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WORKS 27161 – 27180 of 32052 IMAGES ONLY
Artist: Long, Sydney. | Title: The harbour, St.Ives | Date: 1920 | Technique: softground-etching with burnishing, printed in brown ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The harbour, St.Ives

(1920)

softground-etching with burnishing

Artist: TIPPING, Richard | Title: The Hat. | Date: 1973

Richard Tipping (1949–)

The Hat.

(1973)

Artist: Brash, Barbara. | Title: The hat. | Date: 1950s | Technique: etching, aquatint and lavis, printed in black ink, from one plate

Barbara Brash (1925–1998)

The hat.

(1950s)

etching

Artist: BALDESSIN, George | Title: The hat. | Date: 1967 | Technique: colour etching and aquatint

George Baldessin (1939–1978)

The hat.

(1967)

colour etching and aquatint

Artist: BALDESSIN, George | Title: The hat. | Date: 1967 | Technique: etching and aquatint, printed in black ink, from one plate

George Baldessin (1939–1978)

The hat.

(1967)

etching and aquatint

Artist: Proctor, Thea. | Title: The hat shop | Date: 1919 | Technique: lithograph, printed in colour, from four stones | Copyright: © Art Gallery of New South Wales

Thea Proctor (1879–1966)

The hat shop

(1919)

lithograph

Artist: Webb, A.B. | Title: The haunt of the heron | Date: c.1920 | Technique: woodcut, printed in colour in the Japanese manner, from five blocks

A.B. Webb (1887–1944)

The haunt of the heron

(c.1920)

woodcut

Artist: Harbeck, Ron. | Title: The hay shed. | Date: 1986 | Technique: screenprint, printed in colour, from five stencils

Ron Harbeck (1989–)

The hay shed.

(1986)

screenprint

Artist: Watson, Jenny. | Title: The haycarter | Date: 1990 | Technique: lithograph, printed in colour, from multiple stones and plates | Copyright: © Jenny Watson. Licensed by VISCOPY, Australia, 2008.

Jenny Watson (1951–)

The haycarter

(1990)

lithograph

Artist: Herbert, Harold. | Title: The haystacks | Date: c.1928 | Technique: etching, printed in brown ink with plate-tone, from one plate

Harold Herbert (1891–1945)

The haystacks

(c.1928)

etching

Artist: PROUT, John Skinner | Title: The Heads of Port Jackson. | Date: 1842 | Technique: lithograph, printed in colour, from two stones

John Skinner Prout (1805–1876)

The Heads of Port Jackson.

(1842)

lithograph

Artist: GRIFFITH, Pamela | Title: The helmet shell | Date: 1981 | Technique: etching, printed in black ink, from one plate | Copyright: © Pamela Griffith

Pamela Griffith (1943–)

The helmet shell

(1981)

etching

Artist: LINDSAY, Lionel | Title: The Hermitage, Cordova. | Date: 1931 | Technique: etching, printed in warm black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Hermitage, Cordova.

(1931)

etching

Artist: Herbert, Harold. | Title: The hermitage, Martigue. | Date: c.1921 | Technique: drypoint, printed in black ink, from one plate

Harold Herbert (1891–1945)

The hermitage, Martigue. | An old monastery, Les Martiques.

(c.1921)

drypoint

Artist: LINDSAY, Lionel | Title: The herring | Date: 1923 | Technique: woodengravings and letterpress in black and red ink | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The herring

(1923)

woodengravings and letterpress in black and red ink

Artist: BUNNY, Rupert | Title: [The Hesperides]. | Date: c.1905 | Technique: monotype, printed in colour, from one zinc plate

Rupert Bunny (1864–1947)

[The Hesperides].

(c.1905)

monotype

Artist: Rooney, Robert. | Title: The hill. | Date: 1956 | Technique: lithograph, printed in black ink, from one stone

Robert Rooney (1937–2017)

The hill.

(1956)

lithograph

Artist: Barker, George. | Title: The Hill End Machine - on the road again. | Date: 1971 | Technique: screenprint, printed in colour, from multiple stencils | Copyright: © George Barker

George Barker (1942–)

The Hill End Machine - on the road again.

(1971)

screenprint

Artist: Barker, George. | Title: The Hill End Machine - the new store. | Date: 1971 | Technique: screenprint, printed in colour, from multiple stencils | Copyright: © George Barker

George Barker (1942–)

The Hill End Machine - the new store.

(1971)

screenprint

Artist: Wahdu Saietow. | Title: The Hills of Chiangshien | Date: 1991 | Technique: etching, printed in black ink, from one plate

Wahdu Saietow. (1991–)

The Hills of Chiangshien

(1991)

etching