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WORKS 27141 – 27160 of 32052 IMAGES ONLY
Artist: Coveny, Christopher. | Title: The grindstone in the courtyard (The Tale of Two Cities). | Date: 1882 | Technique: etching, printed in black ink, from one plate

Christopher Coveny (1846–1941)

The grindstone in the courtyard (The Tale of Two Cities).

(1882)

etching

Artist: CAAMA | Title: The grog is killing us. Beat the grog. | Date: 1986 | Technique: lithograph, printed in colour, from multiple stones [or plates]

CAAMA (1980–)

The grog is killing us. Beat the grog.

(1986)

lithograph

Artist: Dyson, Will. | Title: The grooms, Happy Valley, Franvilliers. | Date: 1918 | Technique: lithograph, printed in black ink, from one stone Arnold unbleached

Will Dyson (1880–1938)

The grooms, Happy Valley, Franvilliers.

(1918)

lithograph

Artist: Shead, Garry. | Title: The group | Date: c. 1984 | Technique: linocut, printed in black ink, from one block | Copyright: © Garry Shead

Garry Shead (1942–)

The group

(c. 1984)

linocut

Artist: Sibley, Andrew. | Title: The growing impatience of the 'high rise' lovers | Date: 1997 | Technique: etching and aquatint, printed in black ink with plate-tone, from one plate

Andrew Sibley (1933–2015)

The growing impatience of the 'high rise' lovers

(1997)

etching and aquatint

Artist: Insch, Bill. | Title: The Guardian. | Date: 1988 | Technique: photo-lithograph, printed in black ink, from a woodcut

Bill Insch (1950–)

The Guardian.

(1988)

photo-lithograph

Artist: Barwell, Geoff. | Title: (The guitar player). | Date: (1955) | Technique: linocut, printed in black ink, from one block

Geoff Barwell (1926–1963)

(The guitar player).

((1955))

linocut

Artist: LINDSAY, Lionel | Title: The guitar player | Date: 1920 | Technique: etching, printed in warm black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The guitar player | Serenade

(1920)

etching

Artist: Maurice, Furnley. | Title: The Gully. | Date: 1925 | Technique: letterpress text; lthographs, printed in black ink, from one stone; hand-coloured

Furnley Maurice (1881–1942)

The Gully.

(1925)

letterpress text; lthographs

Title: The Gum Trees of Australia | Date: 1886 | Technique: lithograph, printed in colour, from four stones

The Gum Trees of Australia

(1886)

lithograph

Artist: Spowers, Ethel. | Title: The gust of wind. | Date: 1930-31 | Technique: linocut, printed in colour, from four blocks (red, light green, cobalt blue and yellow ochre)

Ethel Spowers (1890–1947)

The gust of wind.

(1930-31)

linocut

Artist: LINDSAY, Lionel | Title: The Gypsy dance | Date: 1919 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Gypsy dance

(1919)

etching

Artist: Bowen, Dean. | Title: The haircut | Date: 1992 | Technique: etching, printed in colour, from multiple plates

Dean Bowen (1957–)

The haircut

(1992)

etching

Artist: WILLIAMS, Fred | Title: The haircut | Date: 1955-56 | Technique: etching, aquatint, drypoint, foul biting, printed in black ink, from one zinc plate; pen and ink | Copyright: © Fred Williams Estate

Fred Williams (1927–1982)

The haircut

(1955-56)

etching

Artist: Baille, Laura. | Title: The hall. | Date: 1998 | Technique: linocut, printed in black ink, from one block

Laura Baille (1998–)

The hall.

(1998)

linocut

Title: The handkerchief | Date: 1957 | Technique: linocut, printed in black ink, from one block

The handkerchief

(1957)

linocut

Artist: Rooney, Robert. | Title: The handkerchief 1957 - 2001 | Date: 1957 | Technique: linocut, printed in black ink, from one block | Copyright: Courtesy of Tolarno Galleries

Robert Rooney (1937–2017)

The handkerchief 1957 - 2001

(1957)

linocut

Artist: Mombassa, Reg. | Title: The handshake | Date: 2003 | Technique: etching and aquatint, printed in colour, from multiple plates

Reg Mombassa (1951–)

The handshake

(2003)

etching and aquatint

Artist: Brack, John. | Title: The happy boy. | Date: 1966 | Technique: drypoint, printed in black ink with plate-tone, from one copper plate | Copyright: © Helen Brack

John Brack (1920–1999)

The happy boy.

(1966)

drypoint

Artist: Long, Sydney. | Title: The harbour from Blues Point | Date: 1928, after | Technique: line-etching, printed in dark from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The harbour from Blues Point

(1928, after)

line-etching