printed in colour, from multiple stones

The miner's dream of home

(c.1900)

lithograph

Artist: UNKNOWN, | Title: The Ministers and their cronies off to Botany Bay and the Dorchester men returning | Date: 1834 | Technique: woodcut, printed in black ink, from one block

UNKNOWN,

The Ministers and their cronies off to Botany Bay and the Dorchester men returning

(1834)

woodcut

Artist: GRIFFITH, Pamela | Title: The Mint, 1982 | Date: 1982 | Technique: hardground-etching, aquatint, and burnishing, printed in black ink, from one on one zinc plate | Copyright: © Pamela Griffith

Pamela Griffith (1943–)

The Mint, 1982

(1982)

hardground-etching

Artist: MADDOCK, Bea | Title: The miracle | Date: 1964 | Technique: monotype, printed in oil paint, from one glass plate

Bea Maddock (1934–2016)

The miracle

(1964)

monotype

Artist: Lanceley, Colin. | Title: The Miraculous Mandarin Suite. | Date: 1966 | Technique: screenprint, printed in black ink, from one stencil | Copyright: © Colin Lanceley. Licensed by VISCOPY, Australia

Colin Lanceley (1938–2015)

The Miraculous Mandarin Suite.

(1966)

screenprint

Artist: Flett, James. | Title: The mirror. | Date: c.1930 | Technique: linocut, printed in colour, from multiple blocks

James Flett (1906–1986)

The mirror.

(c.1930)

linocut

Artist: BALDESSIN, George | Title: The mirror. | Date: 1965 | Technique: colour etching and aquatint printed in intaglio and in relief [the co applied to the plate...]

George Baldessin (1939–1978)

The mirror.

(1965)

colour etching and aquatint printed in intaglio and in relief [the co applied to the plate...]

Artist: Blackman, Charles. | Title: The mirror. | Date: (1976) | Technique: etching, printed in black ink, from one plate

Charles Blackman (1928–2018)

The mirror.

((1976))

etching

Artist: Green, Mike. | Title: The mirror. | Date: 1989 | Technique: screenprint, printed in colour, from 15 stencils

Mike Green (1941–)

The mirror.

(1989)

screenprint

Artist: Dyson, Will. | Title: The misery of rest camps. | Date: 1918 | Technique: lithograph, printed in black ink, from one stone

Will Dyson (1880–1938)

The misery of rest camps.

(1918)

lithograph

Artist: LINDSAY, Lionel | Title: The Mitchell Library, Sydney | Date: 1925 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Mitchell Library, Sydney

(1925)

drypoint

Artist: Groblicka, Lidia. | Title: The model. | Date: 1954 | Technique: woodcut, printed in black ink, from one block

Lidia Groblicka (1933–2012)

The model.

(1954)

woodcut

Artist: Blackman, Charles. | Title: The model airplane. | Date: 1984 | Technique: screenprint, printed in black ink, from one stencil

Charles Blackman (1928–2018)

The model airplane.

(1984)

screenprint

Artist: Allen, Davida | Title: The model art teacher | Date: 1991, July - September | Technique: etching, printed in black ink, from one plate; hand-coloured

Davida Allen (1951–2014)

The model art teacher

(1991, July - September)

etching

Artist: WORSTEAD, Paul | Title: The Modern Nonsense and Sheila | Date: 1978 | Technique: screenprint, printed in black ink, from one stencil | Copyright: This work appears on screen courtesy of the artist

Paul Worstead (1950–)

The Modern Nonsense and Sheila

(1978)

screenprint